A series of teenage gangs struggle against each other in a not-so-distant future. Eventually they united against an evil corporation, as represented by evil CEO Robby Benson who wants to control everything.
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A bunch of teens on bikes living in a post-apocalyptic city? That sounds like the premise for a pretty fun movie to me but sadly it just wasn't to be.The costumes are nothing short of ridiculous even allowing for the fact that this was the 80's and although that sounds petty it constantly reminds you that this film has just been flung together much like the actors costumes. There's no plot, no characters, absolutely nothing to cling on to so the film just rolls along with not much happening. At one point I thought the film had given up and started again but it was just a bit of footage reused. Or maybe it just looked the same because honestly ten minutes after this film ends you won't be able to remember a single significant scene.It's a shame because every once in a while you catch sight of something in the distance that looks a bit like a plot and the film perks up slightly. I can't recommend this film but I like the setting so it gets an extra point for that and it does have curiosity value because of the unusual cast.It's a dud though, even for fans of bad movies.
City Limits find initial appeal for it's readily identifiable cast (particularly if you're a regular viewer of obscure films such as these) which includes John Stockton,Rae Dawn Chong, James Earl Jones, and briefly Ricky Benson. Not to mention at least an intriguing plot (with all of the political possibilities) of teens abandoned in a post apocalyptic setting where they form feuding factions as they seek to rebuild, one struggling to build its power while the other struggles for a peaceful existence (not to mention, a somewhat failure of modernity), and interesting sociological study for sure in the development of power and governance.Unfortunately, the film has a poor script (especially, dialog), mostly poor acting, and scrap shooting budget (including poor sound engineering) which detract from the value of the aforementioned qualities of cast and plot. Many of the scenes tend to drag on, many of the events in the film are made painfully obvious (aided by horrible acting), and worst of all, it looks to be shot along stranded California farm landed or in garages and other cheap, scant locations you might expect from the late-night variety of science fiction and fantasy shows you see on cable. I find this last point to be significantly disappointing where you expect visual flair (even if improvised for lack of budget, but creatively so) from your science fiction films to match the possibilities laden in the story. Fans of highly obscure science fiction who's stories often compensate for forgivable absence of display, you may be pretty disappointed with this one. I'd recommend Prayer of the Rollerboys as an acceptable substitute.
I know that this film isn't the peak of cinema, but maybe there's something to be said for not scrutinizing a film so hard that you miss the basic intention. While people will argue over whether or not it is entertaining, I found it to be so, mostly because I wanted to be in it. Not the film, but the story. I actually bought into the plot, enjoyed the premise of a world without parents where angst filled, reckless and rebellious comic book lovers were left to their own devices, and yet seemed to make it work! The music was very good, and the imagery was very nice (especially Mick's "Metropolis" shirt). I know the outfits seem a little stupid, but has anyone been in the East Village recently? Not an excuse, but simply a reminder that extravagance isn't necessarily contrivance. No, the action sequences weren't brilliant, but they were fun. And the stars in the film, despite the fact that many will say they were slumming, all do their best and I think it shows. I just really like this film. Not the stuff of The Oscars, but a fun, retrospective look back into the 80s subcultures.
I watch many bad movies each year, but every once in a while, I come across a film that is without a single redeeming quality. This is one of those rare films. Quite simply, everything and everyone in this movie stinks. Perhaps I shouldn't be too hard on the actors, because some of them have shown talent in other films, but how desperate must they have been to appear in this dud? The story is dull, the action is lame, and nothing about this movie is original. Only watch this movie if someone gives you considerable financial compensation in advance.