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An illustrious group of German industrialists plot to overthrow Hitler by negotiating a peace treaty with England. Disgraced, but dedicated Nazi officer Colonel Werner von Uhland is assigned by his superiors to ferret out these deceitful dissidents and stop them before it's too late. von Uhland recruits a bunch of beautiful women to seduce these traitors and undermine their conspiracy

Nando Marineo as  Felix Toten
Fred Williams as  Helmut von Danzig
Rosita Torosh as  Obersturmbannführer Ursula Tanner (as Rosita Torosch)
Mike Morris as  General von Guderwal
Paola Maiolini as  Bertha
Luciano Rossi as  Erich Schwab
Giorgio Cerioni as  Walter Wagner
Corrado Gaipa as  Udo Kassbaum
Francesca Righini as  Frau von Uhland
Daniele Dublino as  Hauptsturmführer Ritter

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Reviews

ma-cortes
1977/03/31

This below-average and erotic 70s movie filled with sexual manipulation , perversion , humiliation , female nudity , and sleaze events ; being set at a Nazi mansion . This embarrassing film is filled with sexually-warped as well as rare characters , quirky sex in which the roles play various humiliating games with their victims , forcing them to execute suggested erotic games . It concerns about an illustrious group of German bourgeois industrialists scheme to overthrow Hitler by negotiating a peace treaty with England . 10 May 1941 Rudolph Hess , Secretary of the Nazi party , Hitler's chosen successor , number two in the Reich flies to England , it was a dramatic and disturbing escape . Disgraced , but dedicated Standartenführer SS Werner von Uhlandis (Ezio Miani) is accused for collaborating with Hess . However , being forgiven and he is assigned by Himmler to a complicated mission , to ferret out these deceitful dissidents , these middle-class people are the followings : Helmut Von Danzig (Fred Williams) , Erich Schwab (Luciano Rossi) , General Von Guderwal (Mike Morris) , among others . SS Werner must stop them before it's too late . Von Uhland recruits a group of gorgeous girls (Alessandra Palladino , Penalti , Francesca Righini , and several others) to seduce these traitors and undermine their conspiracy . Later on , the women being tortured and humiliated . At 3,30 a.m. on June 22 1941 , as the Schloss Grunewald massacre shattered the resistance of the German intelligentsia , Hitler launched the attack on Russia . The Nazi hierarchy created the most depraved society the world has ever known . At the end the film states : ¨The sleep of reason generates monsters¨.Strange exploitation film by Fabio De Agostini dealing with obsession , perversion and strong tortures . This inferior Euro-sleaze effort criticizes the decadence of bourgeoisie in Nazi Germany and explores the perverse dialectic between power and sexuality , including amount of nudity , sex , and misogynistic degradation . It's also a convenient excuse to show beautiful and frequently naked European actresses being abused and sexually degraded . Slow-moving tale plenty of nudism , sexually charged mood-pieces , sadomasochism , sadistic tortures , surprising ending and an almost diabolic badness . A weird flick that contains drama , sadism , deprivation , copious naked scenes , some twisted events and a lot of characters mistreating girls due to their traumatic lives . This psycho-historical-erotic-drama revolves around several themes as physical possession , domination , humiliating games and sexuality . This dull and disturbing picture is well set in Germany , 1941 , where takes place the complex relationship among some characters and including a surprising finale . The film relies heavily on the relationship between them , and it does a little bit boring . The cast is really unknown , giving ridiculous acting , as Ezio Miani playing the Nazi officer Colonel Werner Von Uhland assigned by his superiors a twisted assignment , he is a dominating person who carries out the Himmler plans to discover the conspirators , Fred Williams who acted for Jess Frank in various films and Luciano Rossi who performed several Giallos and Spaghetti , usually in offbeat roles . Furthermore , an uncredited Tom Felleghy who also played various Spaghetti. The picture belong to ¨Porno-Gestapo¨ genre also called ¨Nazi-sexploitation¨ , whose first representation was ¨Love Camp 7¨ (1970) by Lee Frost , and subsequently , the successful and strong ¨Il Portiere Di Notte¨ (1974) by Liliana Cavani , ¨Salo or 120 in Sodoma¨ by Pier Paolo Pasolini . And , of course , ¨Salon Kitty¨ (1975) by Tinto Brass that mainly began the popular series of Porno Gestapo in which ordinarily dealt with sexual practices of Nazi officers and ¨Ilsa , She Wolf of the SS¨ (1974) by Don Edmons and its sequels . Its commercial hit caused a real ¨boom¨ and succeeded a lot of knock-offs and imitations such as ¨La Svatica Nel Vientre¨(1976) by Mario Caiano , ¨Le Deportate Della SS¨ (1976) by Rino Di Silvestro , ¨Love Nazi¨ or ¨SS Lager 5¨ (1977) by Segio Garrone , L'ultima Orgia Del Terzo Reich¨ (1977) by Cesare Canevari , ¨La Bettia in Calore¨ (1977) by Ivan Katansky , "Private House of the SS" (1977) by Bruno Mattei , ¨Elsa Fraulein SS¨ with Malisa Longo , ¨SS Il Treno Del Piacere¨(1977) by James Gartner and finally ¨Senso 45¨ by Tinto Brass . If you're into this sort of stuff but can't handle the rougher WIP, Nunsploitation, or Nazi death camp movies, this one , Le Lunghe Notti Della Gestapo (1977) , might be for you.

