Bland comedy/drama about nasty theater critic Bob Hope, who's only happy when he's trashing the latest Broadway sensation, has to contend with his wife, Lucille Ball, deciding she wants to become a playwright. Will Bob write a nasty review of his wife's play? Will Bob write a gushing review? I'm not sure there's any real suspense what actually happens, but the only reason to watch this film is for Hope and Ball, who are good, but the jokes are sadly not all that funny. It also doesn't help that the film lacks the rapid pace of Hope's better comedies. Overall, "Critic's Choice" features two brilliant comedians in a less than brilliant comedy. FUN FACT: This film was based on a play by Ira Levin, who's best known as the author of "Rosemary's Baby" and "The Stepford Wives."

You have some serious subject matter in this 1963 film with Lucille Ball trying desperately to get out of the kitchen and become a Broadway playwright. Trouble is that husband Bob Hope is a tough film critic who has panned his first wife's (Marilyn Maxwell) play. There is a strange relationship that Hope's son has with his mother, the Maxwell character. Apparently, she has allowed the Hope character to have full custody of the child. She is the woman where a career comes first.The film tends to go downhill near the end when a very drunken Hope causes disruption at the theater where the play is opening on opening night.Jesse Royce Landis,as Ball's mother and Rip Torn, as a Greek director,both give ample support.Lucy is not her usual Lucy here and I enjoyed her character change.

This movie has possibly the lowest entertainment value/star power ratio I've ever seen. Bob Hope and Lucille Ball, two of the 20th century's greatest comedy geniuses. Plus the legendary Jim Backus, Rip Torn, and a surprise uncredited cameo from a television comedy icon of the 1950's and 1960's who has a brief part as a hotel clerk. You almost have to give the writing, directing, and production team credit for taking a cast this spectacularly talented, and making them so dull and unfunny.A major problem is the casting. The lovable Bob Hope as a mean-spirited, psychologically abusive husband? Lucille Ball as a mousy, milquetoast-ish wife who mostly takes the abuse her pathetic husband dishes out? The real life Lucille Ball would have kicked Bob Hope's character to the curb after the first 30 seconds -- and we all would have cheered!But another major problem is that everyone seems to be sleepwalking through their parts. You would expect Jim Backus and Rip Torn to breathe a little life into their characters, but quite untypically, they seem to be phoning in their lines and waiting for their paychecks. Although I am quite impressed with Rip Torn's ability to do handstands in his younger days.If you are a fan of any of these stars, they ALL have done better films. I'd suggest checking those out first.

I find the negative views of this film baffling. I saw it as a kid when it first opened, and have seen it many times since. It's one of my favorite Bob Hope films, and one of my favorite Lucille Ball films - primarily because both of these fine actors are given deeper roles than usual. The quips and comedic shenanigans are there, but rooted in realistic characters and credible motivations. Which only makes them funnier. This is a film that works as drama first, then finds the comedic possibilities.I also appreciate this as one of the very few good films *about* writing. The various phases that Lucy goes through in 'finding her muse' are true to life, and even somewhat inspiring. The reaction of others - especially critic-husband Hope's subtle jealousy - will be familiar to anyone who's ever tried to do creative work.But most of all, I love this film because it is often screamingly funny. Some of the dialog with Hope's ex-wife is very sharp. One of my favorite lines in any movie comes from Hope, after breaking the mainspring of his watch: "Symbolism. I cannot stand symbolism!" Hope spends almost the latter third of the film roaring drunk, delivering some of his best schtick. His scene in the theater balcony almost made me wet myself when I first saw it, and remains a classic slapstick moment. Again, all the funnier because it happens in such a believable context. (As Charlie Chaplin pointed out, when a clown takes a pratfall, it's not nearly as funny as when a pompous stuffed-shirt does it.)If you haven't seen this film, keep an eye out for it; you've got a real treat in store. And if you have seen it but haven't enjoyed it... No, I'm sorry: I have no advice for you. You're too far gone.