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Shadrach Jones, ex-Texas State Policeman, has the ruthless determination to find and kill the man who shot his brother in the back and stole the money with which he was to buy a ranch for the two of them. At the saloon-hotel run by Adelaide, Shadrach is convinced that one of the cowhands on the Captain McKellar cattle drive to Montana is his man. He takes the job of trail-herd boss to find the killer. McKellar preaches to Jones that he should forget revenge and let the law of retribution take care of the killer. Shadrach's hard driving of the men and his hunt for the killer makes him bitterly hated, and his retribution quest ends in a manner he did not anticipated.

Bill Elliott as  Shadrach Jones
Walter Brennan as  Cap MacKellar
Marie Windsor as  Adelaide
Harry Morgan as  Rod Main
Rhys Williams as  Chokecherry
Jim Davis as  Cochran
William Ching as  Mike Shattay
Nacho Galindo as  Gonzales
Leif Erickson as  Big Mart
Henry Rowland as  Dutch

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Reviews

kfo9494
1950/08/15

This could have been an excellent western movie had they not tried to be so cheap in production. Instead of filming on location with vaulting mountains and wide open scenes, we are left with filming on a back lot with very little scenery and projected background landscape. And with such gifted actors in most parts it was puzzling on why they put stiff actor Bill Elliott as the lead man. I know he has played the lead in many B-westerns but with the cast of actors in this film, he stood out like a sore thumb.But passing on Elliott's mannequin performance, the rest of the cast seemed to flow effortless and made the story entertaining to watch. There was a few spots hard to watch but overall this film provided enough interest throughout to keep the viewer on the edge of the seat right to the end of the movie. Was actually expecting very little from this movie but was pleasantly surprised. This is a film that you ask yourself, What could have been?

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doug-balch
1950/08/16

You might want to take a peek at this Western.Here's what I liked:Very unusual appearance by Harry Morgan as a tough henchman. Morgan spent most of his career playing buffoons.Pretty well executed film noir technique, which is odd to see in the Western format. The film has an effective hard edge to it, especially considering how low budget it is.I always like watching Walter Brennan play against type.Here's what I didn't like:There's nothing really Western about that movie except costumes. This is an urban detective who-dun-it simply transposed to a Western setting.Cheap production, completely back lot, William Eliot is not a very good lead.Ridiculous stereotyping of Mexican character.

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westerner357
1950/08/17

Once in awhile Republic Studios would release a little gem among all the mediocre B oaters that they put out, and this happens to be one of 'em. William Elliott plays a Texas Ranger named Shadrack Jones who is trying to find out about the circumstances surrounding the brother's death. When he learns that his brother was shot in the back, he's so blinded by hate and revenge that he becomes ruthless and cruel. Even to the point of being rude to one of my favorite 50s scream queens, Marie Windsor. But Jones justifies his actions in order to get some answers about his brother who had stayed in Windsor's hotel, the night he was murdered.The graveyard scene in the beginning where Jones is digging up his brother's freshly dug grave while Cap McKellar (Walter Brennan) and Rod Main (Henry Morgan) just happen to drop by, is excellent. Jones gives Rod a warning that he'll never forget. See, he believes someone in McKellar 's Circle-K outfit is responsible for what happened.McKellar is about to take the Circle-K on a cattle drive to Montana and sell his beef to the army. He's so impressed with Jones that he hires him on as trail boss after Jones is forced to shoot his regular foreman, Big Mart (Leif Erickson) in an excellent gun duel in the saloon. Windsor goes along after selling her saloon for 1/3 of the cattle, which makes Jones even more hostile because he doesn't want a woman going along on the cattle drive. Of course all the other trail hands would love to put a bullet in Jones' back because he misjudges everyone that's around him. We even get to a point where the viewer doesn't know whether Jones is the good guy or not. That's how distasteful he gets. He treats them all mean and sadistic, showing little compassion and mercy. Jones suspects everyone including Marie Windsor, but events will occur that'll prove him wrong.First, Rod Main gets shot during an attempted gun duel with Jones by someone else. Then he suspects Bill has a derringer hidden in his boot and punches and humiliates him in front of everyone else until he finds out Bill's wearing a leg brace. Bill doesn't let anyone know about it because he's ashamed of being seen as a 'cripple'.The ending is a real shocker. It's one that comes from out of nowhere, where the real culprit meets divine retribution without Jones having to do anything. You'll have to see the film to find out what I'm talking about because I ain't telling. (heh..)It's a film that makes you wonder what's gonna happen next and I wholeheartedly recommend it.7 out of 10

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BigVic-4
1950/08/18

This movie makes my top-ten list of greatest westerns. Great acting from the usually laughable Wild Bill Elliot, great direction and awesome character development along with a good mystery. The subtle dialog from Elliot brings a new light to his acting ability.

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