This is a semi-historical western adventure film, featuring the historic Kit Carson(Jon Hall) and J.C. Fremont(Dana Andrews) as the leaders of the American expedition to establish a wagon trail from Ft. Bridger, in SW Wyoming, to central California, across much barren land and the Sierras. Carson refused Fremont's request that he serve as his scout. However, he was convinced to act as wagon master for the wagon train that became attached to Fremont's cavalry unit. This split command offered more opportunities for disagreements on routes, policies, and romance. They are pursued relentlessly by Shoshone all along their route, until they have crossed the Sierras.(Historically, the Shoshone were probably more important in attacking wagons and settlements along the Oregon Trail, although they did range from western Wyoming through Utah and Nevada, as indicated in this film.Once over the Sierras, their enemy became General Castro's Mexican forces. He had supplied the Shoshone with rifles, in their attacks on the Americans.(General Castro is an appropriate historical name). Castro doesn't cause trouble on the trip to Monterrey, on the coast. A celebration is held at the Murphy hacienda. Murphy is a rich man by California standards. His daughter, Dolores(Lynn Bari) was a member of the wagon train(why?). She developed some romantic attachment to both Carson and Fremont during their long trip. She prefers Carson at this point, but he mysteriously leaves for the plains and some beaver traps. Dolores assumes she will never see him again. However, Kit's plans change when he learns of Castro's plan to destroy the Murphy Hacienda. Kit returns to the hacienda to lead it's defense, and take an important part in the movement by the small American community to wrest California from the Mexicans.Throughout, until near the end, Kit has 2 partners in Ape(Ward Bond) and Lopez(Harold Huber). The 3 were the only survivors of a sizable party of trappers who were attacked by Shoshone in the Ft. Bridger area, losing all their beaver pelts....Raymond Hatton plays Bridger, whom we meet at his fort, where the principle characters first meet....It's nice to see Lynn Bari in a leading role. Usually, she was relegated to a supporting role, often 'the other woman'.Much of this was shot in Monument Valley, as was often clear in the background. This was just a year after John Ford discovered this spectacular area for "Stagecoach" and several subsequent films. Unfortunately, neither film was shot in color.As a rather muddled historical adventure, the film isn't bad. Lots of action, and cursory romance between. See it in B&W at YouTube.

Aside from the novelty of seeing Jon Hall and Harold Huber in a western (as neither were the type to usually do westerns), there isn't a whole lot distinctive about this western. It's one of a billion (give or take 5) that are completely fictional stories about real life westerners. In this case, it's Kit Carson--an interesting guy but also someone where about 98% of what you read and see in movies about his is complete fiction. In this case, it's pretty much more of the same.Kit (Jon Hall) and his friends (Harold Huber and Ward Bond) have just finished an adventure which includes the hilarious pastime of killing Indians and scalping them. So, when the cavalry officer (Dana Andrews) asks them to guide a wagon train west to California, Kit is not interested. However, when Kit gets a gander at a feisty lady, he completely changes his mind and leads the settlers. The problem is that an evil Spanish megalomaniac is planning on turning California into is own little fiefdom and plans on wiping out the settlers. Can Kit and the cavalry stop this nut-job and make America safe for more white folks wanting Indian scalps? Bad history but somewhat entertaining. Not a great film but a decent one if you adore the genre. Not much more I want to say about this rather forgettable film.

Something tells me that there are a lot of facts missing from this story of Kit Carson, the Indian Scout who helped the army protect a wagon train across the wild west. With the tribe in cahoots with the Mexican government to prevent the wagon train to make it through (lead by evil Mexican general C. Henry Gordon), my eyebrows raised when the Indian leaders revealed that Kit was guilty of various crimes against native Americans, yet the film makes him out to be a hero. Of course, there is the obligatory romantic between Kit (Jon Hall), the beautiful Lynn Bari and Army officer Dana Andrews which dominates most of the movie when there aren't battle scenes with the Indians. In spite of the motivation of the Native Americans to attack the wagon trains, they are presented rather one dimensionally, manipulated by the stereotypical Mexicans who are mearly using them for their own agenda against the whites (to keep control of California), which made me ask, what made the settlers think they had the right to take over it anyway?In spite of those misgivings concerning this film, I still found it entertaining, and extremely well photographed with a depth of perception of the outdoor scenes usually flat in dimension in most westerns. I must add that I saw a computer colorized version of this film which was actually fine for the outdoor settings but not for the facial features of the actors who look like they are suffering from jaundice.

Kit Carson is an amazing film, it reminds you of one of those old Zane Grey books about caravans going west. Everything that you can expect to happen, is here, an ambush on a narrow passage, the caravans making a circle to protect themselves in an attack, making the enemy believe there are more people then actually are in a place, making a horse run with a dead man mounted, so the Indians will follow, it is all there . At the same time you feel the film was made on a low budget, even though it was made in 1940, it seems older. Jon Hall is very good as Kit Carson, also Dana Andrews as the hard headed Captain. Lynn Bari has an incredible old fashioned look, she seems more like an actress from the twenties. I remember this film being shown here in Brazil, very often during the early fifties, and always with good results at the box office.