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This horrific dramatization of the Guyana tragedy traces the steps of Reverend Jim Jones, a highly charismatic, but profoundly paranoid clergyman, who after years of evangelism and good deeds, begins his own church in the mid-western United States. When Jim Jones becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana, where he plans to create a utopia. But Jim Jones' utopia consists of a society where he demands his followers turn their minds, bodies and possessions over to him, one that is rife with orgies, physical violence, mental torture, and sexual abuse of children and adults. Ultimately, Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation. (VCI Home Video)

Stuart Whitman as  Rev. James Johnson
John Ireland as  Dave Cole
Joseph Cotten as  Richard Gable
Bradford Dillman as  Dr. Gary Shaw
Gene Barry as  Congressman Lee O'Brien
Jennifer Ashley as  Anna Kazan
Yvonne De Carlo as  Susan Ames
Nadiuska as  Leslie Stevens
Tony Young as  Ron Harvey
Robert DoQui as  Oliver Ross

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Reviews

ma-cortes
1980/01/25

Based upon the true story of Jim Jones , as it traces the steps of this peculiar Reverend , a highly charismatic, but profoundly paranoid clergyman , a self-proclaimed prophet of an independent church in the South American country Guyana . In the 1960s , he began as an idealist helping minorities and working against racism . After years of evangelism and good deeds , begins his own church in the mid-western United States . Later on , he increased his power and attention , and Jim Jones became focused on his belief in nuclear holocaust . When Jim Jones (Stuart Whitman) becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana , where he plans to create an utopia . He had a loyal following of about 1000 people, who had donated their entire life savings to him to join his commune . Being accompanied by a team of advocates (Joseph Cotten , John Ireland) and fanatic supporters (Yvonne De Carlo , Bradford Dillman , Jennifer Ashley , Robert DoQui) . But Jim Jones' utopia consists of a society where he demands his followers turn their minds , bodies and possessions over to him one that is rife with torture of children , sexual relations between kiddies and adults , and other awful happenings . When possible illegal activities came to the attention of the authorities , Congressmen (Gene Barry) and reporters (Juan Luis Galiardo , Armando Calvo ,Hugo Stiglitz , Carlos East) , they started to investigate . Rather that faces the charges , Jim Jones committed suicide , and convinced virtually all of his followers to do the same . But not all of them follow him blindly and begin to think on their own.This film titled Guyana: Crime of the Century" or "Guyana: Cult of the Damned" results to be a below average version about the real story of the Peoples Temple cult led by Rev. Jim Jones and the events involving its move to Guyana and its eventual mass suicide . It is a lack luster drama that explores the nasty activities carried out by Jim Jones , relying heavily on sensationalistic aspects , eerie images full of nudism and exploitation such as physical violence, orgies , mental torture , sexual abuse of children and many other things . Ultimately , Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation . The dialogue used in the mass suicide/murder scene near the end of the film was taken almost word-for-word from an audio-cassette found in a portable tape recorder under Jim Jones' chair ; the tape recorder had weak batteries and was running at a much slower than normal speed, allowing the entire event to be recorded . The flick features many strong scenes , among them the preaching masses of Jones , a gloomy spectacle to watch when Jim Jones/Stuart Whitman is quite commanding in those last moments when the astonishing slaughter happens . Nice acting by Stuart Whitman as the priest who orders his followers to commit suicide , he gives an acceptable acting and captures the sinister evil that was Jim Jones . Support cast is pretty well , plenty of old Hollywood familiar faces such as Gene Barry , John Ireland , Joseph Cotten , Bradford Dillman , Yvonne De Carlo and Spanish actors such as Juan Luis Galiardo , Eduardo Bea , Armando Calvo , Nadiuska , among others . This horrific retelling of the Guyana tragedy was regularly directed by Rene Cardona Jr . He was a Mexican director and writer, expert on all kinds of genres with a penchant for Terror , adventure and exploitation ; being especially known for The Treasure of the Amazon (1985) , The Bermudas Triangle (1978) , ¡Tintorera! (1977) , Cycone , Fantastic Balloon Voyage , Under Siege , The Night of a Thousand Cats , Survivors of Andes , Beaks , Carlos the terrorist and this : Guayana, El Crimen del Siglo (1979) . It was followed by another American rendition titled ¨Guyana Tragedy : The Story of Jim Jones¨ (TV , 1980) by William A Graham with Powers Boothe as Rev. Jim Jones , Ned Beatty, Diane Ladd , Diane Scarwid , Ron O'Neal , Irene Cara , Veronica Cartwright , Rosalind Cash , Brad Dourif and Meg Foster .

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Edgar Soberon Torchia
1980/01/26

A real mess coproduced by México, Spain, Panamá and the U.S., done by the Cardonas with the same sensationalism of other 1970s "films", as "El triángulo de las Bermudas", "¡Tintorera!" and a few others that father and son signed together or separatedly. Everybody spoke their lines in their native languages, many tried to speak English for the "international market"... and were indeed recorded, but finally dubbed for the American version. It is awful in any version. Little was left (I can only guess) of the real facts that made headlines on newspapers. All I can remember now is Stuart Whitman in a blood-red shirt, playing the head of the cult, and all those old familiar faces, probably making fun of what they were doing in Acapulco for a few dollars...

