Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, mostly with Kira, but vaguely with his curious lack of conscience as well. Kira, fighting to win a job she hates and running aimless romantic loops, faces the precarious double challenge of choosing a next step and charting a course back to sanity. Good luck leading with your heart, when your heart is an utter emotional idiot.
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Seriously, people involved with the production of films or related to the filmmaker, or indeed the filmmakers themselves really need to stop making a point of leaving positive reviews for their films. There's nothing more ridiculous than to read reviews for a film like Sorry, Thanks claiming it to be funny, truthful, well acted, ground breaking etc when it is very clearly none of these things. The film's described as an unromantic comedy, suggesting that the writer/director wanted the audience to think the film was breaking new ground, sadly it's just like many of the so called mumblecore films where frankly unlikeable and self absorbed post teen college graduates take dead end jobs, begin and and end relationships, whilst talking about random things during random scenes which don't drive the films forward, or add anything to the plots. Or, as in the case of Sorry, Thanks, even have a plot. In Sorry, Thanks the main character, Kira breaks up with her boyfriend, takes a dead end job with a publisher and then starts sleeping with a lot of random guys, including one of her best friends. Max is also in a dead end job that he can't even bothered to turn up on time to do and has a girlfriend who loves him but who he treats rather badly, plus two friends who are equally as hopeless as he is but who regularly accuse him of being an arsehole and a jerk.The equally idiotic Kira never sorts out what job she should be doing, or who she should be with. Max doesn't stop being an arsehole and a jerk but his girlfriend continues to put up with him, even after she discovers that he has cheated on her. At no time is it clear why both Kira and the nice girlfriend are willing to spare the idiot Max the time of day let alone date him, or why Max is so drawn to Kira who does nothing but pull weird faces allthe time. The whole thing could have been adequately covered in a 15 minute short but, in order to bump it up to a feature, we're subjected to endless pointless scenes which add up to nothing at all. if you value your time don't waste it on this.
This movie seems like it was made by film students whose lives are like this and they got a kick out of putting it on film. The actors/characters just seemed like people they liked, thought were cool, and wanted to put them in a movie. The photography was competent enough but the direction and editing left it in the realm of many independent films that have a lot of non essential scenes that do not push the story forward. There were enough scenes of devoid of both verbal and non-verbal acting. An attempt to carry a "moral' character that was to straighten the hero out and get him to get his s**t together but that never really seemed to take hold. The antihero protagonist character was just annoying but I can see how the filmmakers who like that kind of character feel great about seeing him in a movie. He's cool to them. But just not to most people.
I agree with most of the other reviewers that this is the most pointless movie ever made. I have never reviewed a movie before, but this one just got my goat, and I had to tell somebody.The acting is lack-lustre, the direction is non-existent, and the script is pathetic. I feel sorry for the poor actors, but I guess it's a way of getting your face on the screen, at least.The ending, or lack thereof, is the most annoying part. Why oh why do people insist on making movies like this, under the guise of being "artsy" ?If you have nothing better to do, and you feel like being bored out of your mind, then I suppose you could watch this movie(?), but I wouldn't advise it.
Maybe I'm old fashioned, and call me crazy for feeling this way, but I sort of think movies need to have a point. They need to be entertaining, and if they're not, they need to have some redeeming value that makes their very existence worthwhile. Watching boring people live their boring lives just doesn't cut it with me. Especially when those boring people happen to be either idiotic, amoral, or a little of both. In, Sorry Thanks, I wouldn't even want to be friends with half of these people, let alone be involved in their lives in any manner whatsoever, so why would I care to watch them for 90 minutes? Main character, Max is an idiot twenty-something who has a dead end job he doesn't even try at...when not at said job, he's with his adorable girlfriend whom he pretty much treats like garbage or friends who seem to think he is a douche bag lacking in morals (in fact, there are two scenes where they tell him he is immoral and an ass). Oh, and on the side, he's having sex with Kira behind his adorable and loving girlfriend's back. Kira is. Well, how do you even describe Kira? First off, she's odd. She makes odd faces, she makes odd jokes, and she just acts odd. Max is somehow attracted to this, so why not destroy another person by sleeping with odd girl? Kira has a new job as a copy editor and a string of random boyfriends who aren't boyfriends. Like Max, she seems to be down with messing with people- her friends seem to do the same thing Max's friends do- sort of push the idea that she's kind of a jerk. Kira is, admittedly, slightly less of a douche bag than Max. Now that I've explained the two main characters, people whom you'd probably want to get AS far away from in real life, I'll explain the plot. Oh wait, I can't, as there is no plot. It's basically 90 mins of watching two assholes who think they're clever and cool do whatever the hell they want.There are small flashes of likability among the two main characters, and we keep getting scenes of Max being semi-charming in a "I'm 20 something but I act like I'm 6" way. But, in the end, little tidbits of charm don't change the fact that these are just unlikeable characters that serve little purpose other than to exist on video. None of them drive any story forward (as there really is no story), none of them add anything to the overall mood of the movie, and none of them really matter at all. If I wanted to watch morons be boring and violating all sorts of trust with other people, I'd turn on reality TV. Like I said- movies need to fulfill a purpose. God only knows what purpose writers, Dia Sokol and Lauren Veloski, thought their movie served. I can only assume they were bored one day. Sadly, it's films like Sorry, Thanks that will continue to give indie films a bad name. People will watch this and say, "see, this is why I never watch independent cinema! The writing sucks, the characters suck, and the acting is, in some parts, miserable." (the cat lady comes to mind immediately). It's a shame, because there are some really great indie films out there. This just isn't one of them.