Although it has elements of the dubious morality that obtained in the seventies overall this is a gentle charmer from the screenplay by Jean- Loup Dabadie through the direction of Yves Robert through the ensemble acting led admirably by Jean Rochefort. I haven't seen the Hollywood remake so I am unable to compare and contrast, I have, however, seen sufficient Hollywood remakes of French comedies - including one actually written by the great Francis Veber, i.e. adapting his own French screenplay for Hollywood - to know they seldom, if ever, live up to the original let alone eclipse it. The plot has elements of The Seven Year Itch and Dabadie acknowledges this by having the fantasy object stand over an air vent which blows her dress up; the difference is that in The Seven Year Itch there was only one male lead (Tom Ewell) and the object of his fantasy (Marilyn Monroe) whereas here Jean Rochefort has three male buddies all experiencing female trouble. Overall a pleasant, entertaining soufflé.

This has to be my favourite French film ever! I recall seeing it's very well dubbed English version on TV in the early '80s. It was remade into The Woman in Red, which was pretty banal in comparison. But thanks to TV5 Monde, I was able to see the original version en Francais.The film centres around Jean Rochefort, his friends and family. At the start, we see him standing precariously on the ledge of a high building. The reason why is shown at the film's end. (I won't give it away here) This is followed by a flashback. He is a middle-aged some-what bored businessman, who has his head turned one day when he sees a mysterious woman standing under an air vent in a car park. She happens to be wearing a flimsy red dress (hence the US title of the remake) which flutters in the breeze. She seems to enjoy this, and returns to the vent for a second helping. After she walks away, Rochefort tries it out for himself, but the effect for him in his buttoned overcoat is not as sexy to the viewer. Or even him. This is the catalyst for his obsession with the girl, played by Anny Duperey, who eventually turns up at his place of work, much to his surprise.Meanwhile, his loving and quite attractive wife, is being sexually harassed by a chubby friend of their teenage daughter, this is not to mention the personal problems that Rochefort's tennis buddies also encounter.This is well worth a look, even for the dubbed version. There was also a sequel made sometime after, but the magic was not there.

This truly funny and very well written - by Dabadie - comedy directed by Yves Robert is certainly one of the funniest movies I've ever seen. It is also one that I enjoy seeing again and again.Where the pretext for the story is really just what it is - a pretext - the most interesting part is the relationships that fuels the friendship between four men entangled in very difficult "rapport" with women. The funniest one certainly being the mother-son relationship that is in fact a true love story, that goes on between Guy Bedos and Marthe Villalonga. The scenes between those two are real anthology pieces.The secondary roles are also very attaching, particularly the one held by Christophe Bourseiller.All in all, this "coup de foudre" turned bad, told in voice over with amazing wit and elegance by Jean Rochefort is a classic that stands alone in the face of very mediocre French comedies.The sequel - Nous irons tous au paradis - is also very enjoyable.

Etienne(Jean Rochefort)is a happily married man and a good father. His friends all have secret affairs and/or cheat on their wives. One morning, Etienne sees a woman in red passing by his car. He falls in love with her and tries everything to get to know her better. Of course, this must be kept a secret to his wife.Whereas the story may not be very original, this film is extremely charming and amiable nonetheless. It has a great supporting cast(Brasseur is a stand-out), very funny moments and many real-life characters. Too bad this charming little film was later remade as THE WOMAN IN RED(with Gene Wilder and Kelly LeBrock). But Hollywood seems to have this "urge" to make their own version of each film with a bit of success outside the States. Anyway, if you have to choose between the original and the remake, choose UN ÉLEPHANT...(or PARDON MON AFFAIRE as it is sometimes called). 7/10