Philo Vance investigates when a murderer preys upon members of a wealthy family on New York's Upper East Side.
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...and how far his film persona has traveled since 1928's Forgotten Faces! In the silent era, Powell had played a heavy. But that distinguished sounding voice may not have been what the audience expected, but it was what they wanted once they heard it. So parts arrived for him that matched that distinguished voice.This film opens with the dysfunctional Greene family going over the terms of the late Mr. Greene's will that says the family must live in the estate for 15 years before anything more than living expenses is awarded to any of the heirs. All share equally, and if any die or decide to live somewhere else, their share is distributed to the others. They are 10 years into the 15 years, so New Year's Eve 1934 gives them all their money and their freedom. And none of them likes the other. Mrs. Tobias Greene is bedridden because she cannot walk. Ada (Jean Arthur) dotes on her, and Ada is always being taunted by Sibella Greene (Florence Eldridge) as an outsider since she is adopted. Sibella has some secret between herself and her mother's doctor.Then, one by one the members of the Green family begin turning up dead. The police call in Philo Vance to help, and lest the audience think it strange that a civilian is helping in police matters, several references are made to "The Canary Murder Case" in which Vance solved the crime. Vance keeps emphasizing that these things usually boil down to psychology, and that is his focus throughout the film - the psychology of the members of the Greene family, both the dead and the living. Did I mention that the servants share some in the will too and there are some very strange household servants? Eugene Palette plays Sgt. Ernest Heath of the police, and does the most interfacing with Vance. Paramount paired Powell and Palette quite a bit in the early years of sound and their contrast seemed to be very synergistic, both of them with trademark voices of a very different kind from one another.I'll let you watch and see how this all turns out. There are quite a few surprises in the plot. I'd recommend it.
This was possibly made right after Cecil B. Demille's first talkie ,when he removed the camera out of the sound booth and had it covered up with towels ,so that the camera could move .There are some shots ,like in the hallway,where William Powell and Eugene Pallet are disusing the murder and the camera is following them.that's not zoom lenses.For some reason they don't get a lot of close ups.Obviously the camera was very heavy.This is an early Philo Vance mystery on film starring William Powell ,who would repeat his role in later films.A very young Jean Aurthur Frederich Marches wife,Florence Eldridge, is in it too.I don't know if this was her first talkie,it might have been.The adult Children Green,played by Florence Eldridge as Sibella ,Jean Aurthur as Ada,a fat Lowell Drew as Chester and Morgan Farley as Rex .Under their fathers will they all have to stay in the house for 15 years in order to inherit their fathers money.Their mother is an invalid,unable to walk,played by Gertrude Norman as the widow.Very controlling against her adult children.Then their the German cook or maid,Gertrude played by Augusta Bermiester.It seemed that their late father had business in Germany and taught his kids the language.One night some one shows up at Chester's room and shoots him.Then Ada gets shot but is injured.It's time for William Powell and Eugene Palette to go to the Greene's house and investigate.The families personal doctor,also German American,Dr Arthur Von Blon,what a name,played by Ullrich Haupt, does the autopsy.He and Sibella have a yen for each other.Then Morgen Farley gets killed.The surprising result of this film it turn out that Jean Arthur has been killing the family ,poisoning her mother,so she can get the inheritance.But, she ends up getting killed as she tries to push Florence out of the balcony into the cold lake.Aurthur end up in the lake instead.Powell Rescues Eldridge from the second story of the house.This was the only time Jean played a bad guy.nice early talkie.Available at Amazon,Bonanza,i offers. 02/14/13
This is a film that has two extreme performances: Great for William Powell, awful when it comes to Jean Arthur. Lets start with the bad: Gladys Georgianna Greene, is not only the last name of a character from the film "The Greene Murder Case" (Ada Greene), but the real name of Jean Arthur (No wonder it was changed. It does not fit hyperactive image of Jean Arthur classic film fans know). I do not know where to start complaining about her character, but here are a few basic complaints with her in the film. Her voice does not fit the character, she is skinny, ugly, and got under my skin, every time she popped up. This was shocking, because you can pick about a dozen films that are bona-fide classics that she was in (Included in this list is "The Ex-Mrs Bradford" also with Powell), but the good Jean Arthur, will not show up for another 6 years ("The Whole Town's Talking" with Edward G. Robinson). The reason to watch is Powell. His Philo Vance is very much like Nick Charles in training: Classy, sophisticated and brilliant, but not perfect. For example: Although he gets things right: Spoilers (Like when he questions Gertrude about her illegitimate daughter (A key point in uncovering the identity of the killer)), and when he shows Sgt. Heath (Eugene Palette) how the crime was committed). He also makes a major mistake in letting the murderer alone with an intended victim, in a place where Vance or the police cannot save that person in time (The victim is lucky and survives while the killer dies, but not because of Vance or the police). It goes without saying, Nick Charles would not make that kind of mistake. I actually preferred him as Vance in this film to "The Kennel Murder Case" (Which all around is a better film, because it did not have Jean Arthur (That is how bad she was)). What is interesting is that he already has the Nick Charles persona down pat (A full five years before he shows up in the "Thin Man"). This is a film that should be remastered and put in a DVD Box Set of William Powell Detective Films (Warners has all of MGM "The Thin Man" films, plus "Bradford" (RKO), maybe, Universal should sell the rights to this film, "Canary Murder Case" & "The Benson Murder Case" to Warners so we might see that. My grade? 8/10. 10 for Powell -2 for Arthur.
The Greene Murder Case was William Powell's second of four ventures in the role of society detective Philo Vance. In this film, he's called in as a whole family named Greene, rich society folks like Vance himself keeps getting knocked off one at a time. As Eugene Palette as Sergeant Heath says, they'd have to be crazy to keep committing the crimes while Vance and he are actually in the house investigating. Insanity is a key element in The Greene Murder Case.The house itself holds a few clues as to the identity. And it plays a part in the crimes as they unfold because as we learn right at the beginning of the film, the terms of the late Mr. Greene has that the whole family has to live together, if not happily under the same roof for fifteen years before they can inherit. Only in these old murder mysteries do they come up with wills like that.The Greene family is an interesting lot in and of themselves. Mother Gertrude Norman is bedridden, but keeps a tyrannical reign over her kids who consist of flapper Florence Eldridge, doormat Jean Arthur, and a pair of worthless trust fund baby sons in Morgan Farley and Lowell Drew. The Greene Murder Case is probably the weakest of the four William Powell Philo Vance cases. It relies on some really way out solutions for Powell to identify the culprit. And if you're any kind of fan of these films you will know about a third of the way through who the murderer was. Let's say the culprit has what looks to be an airtight alibi for all the murders, especially the second of the three.Powell of course is as debonair and smooth as always. As I did in seeing The Canary and Benson Murder Cases, I do marvel at the way Powell was able to immediately adapt almost by instinct to the requirements of talking pictures. Definitely a film if you are a fan of his.