I agree with most of the reviews here. I am the child actress Debbie Kinkad. I did not have any formal training and I'm not sure if the others did, but I think they did. I however had an amazing time and great experience filming when I was young. It truly is a bad movie, however the storyline was great!This is absolutely a low budget movie as I didn't get paid. I didn't have a clue it even was put on tape or DVD, as I had not seen the movie until I was in my forties. Someone searching my name and asked me about it. So I had to do a search for myself and it popped up under my name as the original name of the movie was changed, from SuperBlack to this.

One of the funniest exploration films ever. In glorious 1970' s shtick. It doesn't come better than this. And,oh those clothes, the cars, the non- existent budget! Never mind the illusion of "racial equality" premise,you haven't lived until you see lab and the cheesy MLK poster on the wall. The actors are terrific at their incompetence. The screen I of is wanton. The direction is valid. I saw this tonight on TCM and will contact them to provide a complete venue of this. Don't miss a second of this gem.BTW, I am a great fan of grade Z films. Let they live long and be enjoyed..

This is a bicameral movie, of sorts. The first two thirds is an examination of the problem of middle class blacks (Dr. Kincaide and his family) wanting to move out of his black neighborhood for security and class consciousness concerns. Abar, a vigilante type character running a kind of rogue chapter of something akin to the Black Panthers (but unarmed), challenges Dr. Kincaide to consider raising up those among his race that he is leaving behind.At this stage, the viewer may be somewhat confused, as the title makes one think they are going to see a genre superhero film, but that doesn't really happen until the last act. The first two acts flesh out the class conflict between the two main characters and their mutual enemy, the white bigots of the neighborhood who want to force Dr. Kincaide to move.To me, this was the novel and more engaging part of the movie. The last act, when Abar becomes a psycho-telekinetic "superman" is rather amusing, but it is pure fantasy rather than science fiction as it claims ("The first Black science fiction film!"). The goal seems to have been to have this catharsis for black audiences to howl over in the theaters.I think most of the reviewers here on IMDb have been too hard on this film. Sure, there are technical deficiencies and so forth, but taken on its own terms, "Abar" deserves praise for attempting to tackle a tough subject like class struggle which most blacks would prefer to slough off erroneously as a race question.

Abar is obviously set up in an extreme environment. The blatant racism may seem to be too much for some viewers, but one must remember that it is just a movie. Actually, when witnessing the acting and editing, I find it hard for the average person to forget that it's just a movie. However, regardless of the poor editing and dialogue delivery, the characters are skillfully (almost magically) developed. The extreme prejudices portrayed in the film may not seem realistic for this day and age, but I think that it compensates for all of the constant problems and issues of minority disrespect/disregard in american society that may seem subtle, but in reality, cause just as many feelings of societal rejection and frustration within minority communities. With this film, I urge the viewer to, first, get a good laugh at the overall makeup of the film, and then check it out again to pick up on some of the issues that "In Your Face (Abar)" presents to our "great" american society.