Two lovers are living together and are not married; they had made a promise as children to get married when they grew up, but they "didn't wait."
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Looks like MGM threw a lot of money and big stars at this and hoped for the best, thinking that the William Faulkner book would give it a prestige flavor. It's possible that with some major script revisions and a different cast it might have worked. But in it's current state it more resembles a train wreck that you just can't turn your head away from. With it's stars and it's director, expectations are high. Just does not deliver.My major problem with it is that 3 actors in the lead are supposed to be British. Looks like only a half-hearted effort was made by Crawford, Tone and Young to adopt an English accent. The result is some sort of hybrid that not only sounds unauthentic but succeeds in making their dialog almost impossible to understand. One curious thing is that through almost all of it's running time there is no background music. Then towards the end at an emotional high point the sound of a solo piano is heard. Being a high class production you would expect to hear the legendary MGM orchestra. The score for the solo piano is so wrong for this scene that it makes me wonder "what were they thinking?" Crawford does her best over-the-top emoting from start to finish trying desperately to breath some life into this, all for naught.Cooper gives his characteristic laconic reading. Just about right for this part. Tone is not given much chance to show what he can do here. He fools with his pipe a lot and sort of mumbles. (Pipes are a visual cue that shows the character to be British, right?)Young never was much of an actor and never seemed to rise above the level of acting here through the rest of his career. He is just plain wrong here. Maybe Howard Hawks knew early on that this one was going to be a railroad disaster and just sort of punched the clock to it's finish.Waste your time on this one if you insist but in my opinion it is NOT an undiscovered jewel.
Couldn't believe it! Clipped sentences? Good grief! Know what? All true! Real people ever talk like this? Don't think so. Good girl! Stout fellow! Stiffen upper lip! Only reason given movie 2 instead of 0 Gary Cooper such a dish. Movie as a whole ridiculous unless you like watching endless biplane dogfights. Seemed endless, anyway. Think all Franchot Tone's dialogue dubbed. When Crawford and Young make a special effort to sound British they come over as Irish. Handy tip - we Brits clip words, not sentences. And somehow we manage to draaaaaaaawl at the same time. But that's only if we've been to a really good public (that's private to you) school.
This love story set during WW I, is a pretty boring affair despite of the casting of a young Gary Cooper and a Beautiful Joan Crawford.There seems to be no Chemistry between the two leads.Robert Young as the third part of the triangle is perhaps a bit old for his role,but pulls it off quite well.The only real chemistry with Crawford has the actor playing her brother,Franchot Tone, he gives perhaps the best performance in the movie together with Cooper's sidekick Roscoe Karns. Crawford and Tone fell in love during the shooting of this movie and it shows quite clearly in their scenes together.The aviation scenes are what really saves this movie.They're excellently made considering the vintage of this film.Too bad the rest of the story is so boring.
My wife and I thought that with this cast and director, the movie would have to be at least worth watching. We were wrong. In fact, we gave up on it after 45 minutes. The idea that Crawford, Young and Tone are British but speak with American accents was, for me, impossible to get past -- hard to believe this is England when no one talks with a British accent. There is zero chemistry between Crawford and anyone, and to echo a previous comment, the idea that Cooper and Crawford suddenly declare their love for one another without any reason is ludicrous. There is no reason to care about any of the characters, which is why we threw in the towel halfway through. I found it hard to believe that Hawks directed this, as none of the actors spoke with the trademark Hawksian rat-a-tat delivery. So save your time, and skip this one.