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A Marine Corps drill instructor who is disgusted by the fact that the Corps now accepts draftees finds himself pitted against a hippie who has been drafted but refuses to accept the military's way of doing things.

Darren McGavin as  Drake
Earl Holliman as  DePayster
Jan-Michael Vincent as  Adrian
Danny Goldman as  Sidney
Richard Yniguez as  Sanchez
Peter Hooten as  Scrunch

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Reviews

thomaspkanell
1970/11/10

I've read all of the reviews for this movie, and I'm not convinced that any of them address its major theme: the triumph of individuality over conformity (although the Storyline alludes to this.)Entering into the Marines, everyone is reduced to the status of "maggots." Everyone's hair is shorn. Everyone is reminded that they do not have their mothers' apron strings to clutch. Everyone is questioned as to the propriety of their sexual orientation, whether they are really men or something less than men. Everyone is reduced to their naked bodies standing in the showers, with their bars of soap, toothbrushes and towels. Everyone has the same buzz cut, the same cots, the same clothes, and their behavior scrutinized and reinforced from morning until evening, and again the following day. All of this is done to ensure conformity, obedience and willingness to fight in the name of country.In the midst of this overt dehumanization, Adrian stands out, not as a rebellious spirit, but as a sensitive and intelligent thinking man. In one scene, Adrian asks his DI, "Sir, do we dig ditches in order to build up our morale and sense of pride?" To which the drill sergeant replies, "You do not need to know why I ask you to do anything. Simply the fact that I ask it should be sufficient for you to comply." That type of reply, it should be noted, is not persuasive to the sensitive man who can think for himself, as it appeals only to a spirit of authority, not reason.Notwithstanding, Adrian excels in all of his activities as a Marine. He can run faster, fight better, endure more pain and suffering than anyone else in his outfit, and moreover he demonstrates a peace and strength that comes from his own spiritual convictions. He also helps those who are weaker than he is and he shows himself wiser than the men who are trying to instruct him.And yet, despite the fact that he outwardly shows himself more than capable of everything the Marines throw at him, the senior drill instructor notices that Adrian's serene and peaceable spirit remains unbroken and undiminished. This observation becomes a sadistic blood-lust to the senior instructor, to break the man down and to destroy Adrian's sense of individuality at all costs, even to the point of having him repeat basic training all over again until he conforms to the Marine ideal of the "unthinking obedient killing machine."At the end of the movie, Adrian has to decide to which "tribe" he will give his ultimate allegiance. His immediate drill instructor tries to give him his best advice, but of course, he has to do so while remaining loyal to the Corp himself. In the end, who is more loyal to his ideals, Adrian or his instructor?I found this movie to be a favorite of mine, embodying the "hero" (or "antihero") theme of retaining one's essential identity in the midst of outside demoralizing and dehumanizing influences. In my opinion, the movie is as instructive and inspiring as it is entertaining!

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lockwood-10
1970/11/11

I served over 8 years in the active Army and also the Guard and am a veteran of Desert Storm. I watched 'Tribes' recently and regard the movie with unusual interest. The movie does not make a blanket statement as being anti-war, but more focuses on the military machine (this being the Marine Corps) trying to indoctrinate a young man who opposes war. Was this movie believable? Yes, I rubbed elbows with men who became pacifists and later refused service when called back to duty. The conflict between Mr McGavin and Mr. Vincent is seen as being very realistic going through basic training with the assumption that being 'we can break and mold you in our image'. That was the reality for all of us in the military and I found the ending to this movie quite different than what I expected it to be. I highly recommend this for all ages.

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Tiwanna Ellerbe (tiwannae)
1970/11/12

I am usually not a fan of war films or war-themed films, but this one was reely (I meant the spelling) good. It was a fine character study of opposites, with Darren McGavin and Jan-Michael Vincent in stand-out performances. One day I have to try the meditation tricks that Vincent's character uses to mentally take himself away from the unpleasantries he had to deal with at the boot camp.On the note of the cast, can someone tell me where is Bud Cort in this film? He's listed as a 'draftee nerd,' but I don't see him. I am wondering if he has been mistaken for Danny Goldman, who was in a lot of Bud's early films ("M*A*S*H" and "The Strawberry Statement" come to mind), and if you didn't look well enough, could have been mistaken for him. (I made that mistake regarding one dramatic scene that takes place in the men's room at the barracks. I had to watch it twice to correct myself that it wasn't Bud Cort).

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ernest c. barnes
1970/11/13

I was a mere 12 years old when I first viewed this film back in 1970 and I loved it. It now reminds me of a future "Full Metal Jacket" without the profanity and violence that that film carried some 17 years later. All the performers, Vincent, McGavin and Holliman were simply all superb. Being a retired military man now, I can highly appreciate military films and "Tribes" will always be amongst those that stand out. This was one truly superb film and I highly recommend it. Although Vincent went on to become a big star in major motion pictures and the TV series "Airwolf", it was shameful that his career was cut short due to his addiction to drugs and alcohol. Nevertheless, this film will always be a memorable one for me indeed. It would be interesting to have this film come out on DVD with comments from all three leading actors and the director.

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