I didn't realize saying "I'm the landlord" or "I'm the lawyer" allows people to walk into an active crime scene. A suggestion to any aspiring screenwriters: If you want to write about something you don't have personal experience with, there is no shame in doing research. It might make the story more believable.

"Kiss Me, Kill Me" is a murder mystery told at its best. It is a story that sends you in many directions guessing until the end. Just when I thought I had it figured out...I was wrong. It happened again...and then a third time. Credit screenwriter David Michael Barrett as the plot twists were plentiful in this edge- of-your-seat, didn't't't-see-that-coming, mystery. I was pulled in and never released until the final few minutes. I love a good thriller, and this film was quite adequate in keeping this seasoned viewer guessing. Bonus points for the very Hitchcock cameo from the talented director, Casper Andreas! This film was visually VERY VERY VERY stunning. It's use of color and composition was extremely beautiful. I enjoyed the pacing of this film as well. Edited in such a way that you stayed on your toes as you watched the film towards the end.The opening credits montage, for example was reminiscent of mysteries that had a more comedic bent but this was effective & exciting as it played out. As the film progressed it moved from one crazy night to its crazy days of confusion and character play. It seemed obvious to the viewer that Dusty was not the killer but as the visuals unfolded that became a question again in everyone's mind. Adding to the movement visually and in the story line you have the development of the characters.They hypnotist was one of the steady rocks throughout the film, everyone else seemed to add to the layered plot of whom killed whom. But the writer and director did an excellent job by giving the viewer just enough to keep us questioning every twist & turn that entered the picture. The utter believable and reality is important to any film & the casting of this film was well done. Especially the lead character Dusty. He had to experience so much as the film moved forward. I think the most emotional & most impact & intense scene was his final session being hypnotized when he was able to uncover the truth of what he had done,even if it were accidental.This film was extremely well put together. From the visuals to the music straight through to the story line. Audiences may find similarities to other films but that can't be helped in any "Who done It?" mystery. What audiences will connect to are the characters, the occasional humor and the final twist in the end. Will there now be a spin off to tie it all together in another crazy way?Unlike traditional film, THIS FILM portrays gay & transgender characters,& does so in a modern, nuanced way. The gay characters are not solely motivated by sex, they are driven by grief, love & loss of a spouse. The film also depicts the circle of gay & lesbian friends that is more than just a stereotypical depiction. Further, the film shows us a drag queen take off her makeup and show a male side, in an unselfish conscious way. This kind of scene is rare in cinema. Strong acting performances by ALL the main actors are also key in keeping it a serious genre film. Use of music, dark lighting and mood all work to strong effect. Van Hansis ROCKED IN THIS FILM!!!!!! :)The film doesn't take itself too seriously either. For example, the crystal tiger that shows up in various scenes, and plays a key role in the denouement, evokes a 70's disco movie aesthetic. Also, the repeated jokes about lesbians throughout, and the coming out of the place detective at the end of the film show that this film has a sense of humor. Just the premise of a gay murder mystery, with a drag queen & baby-crazed woman as key supporting characters IS AWESOME. I recommend this film because it is suspenseful, has a sense of humor, portrays gay and trans-gendered characters in a realistic way, as it updates the film genre & re-imagines the traditional murder mystery for a new generation of viewer(s). Some murder mysteries take an age to get going, but what is particularly impressive about Kiss Me, Kill Me is that it hits the ground running from the outset, and doesn't slacken. Not once was I bored, or looking at my watch. For me, this was one of the unsung gems of the year. Highly recommended.

