Other reviewers have rated SKY LINER fairly highly, but I must have watched a different movie. The film I saw has a decent and involved set up, but a very long-winded execution that robs the premise of excitement and makes the whole thing more than a little boring. It's one of those hour-long film that feels like it goes on for at least double the running time, it's so drawn out.The narrative involves a bunch of characters taking a flight across America. Some of them are good (an undercover FBI agent, a dedicated stewardess), and others are very bad indeed (spies working for the Russians, a murderous safebreaker). Greed, treachery, and betrayal ensue, and there's a mild murder mystery for the good guys to solve, but it's all very slow and stately, with little to lift the spirits or the interest of the viewer.SKY LINER lacks a big name actor to play the protagonist because the one we do get is very bland. The supporting cast don't do much to distinguish themselves either, and some of the choices, such as the laboured comic relief, are very poor indeed, making for irritating viewing. Things do pick up for a great action-packed climax, but by then it's too little, too late.

John McGuire (George Eakins) loves himself and enjoys nothing more than listening to his own broadcasts, inviting others to do so with him! Quite justifiably, someone kills him for this. Or is he killed for another reason? The majority of the story is set upon a flight to LA on which another murder takes place. Whodunnit? It's pretty obvious whodunnit but that's immaterial to your enjoyment of the film. The cast are all good in this short film that speeds along nicely which is also informative in terms of explaining airline procedure in the event of a dead body on board. Thankfully, no women scream at the sight of the murder victim. In fact, it's quite the opposite as stewardess Pamela Blake (Carol) reacts as if "Oh well, we've got another stiff in the toilet". As air crew are aware, it's not that uncommon for people to snuff it on board.The film builds tension nicely and provides two short flashback moments to understand a couple of the characters on the flight. Well done to that chap who got away with nicking the money!

I am sure that in time the overall rating of this film will change, but for now it's only 4.8. You'd think this would indicate that the movie is rather poor, though I thought the film was actually a bit better--and well worth seeing. However, one thing I need to point out is that although it's now on a DVD entitled "Forgotten Noir", this is really not an example of film noir--nor are many films in this series. It lacks the camera-work, dialog and grittiness you'd expect in noir. Instead, it's a rather straight-forward example of a crime film.The film is set aboard an airliner (a Lockheed Constellation, if you really care). According to IMDb, the markings on the plane kept changing--a silly mistake but it didn't exactly ruin the film. A federal agent is on the plane--following a woman who is involved in some sort of espionage. However, when a dead body is found aboard, it's obvious that there is a killer on the plane! Who did it and how must be discovered before the killer is able to escape.The film is enjoyable...even if the actual murder weapon is a bit far-fetched. Well-paced, interesting and a very good time-passer.

Yet another gem in the Forgotten Noir Collection Vol. 4 DVD set. I'm quickly becoming a fan of the late director William Berke. Although he worked mostly in B-movies, he was one of the better directors in that field. He has a knack for pacing and getting the best out of actors, in this case no name thespians. These films are usually short, some just over an hour and others just under an hour, but Berke makes the best of low budgets and fast pacing. This film involves espionage in the air, on the Sky Liner of the title. It's definitely not typical noir, but it is decent little film. Richard Travis plays a sky marshal for the government tailing a spy network and the story goes on from there. The cast of no names is pretty good led by Rochelle Hudson, the always steady Herbert Evans, Steven Geray and others. The script is good so credit should be given Maurice Tombragel and John Wilste. At less than 50 minutes long, this is a surprising little treat.