I love sci fi.All kinds of it from aliens blowing us,or us them to smithereens (Independence Day,Aliens),to more of the "thinking man's" sci fi (Contact,Blade Runner etc). 15 Till Midnight definitely falls into the latter category.Seeing the budget was an estimated $27,000,I went into this with low expectations and appreciating that "low budget" doesn't automatically mean "bad movie". Apparently,this movie was shot over a seven day period.....and that I think was it's problem.There was nothing wrong with the plot/script.Lukas wakes up one morning to find all traces of his wife Sera's existence in his life are gone.Thinking his wife has left him during the night,he ends up in a bar later that day with a work colleague and gets slowly drunk.So drunk he brings home a girl he picks up during the night.Waking up the next morning he finds a woman in bed next to him who claims to have been in a relationship with him for some time.Something strange is obviously going on......The problem I had with this movie is that the dialog could have been a bit more snappy.Often the actors seemed to take an age to deliver their lines which for me made some of the scenes appear unnecessarily long.And often the dialog was drowned out by overly loud and possibly unnecessary music. The special effects also for me also detracted from the movie,coming across as quite psychedelic at times and I believe the movie could have done without them entirely.Maybe the seven day shoot was responsible for the above or not.Whatever the reason if only a bit more time and care was taken,this could have been a much better movie.The potential was obviously there.That said this is far from being a bad movie.Just a bit more spit and polish would have put this one above the norm.Nice idea though.

Let me start out first by saying that I am a science fiction nut. I grew up on it and it is the only genre which I consistently read, so naturally when I first heard of this film, I was intrigued. It's a smart scifi film set in what is relatively the real world that doesn't rely on bloated special effects or transforming robots lit by sunflares.That however, may also be its biggest detractor in this day and age of pathetic youtube videos getting 40,000,000 hits due to their banality and Snookie becoming a household name. But that's another story entirely.This is a film that deals with the Many Worlds Theory of Quantum Mechanics and mish mashes it with a romance. That too may be its detractor here (at least on IMDb) where most users seem to be teenage boys...that like robots lit by sunflares and Megan Fox's navel.Anyway, this is a film that deals with a young accountant (at least that's what I think he was) who seems to be jumping between different versions of his life. Brandon Slagle (who comes across a bit like an indie cinema Matt Damon) gives this character an array of levels. Lukas Reyes is your young everyman who really could be anyone who lives in the same building as you do. He also portrays a "Reverse" version of the character, who comes across more like a character out of a horror film (likely due to his filmography). Andrea Chen is the woman of his dreams who is lost between world. An interesting presence, she seems like an echo of a dream. Dee Martin portrays the best friend and Devanny Pinn the woman whom Lukas married in another life, who gets stuck in the version of his life which the story follows. Andrew Roth portrays a character named "Sarosta" who heads up what seems to be a task force called "the Knowers" which polices the parallel worlds and makes sure they don't overlap. If they do, he says, it creates an imbalance that could destroy time.This is a decent film, and likely due to its lack of marquee names and competition from such big budget fare as the Adjustment Bureau and Inception, your casual moviegoer may overlook this film and write it off quickly. Hopefully with time it can find its audience, because there is a multilayered story to be told here.A side note..another reviewer here posted that they didn't believe Lukas Reyes's reactions to his situation were "realistic". I found this humorous as I assume the reviewer must have also been trapped hopping different versions of their life too. Funny.

This seems to be becoming one of those love it or hate it kind of films. It has either vicious haters or passionate admirers. I'm closer to the admirers. While I do understand some of the criticisms I am reading here (long, drawn out scenes, loud music mix, etc), the good far outweighs the bad.Brandon Slagle (who also wrote the film) is Lukas Reyes, and everyman who had just celebrated his wedding anniversay with his young (almost too young looking) bride, Sera (Andrea Chen). The next morning, all evidence of their life together...is gone. The rest of his life, however, seems to be the same.Lukas's best friend, Damon (Dee Martin) has the perfect solution...get his friend crazy drunk...and he does. The next morning Lukas wakes up, seemingly married to another woman, Nara (Devanny Pinn). He has no memory of this life and upon her claims they've been married for two years, he threatens to call the police on her and throws her out.Sera soon appears, but not before Lukas finds himself attached by a group of mysterious men calling themselves "The Knowers", who "police and fix" any rifts in the "symbiotic relationship" between parallel worlds, which states that each world must maintain a balance, which I assume means that multiple versions of the same person cannot occupy the same world at the same time, or that world destroys itself.It is an interesting, if slightly convoluted, storyline indeed, and quite ambitious for an independent film with no instantly marketable names in it. A lot of similar indie films rely on gore or sex to market themselves, but this one trusts its subject matter to sell it.Does it work? For the most part, yes.The performances are rather understated. A lot of them seem more like improvised conversations sans a few longer passages of dialogue. While this is on one hand a good thing, it also offsets the tone on occasion. Sometimes the film feels like a grandiose epic and sometimes it feels like a small "mumblecore" drama. The editing and cinematography is above average and the music, while it IS loud, is quite well done. A few licensed songs pop up here and there, and in appropriate places.Overall this is an enjoyable effort, with room to expand upon the storyline. A film called "15 Past Midnight" is listed as in-development on IMDb, and I can only assume that is a sequel. If the right tools are given, that could very well be something to look forward to.

This was an awful movie. To some that may seem intriguing, but this movie is not even awful in a way that one should be curious about.The acting was horrible by everyone. The actors seemed to be working with a minimal script (very poorly written) and took to ad libbing the rest. This left almost every scene feeling awkward and unbelievable. The only relief is that the musical soundtrack drowned out much of the dialogue throughout the film.Which brings me to the overall production. Everything was amateurish at best. I've seen teenagers make more professional looking youtube videos. Weird camera angles and inappropriately executed effects, hacked editing, it all further contributed to the pain of watching this movie.The story, on its face, is creative and may have been interesting, but was ruined by the lack of any discernible plot. Every scifi seems to have its holes, but the expansive voids in this film were too much to ignore. Finally, what really blows my mind is the 9 or even 10 star reviews on here. I can only reason that they are paid-for confederates of the movies producers or the producers themselves. To liken this film to any recent big budget sci-fi is moronic and one review even seems to beg for a "hollywood producer" to pick up the story for a remake. It was because of these reviews that I gave the film a shot and now it's also due to those reviews that I feel so betrayed as to write my own. Don't make the same mistake I did. Take this advice and spend the time you would've taken to watch this film on something more productive like observing the drying of paint on a wall.