Dana Andrews plays Bill Roberts, an American radio commentator station in Berlin in the months before Pearl Harbor. Having witnessed Nazi brutalities first hand, Roberts hopes to alert his listeners of impending dangers, and does so by sending out coded messages during his broadcasts. The Gestapo begins to suspect something and assigns glamorous secret agent Karen Hauen (Virginia Gilmore) to spy on Roberts. When she discovers that her own father (Erwin Kaiser) is supplying Roberts with vital secrets, she turns her back on the Nazis and joins our hero in his efforts.
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Martin Kosleck est known or recognized by movie fans as the red-herring windmill resident replacement in Alfred Hitchcock's classic, FOREIGN CORRESPONDENT, and unlike that memorable, sparse yet important cameo, he's pretty much the entire vehicle for this particular CORRESPONDENT made two years later, only now we're on his home turf during, not before, The Second World War: BERLIN, Germany against American Dana Andrews, with a pencil thin mustache usually given to Silent Movie villains, playing the most intrepid role by mere introduction... A New York broadcast telling America the names of all overseas Correspondents, ranging from men working in England to Holland, which sound like soft jobs as opposed to where Dana's Bill Roberts works, reading what seems like German-written propaganda about their side of things, but with secret coded adjectives, he gets through to his newspaper back home, and, despite acting permanently teflon, like some kind of one-dimensional comic book hero (not one of Andrews' best roles), with the severity of his job, the attitude fits: especially in a feel-good wartime programmer.She doesn't know anything, and stuck in a cold, heartless romance with intense Nazi Captain von Rau, played by Martin Kosleck, she's actually in the most danger since he's the scariest character. But like all good actors, there's a vulnerable side that sheds wan light through an otherwise steely countenance. With his severe looks, though, it's not easy to pull off being all that friendly.Kosleck, who'd play sinister Germans throughout his career, owns the picture for more than his narrowed-eyes wielding an intense, soulless reflection of The Furor's agenda. While Andrews' story revs up, taking verbal shots at The Third Reich in an obvious attempt to make Hitler seem like the type of clown Charlie Chaplin portrayed in THE GREAT DICTATOR, the sole heavy, by standing firm and playing the role with unbridled fervor while still remaining alert and controlled, is the centerpiece - even as Andrews eventually becomes a more physical hero, and gets deeper into trouble - from a last minute race-against-time attempt to save his girl involving a psycho ward and then his own hopeful prison escape - our edgy German spotlight is the reason that anyone fears anything at all: In short, Kosleck has the job of embodying the entire Nazi Party.
"Berlin Correspondent" is set just before the United States entered World War II. Bill Roberts (Dana Andrews) is an American news correspondent and it's pretty obvious he hates Nazi Germany, which is where he's been stationed. The Nazis heavily censor his news broadcasts...yet somehow information about the Nazis seems to sneak out...and they suspect Bill is up to something. Eventually they learn his secret but instead of just being tossed out of the country, the Nazis have other plans for him.Despite having Dana Andrews in the picture, this is a pretty unremarkable film. The Nazis are almost all stupid as well as evil...and Bill is able to trick them again and again because of this. If only the Nazis were this dumb! Overall, a decent time- passer but not much more. And, by the way, oddly the Germans almost all sound just like Americans!
Ridiculous film here. Dana Andrews was miscast in 1945's "State Fair," and is a victim of unbelievably bad writing and some poor taste exhibited in this very stupid film. Thank the Lord for Andrews that 1946's "The Best Years of Our Lives" allowed him to display his great acting talents.This film is ludicrous at best. The escape scene of the heroine's father becomes comedy at its worst. Sig Ruman and Andrews are literally caught with their pants down. Ruman's remark that Hitler needs a psychiatrist and that by the Nazis killing all the insane people, will leave Germany as a sane country is insensitive to the say the least. Hitler needed more than a psychiatrist. It is called a bullet between the eyes. Am sure we would have loads of volunteers to carry this out.The movie also brings out that hell hath no fury like a woman scorned-even a dedicated Nazi woman.Notice that the Nazi woman sent to spy on reporter Andrews is as Nazi as they come, but how she changes when it's determined that her father is part of the anti-Nazi spy ring. Unrealistic. Obedient Nazis were taught to turn in their own parents if necessary.
Goof: When the plane takes off it appears to be a Lockheed Electra (twin horizontal stabilizers) and when it lands, it appears to be a Douglas DC-3 (single horizontal stabilizer). As sol1218 said, there are other aeronautical goofs in the story. Berlin is being dive bombed. USA and Britain had no dive bombers in European theatre.The Luftwaffe knows that the American is taking off in a stolen plane, as sol1218 said, and yet their slow flying transport plane is not chased and shot down by any Lufwaffe fighters.I am an Electrical Engineer. The electrocution on the barbed wire is most unrealistic, all the wires are at the same potential, yet the escaping prisoner gets the current from hand to hand. In fact, he would be electrocuted when his feet are on the ground and he first touches the wire.