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Woodyanders
1977/04/01

An illustrious group of German industrialists plot to overthrow Hitler by negotiating a peace treaty with England. Disgraced, but dedicated Nazi Colonel Werner von Uhland (a solid performance by Enzio Miani) is assigned by his superiors to ferret out these deceitful dissidents and stop them before it's too late. von Uhland recruits a bunch of beautiful women to seduce the traitors and undermine their nefarious conspiracy. Director Fabio Di Agostini, who also co-wrote the intriguing script with Oscar Righini, eschews the Naziploitation genre's trademark harsh and graphic depictions of torture and brutality to focus instead on a pleasing plethora of tasty female nudity, steamy soft-core sex, and oodles of carnal perversion that runs the gamut from nymphomania to sadism to breast fetishism to lesbianism to even a scorching drag strip act involving a lovely distaff Hitler impersonator (!). Better still, the gals playing the colorful assortment of sexy whores are all smoking hot, with Isabelle Marchall as the alluring Isabelle, Alessandra Palladino as the buxom Greta, Almina De Sanzio as the masochistic Martha, and especially ravishing blonde knockout Carla Schiavanocic as the insatiable Linda rating as the sexiest of these lascivious ladies. Moreover, there are sturdy supporting turns by Francesca Righini as von Uhland's loyal and worried wife Frau, Fred Williams as vain and suave nobleman Helmut van Danzig, Rosita Torosh as von Uhland's icy and duplicitous henchwoman Ursula Turner, and Mike Morris as the stern General von Gurderwal. Antonio Maccopi's glossy widescreen cinematography gives the picture an impressive slick look while both the sets and costumes are pretty lavish for the genre. Francesco Valgrande's classy orchestral score likewise does the trick. One of the classier and hence quite praiseworthy entries in the much-derided Nazispoitation cycle.

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BA_Harrison
1977/04/02

If, like me, you prefer your Nazisploitation loaded with gore, perversion and nudity, with a generous side order of camp, then you would probably be best advised to goose-step straight past Red Nights of the Gestapo.Ezio Miani plays Werner von Uhland, an SS Colonel attempting to infiltrate a select group of the bourgeoisie who are known for their dislike of Der Führer. Inviting the seven men to a secret meeting, Werner pairs each guest with a women chosen for her ability to cater for that person's specific perversion (amazingly, each guest seems to have his own unique sexual weakness).By recording each couple with hidden microphones, Werner hopes to uncover the group's plans to overthrow Hitler's regime, whilst also gathering material for blackmail.With a script that delves rather too deeply into the political history of the Nazis circa 1941, Fabio De Agostini's movie proves to be more concerned with factual accuracy than in delivering sleaze. Thus, we get frequent extremely dull conversations about the defection of Hess, the progress of the Wehrmacht, and anti-Nazi sentiments amongst the German intelligentsia, and not nearly enough time devoted to the lesbianism, sado-masochism, violence and extreme decadent behaviour that is normally associated with the genre (although a hilarious nymphomaniac and a female Hitler impersonator do try their best to liven up proceedings).And with the entire movie set in a castle, rather than a concentration camp (like so many other films of its ilk), we don't even get any unnecessarily painful experimentation performed on prisoners. Shame!

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Pierre-Alexandre Buisson
1977/04/03

At first I didn't believe such a gem could exist. Then, after seeing it a couple of times, I had to admit that the RED NIGHTS OF THE GESTAPO was one of the best films of the genre.The plot is a little confusing, but the emphasis is given on the directing, the acting and the shocking sex scenes. A nazi officer has to bring the 12 most influent german personalities into a "castle" for the week-end. 12 girls are already there, sexually trained to "entertain" the men. What follows is an orgy where sex and violence are king and queen, and a general atmosphere of spreaded madness. The scenes are powerful, the actresses are perfect, and I can't help but raise a couple of cut thumbs up to Fabio...

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