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Trailer Synopsis Cast Keywords

A young man inherits the ability to see visions beyond the grave.

Peter Haskell as  Charles Sand
Joan Bennett as  Alexandria Sand
Barbara Rush as  Katharine Winslow
Sharon Farrell as  Emily Parkhurst
Bradford Dillman as  Jeffrey Winslow
Adam West as  Dr. Paul Scott
Gary Clarke as  Raymond / David
Ivor Francis as  Dr. Sam Ballard
Don Barry as  Trainer

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Reviews

Randy Wilharm
1972/02/29

I too saw the very beginning of this movie and it scared the hell out of me. Something about him (Charles Sand) seeing that dead lady in the cemetery, I mean this lady really looked dead. I was just a kid at the time and I will never forget it. I'll never forget the white eyes of that dead old lady. God that was scary for a kid to see!!There was a eerie musical score too. It sounded something like running your finger across a piano keyboard from high scale to low. I just typed "The eyes of charles sand" into Alta Vista and I was lead here. Thank gop for search engines. I want to find this movie and see it now so I can convince myself it's not all that scary as I remember it from the mind of a child. That's why I gave it a 9!!!

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Christopher T. Chase
1972/03/01

Another TV movie that was an intended pilot for a series. Falling short of the "keeper" mark in terms of what the networks craved at the time, "Charles" still contains a wonderfully restrained performance by the dependable Peter Haskell as the titular hero, an inheritor of powers of ESP and clairvoyance that runs in the family. Of course, on the other hand, you have Sharon Farrell as a young woman whose either going insane (something she excelled at playing) or who definitely needs Charles' supernatural help. Add Barbara Rush and Joan Bennett into the mix, and you either have a campy hoot-fest of OTT emoting, or something so irritating, you may turn away and actually watch that rerun of DUMB AND DUMBER for the twenty-sixth time.What saves it ultimately is capable direction, a storyline that does keep things interesting, (not to mention pre-dating Stephen King's THE DEAD ZONE by over a decade, which contains some striking similarities), and some frighteningly taut setpieces that, though dated, still work to some extent if you watch it with the lights out.Hard to find, but worth it when you do, if only for sentimental reasons, (like when they used to make REALLY good or at least entertaining 90-minute TV extravaganzas.)

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dlp
1972/03/02

When Charles Sand opened the coffin, at the beginning, of the movie, a frightening sight was about to begin. His deceased uncle opened his eyes and there were no eye balls. Just the whites. Then he raised up and pointed his finger at Charles. This would give you the creeps. If this happened, in a funeral parlor, there would be an evacuation.

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Kelt Smith
1972/03/03

An ABC Tuesday night "Movie Of The Week", THE EYE OF CHARLES SAND is good little thriller. Upon his uncle's death, Charles Sand (PETER HASKELL) receives his inheritance. What has his uncle left him ? Aunt Alexandra (JOAN BENNETT) calls it "the sight". Charles thinks its more like a curse, but what it is is the ability to see the past, future, ghosts, and more. Sort of an ESP+. Even during his uncle's graveside service , Charles sees an apparition of a dead woman in front of the Parkhurst masoleum, and the very real Emily Parkhurst (SHARON FARRELL) running around the cemetery in a state of agitation. Charles finds a bracelet that Emily had left in the cemetery and goes to return it to her at her large family estate where she lives with older sister Katherine (BARBARA RUSH) and Katherine's husband Jeffrey Winslow (BRADFORD DILLMAN). Katherine thanks Charles for his kindness and also informs him that sister Emily " is not a well girl." Emily soon contacts Charles again and informs him that she sees her dead brother Raymond all over the place and that the apparition that Charles saw at the cemetery was of her dead ancestor Lottie. Emily has Lottie's diary and believes that she is reliving her doomed relative's tragic life. So now Charles Sand gets to solve this mystery and try to save FARRELL's sanity. There are a few spooky visions and some real scares in the climax, actually quite good for a made for tv movie. It's evident that this movie was left open ended in case ABC might decide to make this a weekly series along the lines of THE SIXTH SENSE which was on the air around that time with GARY COLLINS

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