Well, I finished watching the 2001 miniseries, written by Andrew Davies. A lot was altered from the book and since I wasn't the biggest fan of the book, you'd think I would love it, right? Wrong! I know Andrew Davies is famous for sexing up all his adaptations but this was ridiculous, even for him.I will admit, most of the actors were good with what they were given. The problem is, often I didn't like what they were given! Sir Felix as played by the lovely Matthew MacFadyen was portrayed as much more sympathetic as in the book and really isn't punished in the end. I think Davies was a little fond of the character, actually. His sister Hetta is unrecognizable from the book, being outspoken and free-spirited in the beginning- always giving her mother and brother a piece of her mind. I did find Hetta pretty boring for most of the book because she doesn't do much but it didn't really have any impact when she went against her family to be with Paul, since she was always so openly against them from the start! Mrs. Hurtle as played by Miranda Otto was horrible. The pitiful excuse for a Southern accent was grating to my ears. I found her character one of the most interesting in the book and still sympathetic, but not so in the mini. As for Paul Montague, they tried to make him a stronger character but I really didn't buy it from pretty boy Cillian Murphy. What were they thinking putting such an effeminate looking man in that part? I did like the casting of Lady Carbury, Roger Carbury, and Mr. Melmotte. The latter was very close to how I imagined him in the book. Shirley Henderson as her daughter, Marie, however, was just…bizarre, for lack of a better word.So yeah, I was really not happy with this adaptation.

If you watch Masterpiece Theatre with any frequency, you will long since have noticed that the BBC, which provides Masterpiece Theatre with its best material, seems to have access to an inexhaustible supply of superior actors -- mostly, though not all, British stage performers and mostly British trained. "The Way We Live Now" gives more proof of how deep BBC's acting bench is. David Suchet, the star of this series is familiar to American audiences for his portrayal of the fussy and fastidious Belgian detective, Hercule Poirot, created by Agatha Christie. The character he plays here could not possibly be more different than Poirot. He is a crude, unethical financier who seems large physically though Suchet is on the small side. Supporting Suchet is a sizable cast of actors, most of whom are complete unknowns to American audiences. They are all good and several of them are excellent. Where were Helen Mirren and Judi Dench before they became stars in Hollywood? Learning and applying their craft in Britain. Perhaps it is the acting schools and the repertory companies that turn these actors out in such profusion. Perhaps it is the quantity and quality of theaters and stage companies that give them opportunities unavailable in the U.S. Whatever the reason, the overall strength of the cast is what distinguishes this British TV series as it generally distinguishes British-made films from their American counterparts. American films may be superior in other respects but not for acting that merges effortlessly into the role.

The first rate sets, costumes and acting provide a lovely context for this complex web of love stories. Here are several love triangles that intersect and overlap.The plot lines took twists and turns like many great novels.From these hours a fascinating drama the various facets of human love were explored and exposed. Is it any wonder that romance can never fit nicely in any box? To marry for love or money and to marry with or without the blessing of parents are old themes that are explored effectively.Power, sex and romance are as powerful today as they have been anytime in history. And that makes the title of this movie all the more important.

The Way We Live Now is yet another British TV adaptation of the works of Anthony Trollope. Like The Pallisers and The Barchester Chronicles this is yet another mini-series to savor. The rich setting of 1870's London society is boldly brought to the screen. David Suchet gives the performance of his career as scoundrel Augustus Malmotte. Equally brilliant is Shirley Henderson as his daughter Marie. Henderson has emerged as one of the more spellbinding thespians of the last ten years. Why she isn't a major star when performers with a tiny fraction of her talent are on the A-list is one of those mysteries that will never be explained. Still, this is not quite up there in the same league with The Pallisers. Some of the characters are not that interesting. Unfortunately, Miranda Otto as Mrs. Hurtle and Cillian Murphy as Paul Montague are miscast.