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Trailer Synopsis Cast Keywords

In the midst of World War 2, intelligence services from England, Germany and Russia collided in a fierce fight for the mind of Nicky Raus, a genius German Jewish scientist who's developing a weapon of tremendous power. An American agent, Frank Hossom, enters the game when German agents undertake a daring operation stealing the scientist. Frank has to get the scientist back - dead or alive. His mission is complicated by his developing relationship with Olga Ryabina, Nicky's lover, an actress forced to work for KGB. The love triangle and the international intrigue weave into a deadly net.

Craig Sheffer as  Frank Hossom
Todd Field as  Nicolas Raus
Svetlana Metkina as  Olga Ryabina (as Lana Litwak)
Ron Perlman as  General von Binding
Aleksey Serebryakov as  Veklich
Aleksandr Dyachenko as  Lubenets
Aleksey Chadov as  Bykov
Oleksandr Kobzar as  German Sharpshooter
Serhiy Romanyuk as  KGB Colonel

Reviews

john_bailey-1
2005/04/26

I didn't know about IMDb until I watched this movie and wanted to know more about it. I will try not to be repetitive and focus on some details others may have also been astounded at. When the American and the girl showed up at the plane, somehow he was just hanging around the plane in broad daylight, when the place was crawling with German guards who must have been trained at the same place the guards in the Holy Grail were trained (remember those idiots- "Unless he has to leave". Then she showed up in a car full of Germans dressed as a nurse (she was a B- movie actress in the film). How did we get from the previous scene to this one, did she sleep with one of the idiot guards "so we just stay here until we have to leave". Then Ron Perlman (evil German) tells the nurse he will kill her when the plane lands. Then he says "damn" later when she exits through an open window in the unguarded first floor room in the château. Somehow the American gets the plane's engine to stop and force land on an airfield that just happens to have the three Russian paratroopers arriving at the same time to ambush the Germans with perfectly coordinated timing, impossible mate. Then the American tells the Russian to shoot him in the forehead "you've never killed a man have you?" The Russian was handpicked for this most important mission, he must have killed hundreds to be in an elite to be considered as one of three for the mission. The American had earlier called them "trained killers" It goes on and on, just wanted to add my five cents.

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pmartin-14
2005/04/27

I am a woman who appreciates war movies. Good war movies, that is. What I consider to be well-made war movie traits are an adherence to fact, correct use of language (e.g., Italian characters speaking in Italian and, bonus points, acted by Italians), a compelling story, and lack of jingoism. Oh yes, and NO "LOVE TRIANGLES" (note to movie makers: not all women need romantic subplots to watch a war movie. I mean, really, a "love triangle?" Millions of people were being slaughtered. Doesn't that fact make any stupid "love triangles" utterly irrelevant? If you really want to attract women, perhaps have war movies that focus on women who made a difference.)A few war movies that I've appreciated that utilize some or all of these traits are "The Longest Day" (my entrance into war movies), "Band of Brothers," "The Tuskegee Airmen," "Kelly's Heroes" (Donald Sutherland. Priceless.), "Life is Beautiful," and "Breaker Morant." This movie, unfortunately, did not have any of these traits, save for the use of native language. Utterly pointless story and annoying characters. I can even make an argument for blatant false advertising - if you watched the movie, did you see the tanks or spitfires that are depicted on the DVD cover? Yeah, me neither. Although the sea plane was cool.... Save your time. Save your money. There are countless other movies that are much more deserving. "Kagemusha," for example....

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artzau
2005/04/28

OK. Who's in this? Craig Sheffer? I'm sorry, but looking though his filmography, I didn't see anything memorable in which I'd seen him perform. The rest of the cast are Internationals and that's certainly forgivable but, the question I raise is why was Ron Perlman in this less than outstanding film? And, as a sadistic Nazi at that? No, sport's fans, it certainly didn't work for me and although I didn't have quite the same reaction as the first reviewer, I was glad I'd rented this one at Blockbuster's (on the night of the Superbowl because I was likely one of the few in Sacramento watching the poor old Seahawks get their lunch) instead of investing the price of a Senior's admission to see it on the wide screen. Very disappointing, Ron. Better stick to Hellboy.

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lseodessa
2005/04/29

I actually quite enjoyed this. It's certainly better than many other films of it's genre.Certainly, it wasn't as bad as many films I have seen recently. While the plot was a little sketchy at times the performances were above average. It was a pleasure to see Todd Field in a non directorial role. I would actually recommend it. It was also good to see Ukraine being used as a film location. Ukraine once had a fine studio in Kiev and in the Crimea and it would be nice to see it resurrected.Dimitry Fiks, the film's director, has since gone on to great success in Russia directing their version of Sex in the City. I wouldn't say race out and buy it but I also wouldn't mind watching it again.

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