Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.
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An important film in its day, it still holds up well. Claudine was one of the first mainstream American dramas to deal with the struggles of urban poor African-Americans without exploitation, violence or exaggeration on one side, or sugar coating or soft peddling on the other. It has sadness, anger and heartache, but also joy, love and humor. It has two smashing central performances by Diahann Carroll as the mother of six, trying to survive on welfare and an off the books job as a housekeeper, and James Earl Jones as a very charming garbage man who woos her despite the risk their getting together could cut her welfare payments. Carroll is a wonder. One of the most beautiful actresses of her era, here she manages to be believable as an over-worked, under loved mother in the ghetto. Equal parts pain, pride, vulnerability, smarts and strength she was one of the first African Americans to get an Oscar nomination in a drama. Jones does some of his best film work. Always a great of the American theater, in his early films Jones often came off as too theatrical, larger than life. But here is he subtle, sly, complicated, and very sexy. The young actors playing Carroll's six children are uniformly excellent, often a weak spot in a film like this. There are problems; some plot turns are predictable, some moments feel a bit 'Hollywood', some of it feels awkwardly dated. But much of it is as relevant as ever, and not afraid to be upsetting and angry along with it's gentle comedy. Two notes, while often marketed as a 'family' film, this deals with sex and nudity in an honest and realistic way, and it's language is salty and true. Also, sadly, the only available DVD is full screen – too bad since the film was quite nicely shot in its gritty way.
If this film is examined closely, it's a bit sad. It is detailed enough to touch upon very real problems children, who grow up in poor, dysfunctional environments. Yet, it retains it's comedic value, with spirited performances by Diahann Carroll and James Earl Jones. The sadness lies in the struggles and dysfunction of the mother (Carroll), who cannot truly help her children, not because she doesn't want to, or try, but because, it's obvious she doesn't know how. Remember, this is a comedy, but if you've never seen this, or if you have, watch this film and see the humanity, in the characters. Good film.
Claudine is one of those movies that you don't want to end and when it does you make up additional scenes in your mind! This movie is about a woman with 6 kids "living" on welfare in the bronx. she has a gig on the side as a domestic worker. she hooks up with a garbage man, named rupe and they hit it off, the kids however ain't trying to hear it. the story evolves around rupe trying to bond with the kids, claudine trying to battle with the welfare system and curtis mayfield's sound track punctuates the mood of the movie. gladys knight and the pips' vocals are tops! this movie has a "good times","coolie high","monky hustle" type of vibe to it. please see it. do it for me.
I first saw the 1974 film "Claudine" on Showtime in 1996. It's a warm film that is easily embracable, thanks to the humane way in which the characters -- and their misfortunes -- are dealt.Diahann Carroll, in the title role, plays a single mother raising -- oh, four or five or six -- kids while working as a maid for a wealthy, affluent family.James Earl Jones, as a garbage man, is smitten with Claudine. However, he has problems of his own, and the idea of committing to Claudine has him running scared.The characters have pride and love, and, even though this isn't original, I found "Claudine" to be quite inviting. The performances (especially from Carroll, who won a well-deserved best-actress Oscar nomination for a role that had originally been cast with Diana Sands, who had to drop out due to a bout with cancer that would eventually kill her in September 1973) seem flawless, because the actors have a firm grasp and understanding of where "Claudine" is at, in terms of heart, mind, and soul.And "Claudine" has plenty of those three to spare. It's well-worth checking out, if you haven't already done so.