This is a great find, a sleeper of the B western genre where a moral judgment is passed on supposed law abiding folk who play God and pay the price for judging their fellow man. "Dallas's" Jim Davis is separated from his wife and living "in sin" with a native American woman. The horrified townsfolk take it upon themselves to turn moral judgment into legal action, and the unfortunate legal eagle who must do their dirty work is accidentally killed. It's up to local sheriff Forrest Tucker to get Davis into protective custody, but violence begats violence, leading to more brutal homicides and a trial with the town supporting the wrong-doers over the protector of justice.Quite surprised and delighted by this discovery, I compare it to other great films that warn of the dangers of gossip and sticking your nose in your neighbor's private business that harms no one. The one that comes to mind instantly is the Jane Wyman/Rock Hudson soap opera "All That Heaven Allows", and this really gives a parallel by putting the issue of judgmentalism into a violent, western setting. Lee Van Cleef is the film's main heavy, with Mara Corday the judged mistress who seems to have been n set up for other crimes as well. Thwys where the film gets a bit off track. But the conclusion provides a very important moral, with judge Everett Glass gives it good to the perpetrators of the sinister activities, condemning the non-violent to a private jail of their own karma. Now that's what I call justice.

Director William F. Claxton wastes no time in starting "The Quiet Gun," a modern-ish western with lots of story and dramatics and personal conflict, and not so much gun-play.Excellent performers take a taut story and render it believable and exciting.As a long-time fan of Forrest Tucker, I believe he has never given a better performance. He is smooth, controlled, even nuanced, and makes us, the audience, completely on the side of his character, Sheriff Carl Brandon.Jim Davis plays his friend, Ralph Carpenter, who is lured into a ridiculous situation, certainly by Old West standards, but, remember, the city attorney is one of those blue-nosed Easterners, played very well by Lewis Martin (a really interesting name, considering that Jerry and Dean were at about the peak of their team effort).(I do have to question, though, whether a city attorney would actually have any jurisdiction out in the ranch-lands, but that really isn't important. It's more important to accept the flow of the action, and question the script only afterward.)Jim Davis, another of my favorites, is not on screen very much, even though he's third billed. But he is a strong presence when he is there.Hank Worden gets a chance to shine, and he too shows himself to be more than a character: He's a character actor. Great performance by him.The two women are pivotal to the story, especially the one played so beautifully by Mara Corday, but they are also not on screen much.Of course we must mention Lee Van Cleef, who had a most fascinating career. His last years saw him as a major TV series star and a very highly paid movie performer, especially of Italian westerns. And he deserved every penny.There is a relevant lesson in this story: The town council is composed of some rather rascally and self-aggrandizing men, not so foul or corrupt as, for example, the city councils of Los Angeles or Chicago, but enough power-lust is in them to create the conflict that finally results in several deaths.Sheriff Brandon is savvy enough to know that some laws should not and can not be enforced, but the power-lusters and the busybodies over-rule him, resulting in the tragedies.Even beyond some superb performances, especially by Forrest Tucker, this story is enough to grab an audience and leave us tense and torn, right until the end.I highly recommend "The Quiet Gun," available at YouTube in a very good print but, alas, interrupted several times by intrusive -- though brief -- commercials.

The Quiet Gun was an understated and underrated little western from the B picture unit at 20th Century Fox. This film would have been a classic, but for parameters from the omnipresent Code that held its themes in check. An unclear script keeps it in B standards as well.The villains are saloon owner Tom Brown and henchman gunfighter Lee Van Cleef who want to get Jim Davis off his ranch so they can have use of it to graze some rustled cattle. Davis is estranged from his wife Kathleen Crowley and now living with a young Indian woman Mara Corday. Apparently there are some laws on the books regarding miscegenation and these two get town attorney Lewis Martin all filled with self righteous wrath as well as the rest of the town. When Martin goes out to serve papers on Davis he gets shot for his trouble and only after Martin goes for a rifle.Through all this town sheriff Forrest Tucker who is a friend of Davis smells more than self righteous wrath working here. It all gets resolved, but a lot of people die before it does.The Quiet Gun is representative of the adult westerns that were becoming more and more common on the big and small screen. Films like this with a B picture cast though would more likely be on the small screen. This could easily have been the plot of a Gunsmoke episode. It also hints at certain things that ten years later could have been frankly discussed.The film is a bit ahead of its time, but held in place by the Code to make it not as good as it could have been.

`The Quiet Gun' is a rare sleeper in the Western genre. Though certainly not a great film, it is good enough to warrant a look. It is difficult to believe Forrest Tucker didn't have a bigger career than he did, since he shows us some pretty good work here. At the beginning he even delivers a memorable one-liner to the nonsensically aggressive Lee Van Cleef (bullying Hank Worden – named Sampson here, but playing Mose nonetheless) when Lee tells him to mind his own business. Casually revealing his badge, Tucker retorts `It is my business.' And so sets the tone for the remainder of the film. Tucker, as Sheriff Carl Brandon, is being pressured by the local powers-that-be to `do something' about a rancher (Jim Davis as Ralph Carpenter) allegedly living with an Indian woman (Mara Corday as Irene). Personally dead set against any notion of taking any action, and advising others to mind their own business as well, Brandon must strike his own way as the story progresses. His biggest foes, it turns out, are the officials of the town – one has criminal intentions, the others invoke hatred and the public will as mandates to fan the flames of what might have been a non-event otherwise. Director William F. Claxton certainly made his mark in subsequent years on the small screen. Most notably he directed many episodes of `Bonanza' but also had a hand in `The Rifleman', `Yancy Derringer', `Gunsmoke' and `High Chaparral'. His diversity is illustrated by having made one `Route 66' and four `Twilight Zone' episodes as well. But most definitely his horror opus `The Night of the Lepus' lives on in memory, now having not terrorized three generations of unsuspecting viewers. A nice one line review is attributed to Shane Burridge on Rotten Tomatoes (`A failure on every level'). There is an underlying grim note to the proceedings in `The Quiet Gun'. Tucker hardly ever smiles, Lee Van Cleef smiles but no one feels comforted for it and the outcomes of several situations are unpredictably harsh. But there are enough plot developments of humorless persuasion, including a courtroom scene near the end, to cast the story in somber tones. But no preaching is ever heard; Claxton prefers to tell the tale and let you make your own conclusions, which is high art in Westerns of the Fifties. Rating: 3 Stars.