While the notion of "franchising" a successful creative work is nothing new today, it was quite novel (sorry for the pun) for author James Mitchell.His spy novel A Magnum for Schneider was published in 1969. It begat a successful book series; a top-rated British TV drama which ran for years, which Mitchell also wrote for; a bona fide international star (Woodward) who was so successfully identified with the role of Callan that he actually crossed the pond and starred in a TV show there called The Equalizer; and, of all things, this bizarre almost reverent attempt to milk the original cow (the first novel) one more time, in 1974, using most of the original cast, in a feature length film, and shot in colour.This should be point in the review where I tell you that this whole exercise was of such high quality that Callan is as watchable today (whenever you are reading this) as it was then. If I said that, I would be lying.While Mitchell had his finger on the pulse of the 60s -- a gradual turning away from traditional and respectable spy stories to something a little more violent and gritty -- it was only a taste of what was to come.Which means that this film, as competent as it is, will always remain merely a curiosity for fans who remember the original. (And also remember, for example, that in the series, Callan not only returned to his "job" but for a while actually ran the entire Section!) Fond memories. But only memories.

Callan made Edward Woodward into a star. He plays a sort of James Bond as anti hero, a reluctant and downbeat assassin who wants to retire as he is being damaged by his work, but is blackmailed by the SIS into carrying out one last job, which is never his last.Basically the 1973 film version of Callan was a remake of a classic episode A Magnum for Schneider, where Callan is ordered to kill a German businessman who has links to the Stasi and who is involved in some dodgy arms deals with a liking for Magnum revolvers. ( Interestingly the little known Japanese version of the pistol is mentioned in the film).While I haven't seen this film for a while, it seems to have disappeared from the late night television schedules, Callan is quite a good and brutal film. Callan in this is shown to be a karate expert, he uses it to extract some information from his associate Lonely in his squalid bedsit and then dispenses with two arms dealers in the most brutal karate display this side of a Bruce Lee film. Also of note are a car chase which involves Callan driving a Range Rover through an orchard and a Jaguar being bounced across a level crossing by an Inter City train. Schneider, who is killed off by Callan, also has a penchant for collecting toy soldiers and re enacting classic battles.Another interesting fact about the film is Clifford Rose makes an appearance as a consultant physician, later he was to make his name as the sinister SS officer Kessler in Secret Army.Not a great film, but a good way to pass an afternoon and Russell Hunter in particular is excellent as Lonely, the smelly, loyal informant for Callan who deserves a medal for the way Callan treats him throughout the film( usually knocking him about).

I first encountered this film on USA Cable, in the late 80's. At first, I thought it was another Harry Palmer film (Ipcress File, Funeral In Berlin, Billion Dollar Brain), but with a different actor. I soon realized it wasn't and recognized Edward Woodward from The Equalizer and Breaker Morant. The film is very much in the same vein as Harry Palmer, slower paced, a character who is an agent not by his own choice, meticulous detail, and a more real world approach.Edward Woodward is outstanding as David Callan, an ex-thief and troubleshooter for a secret government department. he specializes in assassination, frame-ups, and other dirty dealings. This is a dark and shabby world inhabited by Callan, and he doesn't like it. He is torn at every turn by the morality of the job he does. He is affected by nightmares of past deeds, prone to alcoholism, and is deeply cynical.Woodward breathes tremendous life into Callan. He is ably assisted by Eric Porter as Hunter, his boss, and Russel Hunter, as the always smelly and put upon Lonely. Hunter (the actor) is the only other carry-over from the TV series. He is a small man who is abused by all.The film greatly expands the TV series (which I was finally able to view recently), something that other TV-based British films rarely did effectively. Callan was stage bound and shot on video. This motion picture allows for greater location shooting and a more vibrant look.Hopefully, the film will see the light of day again in the US, along with the recent DVD releases of the color episodes of the series. It is an excellent piece of work, sure to appeal to fans of Harry Palmer, Jason Bourne, the writings of John Le Carre, or other serious espionage thrillers.

An acceptable expansion of the pilot episode of the celebrated TV spy series,CALLAN benefits from Edward Woodward's memorable characterisation of an unglamourous,seedy and brutish secret agent David Callan,helped and hindered by his even seedier sidekick,smelly petty crook Lonely,superbly played by Russell Hunter.Although not quite as good as the TV series,this film version is still very watchable and efficiently directed by Don Sharp,with a few interesting frisson's added,most notably Callan's ferocious disposal of a gangster's hit-man(played by Dave Prowse,later to become Darth Vader's physical form.As with Star Wars,Prowse's Bristol accent is dubbed over here as well)and the gangster's subsequent use for virtual human experimentation,which Callan observes to his disgust and horror.The series was always interesting for Callan's frequent clashes with his superiors,made more strident because of his working-class background;his colleagues were invariably upper middle-class,public schoolboys,as typified by the vindictive bully Toby Meres,played here by Peter Egan.Egan is adequate in the role but lacks the extra toughness,wit and humour provided by Anthony Valentine in the TV series(Peter Bowles played Meres in the pilot),and his boss 'Hunter',played in this film version by Eric Porter; the best 'Hunter' of all in the TV series was probably William Squire.Many UK TV shows had film versions produced in the 1970's,mostly sitcoms like ON THE BUSES,LOVE THY NEIGHBOUR,MAN ABOUT THE HOUSE,etc. These and others were mostly dismal but CALLAN works far better despite having to add more footage from the original TV pilot,and works as a taut,terse and respectable film version of an excellent TV original.RATING:6 and a half out of 10.