Please forgive my summary note, as to be honest, ever since my teenage years, my time has been spent watching movies not necessarily of this genre, but in the way they were made. The director Greydon Clarke, whose catalogue of films have never been blockbusters, have always contained ideas far beyond the box office buck.Movies that come to mind "Joysticks" (A Comedy) "The Warning" (A horror) Clarke was never one to shy away from the topics favoured by the audience of today or even yesterday, as Clarke learned his craft from the grand Master Himself "Al Adamson" (If you Haven't seen it, check out "Cinderella 2000")Anyway, sidetracking aside, does Skinheads have anything to offer, to the undemanding film fan, there in lies the hook. Yes this film arrived here first long before "Romper Stomper" or even "Pariah" The Acting isn't isn't bad, the likes of Brian Brophy, Gene Mitchell and Frank Noon are no shots in the dark, however as is the case with film's of this nature, and please take into account, that no film with such subject matter would ever see the break of dawn if it were not for the participation of (Apologies) has been stars, or more politely put stars of yesterday, Chuck Connors or Barbara Bain.Film Directors like Al Adamson or even Fred Olen Ray have always used this ploy to sell their movies, the storyline might be weak but as long as you have a headliner, or someone whom the budget could afford why not sell that movie for all it's worth.Storyline wise, does a storyline exist, yes of course it does, but a film with a limited budget, cannot really propel true depth into character or story if the money is not there, yes i know this not an epic retelling of the Greatest Story Ever Told, but like i've always said, admiration must always go towards the man or woman who ever gets the chance to make that movie, no matter if that movie less depth than a bucket of S.H.I.T!However lets be honest, admirers of bad movies everywhere should rejoice, as bad as it is, sit back with a six pack and enjoy, as i have when i tried to write this review. As a footnote may i recommend the movie "Flipping" directed by Gene Mitchell, whom i'm sure gleaned some inspiration for his movie making debut.4 out of 10

I purchased this at a VHS sale in the video store for .99 cents and it was worth it. This movie cannot be liked on merits of good acting , scrip , and direction..it is indeed a terrible film , but hey I like bad films as long as they're funny and entertaining which is what Skinheads:The Second Coming Of Hate is. So it turns out some "skinheads" decided to go on a killing spree at a diner , and soon follows a long chase through the woods til good ole Chuck Conners of Roots fame comes to the rescue in a bravo hammy performance. Speaking of over the top performances..the golden ham award goes to Brian Bophy's who's insane performance will have pretty much anyone rolling on the floor laughing. This isn't your Romper Stomper or American History X type movie , this is basically just "lets put people in danger..ooh let's have skinheads go after them" obviously a lifestyle the writer and director knows nothing about..so therefor this movie is surely going to offend the anti-rascist SHARP skinheads..and even the neo nazi skinheads because it puts them in such a moronic light (which by the way they are anyway so i guess justice was done). See it if you like bad movies

**SPOILERS**Pretty terrible movie that must have been a carear low point for barbara bain (I'm sure Conners has been in just as bad). They are the two mature leads who help the kids battle the skinheads. The acting is universally bad and the plot as dumb as it gets. It's quite tame really and the deaths are all a bit "naff". Spoiller alert!The heroine, the in her fifties but still lovely Barbara Bain, I thought might save the film but her tough cafe owner soon becomes a "please don't hurt me" wreck when confronted by a 16 year old skinhead girl and when she is killed off by the girl, who slitts her throat, it is possibly the least realistic death scene in the movies, it looks like she's just drawn a red crayon across bain's neck!And hey this isn't Physco, what are you doing killing off your female lead after half an hour. All round awful and you'll look back and think what a waste of an hour and a half of my life!

Greydon Clark will never learn. The man has written and directed a slew of thoroughly awful films, gaining some slight notoriety in the late seventies for Satan's Cheerleaders and The Return. Rest assured this particular piece of horse hockey is no better than the films he made at the "pinnacle" of his career.Skinheads (I'm sure you can guess the plot, theme, and overbearing moralization from the title alone) is notable solely as a turning point-- well, okay, maybe an S-curve-- in two careers. It's one of the last films of Rifleman star Chuck Connors, as the grizzled hermit who takes a stand against the Evil Skinheads(TM), and it was the first big-screen role for Brian Brophy, who's since gone on to be a solid character actor in "serious" films (The Shawshank Redemption, White Man's Burden, et al.). Comparisons with American History X are inevitable, and will be uniformly unfavorable; where Tony Kaye gave us a band of halfway intelligent skinheads with a truly dangerous and thoughtful leader, Clark's bunch of halfwits are incapable of anything but the kind of moral posturing one might expect from a band of chimps exposed to nothing but reruns of That Girl for years on end.The one bright spot in this film, ironically, is the late Dennis Ott as Brains, the slow-on-the-uptake skinhead who provides the group's muscle and the overwhelming majority of the film's levity. Sadly, Ott, who passed away from AIDS-related complications in 1994, never got another role this big. It's worth a free rental to watch him here. **