I don't rehash plots in reviews: you can easily find it by either reading other reviews of the summation at the top of the page. Let's just get to the film itself.The main character is a bit of a mess, but part of that may be because it's difficult to assess exactly how much time has transpired in this film. At some points it feels like it takes place over just a few days, while in others a few weeks. If the former, it makes this seem more like a Hitchcock film, where everyone, from the jilted ex (or is he?) to the baby-desperate lawyer (or is she?) to the hypno-therapist (or is he?) is trying to set this guy up. Think "North by Northwest", done on a smaller, more indie budget. No wonder he's such a basket case by the end, thoroughly convinced that he has indeed murdered... well, someone. But here's the thing: after a while, you just don't care — and not for the reason you might think. You don't care because you're just having such a grand time trying to keep up with all the plot twists and turns. Maybe the jilted ex did it — whoops, no, because now he's dead. The guy who shot the TV producer? Well, now he's dead too — and we're only two thirds of the way through. The central character is hauled in for questioning on numerous occasions and finally leaves one session thoroughly disgusted... only to have the camera cut to the lawyer's sudden, enigmatic smile. Then there's the therapist, with an unstated agenda of his own, the drug-dealing best friend who looks like another possibility, and finally the tag team lesbians who manage to muddy the waters even more. So many people to keep track of!But it's great fun: very well written (Actually North by Northwest written by Feydeau). and, for the most part, well acted and directed. The camera work was not the best, moving into the trite on too many occasions, and the eternally young, WeHo nature of the cast was a tad too relentless (My personal favourite laugh line came when the jilted ex hooks up with the therapist — yes, it's the kind of film where everyone is getting it on with almost everyone else — and dismisses him by saying he should look for someone "your own age"... which may have been about 25.Still, see it. It's totally mindless fun.

"Kiss Me, Kill Me" is a murder mystery told at its best. It is a story that sends you in many directions guessing until the end. Just when I thought I had it figured out...I was wrong. It happened again...and then a third time. Credit screenwriter David Michael Barrett as the plot twists were plentiful in this edge- of-your-seat, didn't-see-that-coming, mystery. I was pulled in and never released until the final few minutes. I love a good thriller, and this film was quite adequate in keeping this seasoned viewer guessing. Bonus points for the very Hitchcockian cameo from the talented director, Casper Andreas!This film was visually very stunning. It's use of color and composition was extremely beautiful. I enjoyed the pacing of this film as well. Edited in such a way that you stayed on your toes as you watched the film towards the end.The opening credits montage, for example was reminiscent of mysteries that had a more comedic bent but this was effective and exciting as it played out. As the film progressed it moved from one crazy night to its crazy days of confusion and character play. It seemed obvious to the viewer that Dusty was not the killer but as the visuals unfolded that became a question again in everyone's mind. Adding to the movement visually and in the story line you have the development of the characters.They hypnotist was one of the steady rocks throughout the film, everyone else seemed to add to the layered plot of whom killed whom. But the writer and director did an excellent job by giving the viewer just enough to keep us questioning every twist and turn that entered the picture. Believability is important to any film and the casting of this film was well done. Especially the lead character Dusty. He had to experience so much as the film moved forward. I think the most emotional and impactful scene was his final session being hypnotized when he was able to uncover the truth of what he had done, even if it were accidental. This film was extremely well put together. From the visuals to the music straight through to the story line. Audiences may find similarities to other films but that can't be helped in any "Who done It?" mystery. What audiences will connect to are the characters, the occasional humor and the final twist in the end. Will there now be a spin off to tie it all together in another crazy way? Unlike traditional film noir, the film portrays gay and transgender characters, and does so in a modern, nuanced way. The gay characters are not solely motivated by sex, they are driven by grief, love and loss of a spouse. The film also depicts the circle of gay and lesbian friends that is more than just a stereotypical depiction. Further, the film shows us a drag queen take off her makeup and show a male side, in an un-self conscious way. This kind of scene is rare in cinema. Strong acting performances by all the main actors are also key in keeping it a serious genre film. Use of music, dark lighting and mood all work to strong effect.But the film doesn't take itself too seriously either. For example, the crystal tiger that shows up in various scenes, and plays a key role in the denouement, evokes a 70's disco-meets-kung-fu movie aesthetic. Also, the repeated jokes about lesbians throughout, and the coming out of the place detective at the end of the film show that this film has a sense of humor. Just the premise of a gay murder mystery, with a drag queen and baby-crazed woman as key supporting characters could easily sunk to "Showgirls"-level camp, which thankfully, it didn't. I recommend this film because it is suspenseful, has a sense of humor and portrays gay and trans-gendered characters in a realistic way, as it updates the film noir genre and re-imagines the traditional murder mystery for a new generation of viewer.