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Mahatma Fabrizi
1980/01/27

In 1978, A Mexican film crew (Mismovision) struck a deal with Mexico City Broadcasting (MCB): In the years that followed, they could use their characters in any way they saw fit. MCB producer Memo Vasqueze, who was responsible for bringing many great cult leader shows to TV throughout the 70s, decided to do a Jim Jones series, and wanted the story to remain as faithful to the Marvel comic as possible, but MCB's sponsor Bambino Machino wanted to sell more toys, so there was a major story rewrite, and they had to push a giant robot into the story! MCB's producers thought Bambino Machino was crazy! Nonetheless, this was to be the first time in a cult leader series in which a cult leader figure (as opposed to a regular pilot, such as in the Japanese METZENGINGER Z) operated a giant robot!The MCB/Bambino Machino project entitled GUYANA: Crimen del siglo a Mexinization of Jim Jones himself (the project was going to be called GUYANA: Robusteza del Mal), but Bambino Machino got more control than Vasqueze, for whom this show was the last straw. When he left evil cult shows (and worked on soap operas at MCB), it was completely Bambino Machino's show from there on. The next Cult Hero Series, Siempre listo en las tinieblas (1980) and ¡Así es mi tierra! (1981) had MCB in the opening credits! Go figure!Here we have Bambino Machino's GUYANA: Crimen del siglo, which, despite its shortcomings, should supposedly be a treat for fans of that type of thing! I will say that it was better than the short-lived American series starring Powers Booth (which wasn't TOO bad). Before the excellent new GUYANA film starring Stewart Whitman, this is definitely the least historically faithful GUYANA ever portrayed on film! The attitude was right, the poses and stunts were incredible! But the faithfulness ends with portrayal of Cult Leader Jimmy (Jim-Jam) Jones himself. . .The STORY is what bugs me! The Mexinization is much more extreme than the aforementioned Marvel Comic from the same year, and here, Jim-Jam's regular foes are nowhere to be seen. Also, his origins have been changed completely! He's from outer space, he has a racing car (Messiah-Machine GP-12000) and rides a giant ship called the Marveller (hmmmm . . . Where DID they get that name . . . ), which transforms into the giant robot Assuptionizer! OK, now this is TOTALLY out of place for IL' Captain Koolaid, even more absurd than any of Ralph Bakshi's "drug-trip" Hobbit adventures (from the last two seasons of the classic animated series)! But that's not all! Bambino Machino ran out of money to do the FX prior to the post-production, and Assuptionizer was replaced by a goofy-looking bozo-clown named Senior Bungles, as it was rumored that some nasty fanatic stole the robot costume! So its appearance was limited to stock footage of the robot, with new footage of Senior Bungles' balloon animal antics spliced in!But now, let'slook at a few the show's minuses: As, moreover, we are forced to endure more Guyana Cult Tragedy action! In fact, the show is VERY violent! incorporating in certain instances real footage of human brain surgery!I'll be as brief on the plot as I can: In space, Professor Jehovah, leader of the Angelican Army (his cronies include right hand woman Oblate Sisters of the Assumption, a similar two Caucasian women, and dove-like henchmen) are in pursuit of the space craft Marveller, which comes to Earth and crashes on a mountain in Guyana, freeing an old hermit named Padre Sebastián, who was from the planet Spider (which the big Prof. plundered and destroyed long ago). After a race show, motorcycle stuntman Bert Powers (Ricardo Carrión) (who lives with his sister and little brother, and has a fashion model girlfriend, who's unaware that her boss is actually an Oblate Sisters of the Assumption in disguise! Wow, and you thought the Branch Davidians of the infamous Waco Massacre were out there!) is fatally wounded by Oblate Sisters of the Assumption and the dove-henchmen, who attempt to remove his brain but are thwarted by Padre Sebastián, the old hermit, who injects "grape koolaid" into Bert's jugular artery before turning back into a starfish! He also receives a metallic bracelet, which stores his cult leader suit (PLUS!!!), shoots holy fire, and is also a communicator for the Messiah-Machine GP-12000 and Marveller, which he can ride and transform into Assuptionizer, which kills 917 "true believers", as we all know, on that ill-fated day (it hurls its punch bowls at it's prey, as opposed to to merely lacing it with stychnide and leaving it there by the wayside for the followers to imbibe at their leisure)! **SPOILERS** I will say that, ultimately, though incredibly rushed (especially after its slow first half), has its fair share of sick sick scenes, in particular, those depicting the heaps of stagnant dead bodies rotting in the sun, and accompanied by the buzzing of flies on the soundtrack! Anyhow, after the Assuptionizer kills the congregation off, Jim Jones comes face to face with Professor Jehovah, who, after a little scuffle with our cult leader, grows to giant size, pounds his chest like King Kong, and exerts "The Angelican Army is immortal!!!" Jim Jones does the usual Marveller/Assuptionizer thing and kills the evil Professor the same way he killed everyone else, but this time, with a bit of fire & brimstone thrown in between for dramatic effect (supposedly taken from real life transcripts of real-life sermons but echoing here via the employment of some audio trickery and thus difficult to understand) My final take: Bambino Machino's GUYANA: Century of the Crime a fun roller-coaster ride with tons of unnecessary (but not unwelcome) sermonizing, and a must-see for Jesus freaks. I say, don't let the minuses get to you, and just sit back and enjoy the plusses!Not Recommended.

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Casey-52
1980/01/28

I keep getting this movie confused with "Guyana Tragedy", the TV movie based on the Jim Jones incident. But this is a fantastic film, truly bone-chilling and bizarre! I just saw it on TV (on FOX, of all places!) and could not believe how well-made it was. Having heard mostly negative reviews of the film, I am glad to say that they were all wrong. For the most part, "Cult of the Damned" is a lot more accurate than the TV movie and being a theatrical feature, can actually show more of the massacre than a TV movie's restricted budget and audience. Try to find this on TV sometime or even better, search for it on video! It's long out of print, but well worth the time to look around!

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