I'm usually a sucker for science fiction, and time travel in particular, but this movie was underwhelming. The characters are severely under-developed and uninteresting. One of the main characters is so empty that at one point the protagonist suggests that she might not be real, and she has no response.The time-travel elements of the movie are similarly devoid of interest, and the supposed plot is elementary. I think most of the effort on this movie went into period sets, costumes and haircuts. It certainly doesn't show up in the writing, acting, or directing.

This is not your typical sci-fi flick. There are no monsters, mutants or massive special effects. It is science (physics) + historical fiction. It is easy for lovers of sci-fi to get bogged down by details. Rather than quarrel with other reviewers about this, I would just say this is fiction, parallel universes are not currently fact; so one might be more open-minded if someone presents an alternate approach.1) To assume that scientists can't be illogical at times is perhaps short-sighted. Love is truly illogical and childhood love is even more so. They need not be an emotional wreck in order to be illogical about lost love or unfounded guilt. Brilliant scientists come in many forms.2) If you want to know Robert's motivation for traveling back in time, pay closer attention to the love stories.Be open to the story and as others have said, the cinematography and the score are excellent for a low budget movie.

First things first! Do not take the negative reviews of this movie and dodge watching this!! Unless you are a close minded fool who can't use an imagination this movie is great. If you cannot open up to sci-fi fantasies such as this do yourself a favor and quit watching sci-fi.With that said...This movie is an excellent thought provoking film that really gets the gears turning. It does a great job of putting theoretical time travel into perspective while doing so in a way that isn't too geeky or brain melting.It was actually better than I had expected and deserves a better score than it got. Don't expect lots of action scenes or crazy super futuristic technology that blows your mind but rather philosophical theories of time and space and the personal implications that they have on relationships. This movie is definitely not one where you can anticipate whats coming next and has a few twists that keep it very interesting. Overall an amazing film that should have received much more attention that it got. Being an avid movie lover that has blazed through netflix and other movie services I was surprised to have not seen or even heard of this one until fall 2014.

Despite the low budget, the cinematography and the score are simply sumptuous. It is certainly enjoyable to watch, even if, in the final analysis, it lacks substance. There is a scene early on, a garden party by the side of a river, where the ribbons in Victoria's hair stand out with shocking luminosity. Combined with the orchestration, it certainly looks a bigger budget film than it is.But it doesn't feel that way. It feels constrained - perhaps by the cost of the props, of the settings, and of the time and resources available. The production company is known as "Sculptures of Dazzling Complexity" - but the story is all too simplistic, and while setting it in Cambridge between the wars allows that simplicity some breathing space, it still lacks the depth of true emotion that might be expected of a simpler time and place. The characters, for me, fail to live up to the film's title - they are rather too 2D. The adults have no more substance than the excellent child actors. Walking in to a Cambridge Physics lecture and asking the (under?) graduates there "Who likes Physics?" is a rather obvious example, but more fundamentally, I fail to feel the driving force behind Stephen's obsession, and I want - NEED to see a more fundamental tension between Conrad and Stephen, even if this is not overt.You might suppose that I might be snobbish about the "Time Machine" itself, but it has a certain charm, reminiscent of something by HG Wells, and being appropriate for something very much the production of a mad professor in a shed at the end of the garden. Yes, there is an element of early Dr Who about an image of biplane's appearing in the smoke filled jar of the device, and yes - it's a pianola, and yes, the gateway DOES rather look like a hula hoop (thus beating the Hudsucker Proxy to the invention!) but hey, it's fun, at least! But the are holes in the plot that are far from fun, and which a bigger, better resourced film might have avoided. Such as what was Robert's motivation for travelling back in time? How long was Victoria in the well, if she had time to scratch out a message? Why the dinner party and ball - did they have some costumes they simply had to use? And if Conrad went first, how did he avoid Robert's fate? Did Stephen and Conrad together waltz their way through the labyrinth between worlds? And quite WHAT is Victoria saying when she says farewell to the Professor? And then there is the multi-verse approach. I don't object to this particularly, but it weakens the film to set it NOT in our version. And for the differences to be so trivial and farcical as calling an apple an orange? Better to leave the whole "99% sure" theory unproven, I'd suggest! So, a brave effort, and not by any means unworthy, but if you want a time-travel Sci-Fi film that actually challenges the viewer to keep up, I'd watch Primer instead.