Stellar performances by Nancy Carroll and Phillips Holmes as well as supporting actors and you are in for a real treat if you like human drama. The directing by Edmund Goulding is able to achieve the right conclusion and you can see that a lot of effort was put into this movie which was produced in 1930, a time when talkies have been out for only a few years. Edmund Goulding also wrote the screenplay for the movie. This movie has substance. There is character development by several characters and spiritual overtones. What is greater than being selfish and "bad" and admitting it? With inimitable virtuosity, Nancy Carroll is able to traverse this course of human change. She incidentally was nominated for an Oscar in 1930 for this movie. Phillips Holmes is able to play his difficult part to the hilt as a naive and sweet character hopelessly in love. Actually, these two are magic together as can be seen in the movies Stolen Heaven and Broken Lullaby.

Hallie Hobart (Nancy Carroll), veteran party girl, works the conventions in the Big City and makes money from the agents who sic her on to prospective buyers - in this case, for farm equipment. Into her clutches falls David Stone (Philips Holmes), fresh from a fall off a turnip truck, and Wowzers! David falls head-over-heels for her and wants to marry her. His family is loaded with money and advice, but David is hearing none of it. He marries her and brings her home to his horrified family.What follows is hard to swallow. Suffice it to say there is much pathos, contrivance, animosity, strife and bitterness. There is also reconciliation but, as I say, this second half of the picture must be taken cum grano salis. The main reason to watch this soaper is to watch Nancy Carroll's best acting job. Prior to "The Devil's Holiday" she made several lightweight musical comedies, so her performance here is a jolt. In fact, she was nominated for an Oscar for this film but lost to Norma Shearer in "The Divorcée". 1930's audiences were probably prostrate with grief as the weepy plot unfolds, but 1930 is a long time ago.

Edmund Goulding's morality tale stars Nancy Carroll as a pretty, gold digging manicurist who attracts the wealthy heir to a harvesting machine fortune (Phillips Holmes). After he pursues her energetically, she agrees to marry him, but when he brings her home to his family's country estate, his father (Hobart Bosworth in a plummy performance right out of 19th century melodrama) summons her to his den for a confrontation about her true motives. There, he swiftly draws out the worst in her and offers her $50,000 to end the marriage. Meanwhile, out on the staircase, the young husband falls and injures himself severely during a violent confrontation with his disapproving older brother. Nouveau riche Nancy nevertheless high tails it back to the big city to spend freely and pack for a dream trip to Paris. Trouble is, she slowly realizes she actually loves Holmes, now a semi-invalid. Can she, will she, redeem herself? It doesn't take long to find out in the perfunctorily structured plot resolution. Holmes and Carroll are more convincing here than in another pairing from around the same time ("Stolen Heaven," 1931).

Turgid by today's standards and pretty stagy, yet THE DEVIL'S HOLIDAY offers solid performances by Nancy Carroll as a party girl who lands a hick (Phillips Holmes), in from the wheat belt, in a scam. As Hallie, a woman who no scruples and who hates men, Carroll won an Oscar nomination in a flashy role. Holmes is also excellent as the sensitive and naive youth.Hobart Bosworth and James Kirkwood (as the father and brother) are oddly effective in their stereotypical roles. Ned Sparks and Jed Prouty play a couple of sharpies, and Zasu Pitts has a small role as the hotel operator. Paul Lukas shows up (badly cast) as a rural doctor.While the plot veers toward the ludicrous, the actors remain solid and convincing, no easy job.