Leslie Nielsen spends most of the final third of this film pursued by a hit man while disguised in joke spectacles with a false moustache; but it's not a comedy!The jaunty credits sequence suggested more light-hearted fare than we actually get; and despite the fact that four people get murdered the British censor still only gave it a 'U' certificate. Maybe the producers didn't let director Robert Douglas - best remembered by film buffs as a cold-eyed villain in Hollywood swashbucklers, recently turned TV director - in on the joke. This was the only feature film Douglas ever directed - plainly shot on a shoestring even by British 'B' movie standards - and I suspect this was also originally intended for TV as well; especially as the handsome fellow he brought with him from Hollywood to play the lead was also a TV mainstay at the time. (At odd moments he suggests a certain goofy comic flair that might have flourished in more adroit hands; I wonder what became of him?)Much of the film resembles a rather talky and sub-par British 'B' of the period with the usual obtrusively loud jazz score, redeemed as usual by considerable period charm and occasionally enhanced by excellent location photography by Arthur Lavis and featuring the usual suspects like Eric Pohlmann as a ruthless killer and Cyril Raymond as a detective; neither wearing their usual moustaches, ironically.The era it evokes now seems as remote as the silent era; with the McGuffin taking what then seemed like the incredibly high-tech form of a spool of magnetic tape containing sensitive political information.

Leslie Nielsen stars as Alan Holiday, a former O.S.S. agent who now works as a P.R. man for an airline in London. One New Years' Eve, a beautiful young woman (Aliza Gur) walks into his life, wanting passage to Paris. Also involved is Alans' old friend Jules Lamoine (Hugh Latimer). He gets them on board a ski train, where they will be pretend to be a model, and an assistant to fashion photographer Louis Vernay (Andre Maranne). It's all in the name of national security, and making sure that a disc containing all-important information is delivered to the proper personage.As long as you know ahead of time not to expect a serious thriller, it's possible to derive some entertainment out of this. In reality, it's a rather goofy, hip comic twist on the spy genre that had simply exploded with the arrival of "Dr. No" two years previous. It requires Nielsen to sport one of the most ridiculous of disguises, one of those eyeglasses-fake nose-fake mustache deals. And, just to give you a further idea of what to expect, a helpful partygoer in a bear suit, whom Alan refers to as "Smokey", figures into the plot. There's no real suspense, and no real action. Even though a character dies, everything is given a light touch.The casting of Nielsen makes perfect sense given the tone of the movie, even though his career in comedy was still a good decade and a half away. He's likable enough, and the supporting cast is solid: Dorinda Stevens and Edina Ronay as models, Eric Pohlmann as a thug, Cyril Raymond as a police inspector. The female cast are all notably sexy, especially Ronay.Decent light entertainment, forgettable but mildly amusing, and appreciably brief in length, at just an hour and five minutes.Six out of 10.

Night Train to Paris (1964) is a bit short on the thrills or intrigue, in fact, it really has neither. The director was more interested in filling up the time with useless 60's music and boring drunks. Aliza Gur is dull as an actress. Leslie Nielsen exhibits no tough rawness as he does in television as in Alfred Hitchcock Presents (1958–1961), Thriller (1960) or Kraft Suspense Theatre (1963-1965).He wears plastic black horn-rimmed glasses with attached eyebrows, large plastic nose, bushy moustache as a disguise. Yeah, stupid.For train buffs, it has a train ferry (a ship or ferry designed to carry railway vehicles). It was probably the Dover to Dunkirk line, from Britain. (It stopped in 1992 due to the opening of the Channel Tunnel).There's some cool jazz music and the intro is a nice assemblage, but that's it.Also recommended: Night Train to Munich (1940) Night Train (1959) Night Train to Lisbon (2013) Night Train to Terror (1985) Terror Train (1980)

Although he directed numerous TV assignments, actor Robert Douglas directed only the one theatrical feature. This is it! And it's a must- see for train buffs, of course, even though it was mostly filmed in the studio. I tend to mostly agree with my colleagues at the Monthly Film Bulletin and The New York Times – though not about Dorinda Stevens. For me, Edina Ronay, who played Julie, was the truly nifty number in the film. I thought Miss Stevens a bit past her prime and Aliza Gur nowhere near as attractively costumed as she is at the climax and one or two other places. Despite its "B" budget, there are some other pleasing touches in the film which vindicate the producer's decision to release it theatrically instead of sending it straight to the box: The climax in the Dunkirk waterworks, for example. Eric Pohlmann plays the villain with his usual aggressiveness. Available on a very good Fox DVD which includes both the widescreen and full screen versions.