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Against her better judgment, a dedicated and hard-working plastic surgeon (Ann Harding) finds herself falling in love with a playboy (Robert Young). Drama.

Ann Harding as  Dr. Margaret Simmons
Robert Young as  Bobby Preble
Nils Asther as  Dr. Helmuth Heppling
Irving Pichel as  Dr. Beck
Helen Freeman as  Mrs. Preble
Sari Maritza as  Lee Joyce
Stephen Chase as  Bunny Allen
Delmar Watson as  Bill
Louise Carter as  First Face Lift Patient
Bramwell Fletcher as  Man with the Maceys

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Reviews

wes-connors
1933/11/17

Beautiful cosmetic surgeon Ann Harding (as Margaret "Peggy" Simmons) feels her biological clock ticking away. "The years are going so fast," she tells her somber nun, "Am I, after all, just a giddy woman at heart?" Ms. Harding takes a leave of absence from work and goes from staid Manhattan doctor to fun-loving Los Angeles sophisticate. She cuts down on smoking and has a whirlwind romance with wealthy playboy Robert Young (as Bobby Preble). You should expect their chance for happiness will be threatened... This Harding vehicle always leaves you wondering why she is so infatuated with Mr. Young while ignoring magnetic Nils Asther (as Helmuth "Heppie" Heppling), which may be the point.**** The Right to Romance (11/17/33) Alfred Santell ~ Ann Harding, Robert Young, Nils Asther, Sari Maritza

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MartinHafer
1933/11/18

This film stars Ann Harding--an actress pretty much forgotten today, though in the early to mid-1930s, she was rather popular. She plays a super-dedicated surgeon that forgot to establish a life for herself outside the hospital where she works. Eventually, she comes to realize what she's missing and decides to take some time off to experience life. In the process she meets playboy Robert Young and she is captivated by his wild and carefree style--the exact opposite of hers. After a whirlwind romance they are married and soon Ann realizes she might have been a bit too impulsive! She is neither happy with him nor is he especially faithful, so in the end she appears poised to leave Young for her long-time friend, Heppie.The film is unusual and a true product of the "Pre-Code" era--before production standards were enforced. Had the film been made just a couple years later, the couple never would have taken such a casual attitude towards marriage or at least this would have been somehow punished. Instead, being adults, they just called it quits and went their own way. This helps to make the movie interesting from a historical standpoint, but otherwise the film really isn't all that special or interesting. A decent time-passer is about all it is down deep.By the way, Ms. Harding is a plastic surgeon but later in the film she'd doing back or orthopedic surgery! Even then, I doubt if any surgeon would have done such divergent types of operations.

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kenn_honeyman
1933/11/19

You must see, "Double Harness"-1933, to appreciate how GREAT an actress Ms. Harding was!... i thought lots of comments were posted on the film site,or her biography site, butijust checked, and most were gone;what happened to them? I thought there were at least 5 posts saying what great heights Ms. Harding's subtle performance achieved! She had been nominated for Academy award in 1930 for, "Holiday". Marie Dressler won that year for "Min, and Bill"- a great performance,too!This movie,"Holiday", was remade with Katherine Hepburn, and Cary Grant in 1938. This was a great comedy... but sadly the Harding movie is almost in total disrepair at the Library of Congress. You must see Double Harness!!!!!!!!!!

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jkarman
1933/11/20

It's sad that there are now, one or two generations who don't know about Ann Harding. Why she isn't as memorable as other MGM headliners I'll never know. Thankfully, we have these well preserved films for their legacy to live on and to memorialize the art. The 'Right To Romance' has to be the BEST movie of 1933. It stands against competition that rate solid 9.9 and less but this rates truly a 10.0. Once watched, you will become a fan of Ann Harding who gives the strongest performance of her career. A well written story which allows Nils Asther to display his acting talent too, (which outshines Robert Montgomery). This movie is short, to the point, memorable and besides, an amazingly well written story. Blow the dust off this one and find a young friend who you'd like to turn onto an ageless but forgotten classic. I promise, you won't regret it.

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