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Trailer Synopsis Cast Keywords

An American takes up bullfighting to impress the ladies but learns to respect the sport.

Robert Stack as  John Regan
Joy Page as  Anita de la Vega
Gilbert Roland as  Manolo Estrada
Virginia Grey as  Lisbeth Flood
John Hubbard as  Barney Flood
Katy Jurado as  Chelo Estrada
Rodolfo Acosta as  Juan

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Reviews

bkoganbing
1951/04/26

Before he took up working with Randolph Scott and making some classic westerns, Budd Boetticher wrote and directed this remarkable film for Republic Pictures about bullfighting. Bullfighter And The Lady is distinguished for its graphic depiction about life in the circled arena, what the bullfighters do to attain greatness in the sport and their adulation in Latin in this case specifically Mexican culture.Robert Stack who in real life was a skeet shooting champion is in Mexico on holiday and meets up with the number one in bullfighting Gilbert Roland who is about to retire at the top. Stack offers to teach Roland shooting and he wants to learn bullfighting at least enough of it to impress senorita Joy Page who he's pursuing.In the end Stack's pursuit of a little conquest leads to tragedy.As Mexico's number one Torrero, Gilbert Roland has some of his finest moments on the big screen. He really dominates this film as the fatalistic bullfighter who knows you can go in just once too often. Katy Jurado gives a dignified and restrained performance of his wife.Although Stack is fine as the Yankee playboy the role would have been perfect for Tyrone Power who had those hero/heel parts down pat over at 20th Century Fox. I can't believe that this was not offered to Power, but perhaps Darryl Zanuck demanded too much for his services.Herbert J. Yates over at Republic was a pinch penny businessman and the version usually seen of Bullfighter And The Lady is at least a half hour shorter than the director's cut I saw. I have to say though the film did run over long for me.Still it's a fine bit of film making with big kudos to Gilbert Roland and Budd Boetticher going out.

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Ken West
1951/04/27

This is indeed a neglected great movie.As someone whose familiarity with bullfighting consists of some vague Hemmingway, the yearly silly newscasts from Pamplona, and a disgusting half- afternoon in Tijuana, and whose opinion of amusement through the suffering of dumb beasts is decidedly negative, I had to talk myself into watching it. I am very glad I did. It (at least the full 125 minute version) is very compelling. The photography is often mesmerizing, and there are scenes which I know I will remember a long time, such as the when the drunk taunts Estrada to have a go even though his right wrist is useless, following which his wife accosts the drunk with a sword and a speech which, even in Spanish, took my breath away. The many semi-documentary clips are simultaneously fascinating, compelling and repulsive.My main point however, is the magnificent performance of Gilbert Roland as Estrada who has incredible screen presence here, handling the bulls, the drunks, the cocky Yankee, his wife, and his cheroot, often simultaneously, with grace and aplomb -- a truly beautiful character who defines the movie, even after he departs it.Yes, the title is lame and has probably turned off many potential viewers who decided not to bother; but whether or not you are interested in bullfighting, and whether or not you approve of it, do not deny yourself the experience of seeing it.

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hcoursen
1951/04/28

I was surprised by this one. It is an excellent introduction to La Fiesta Brava, showing, for example, many versions of the Veronica as performed by the best Mexican matadors of the late 40s. Luis Procuna, Alfredo Leal, Silverio Perez and the great Carlos Arruza are absentees. Stack, apparently, mastered enough of the technique to perform ably with a heifer -- and that itself is not easy. The background of the corrida -- particularly the tienta (or testing) -- is well documented and the vast Plaza Mexico appears with dramatic effect -- both filled and totally empty. Some of the b/w sequences in the bullring are breathtaking. The problem with the film is Stack's character, who behaves very badly very consistently and really does not seem to learn from his vivid errors. Furthermore, he makes no effort to master even the rudiments of Spanish. Otherwise, the film is compelling. I also recommend the Azteca film of about the same period, "Torero," a documentary about Luis Procuna, starring Procuna. He does not need a stand-in. As an introduction to bullfighting that does not show much of the picing or the actual kill, I recommend "Bullfighter/Lady."

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whpratt1
1951/04/29

This is a great film showing the horrors of bullfighting with excellent photography and directed by a former bullfighter himself, Budd Boetticher. John Wayne produced this picture but did not appear in this film and presented a film that was originally cut into pieces but has been restored to its original print, which is seen today. Robert Stack, (Johnny Regan) plays the role as a U.S. Citizen who has connections with Hollywood and has become interested in becoming a bullfighter and so he travels to Mexico to met a real famous matador. Johnny meets up with Manolo Estgrada, (Gilbert Roland) at a famous eating place and forces his attentions to Manolo in order to become friendly with him and to break into his inner circles of life. It it not very long before Johnny makes an arrangement with Manolo to teach him how to shoot birds in exchange for Matador lessons. This film goes into great detail about how to fight a bull and the dangers of the sport in Mexico. Johnny also meets up with a woman he falls in love with at first sight and just can't get her out of his mind both day in and day out, this woman is Anita De La Vega, (Joy Page) who does keep a distance from Johnny, but things do warm up between these two couples. Great film and a wonderful Classic Bullfighting film with great realism. Enjoy.

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