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A spy is brought back from cryogenic suspension after being almost killed in a plane crash returning from a mission to learn about a deadly new weapon being developed in the East. But the vital memories are being suppressed, so the authorities use ultra-advanced technologies to try to uncover the secret.

Christopher George as  Hagen Arnold
Greta Baldwin as  Karen Summers
Henry Jones as  Dr. Crowther
Monte Markham as  Gregory Gallea
Harold Gould as  Col. Holt
Phillip Pine as  Lee Craig
Lee Delano as  Dr. Tony Verity
Keye Luke as  Sen Chiu

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Reviews

davis2000
1968/05/01

This rates three stars for the humor I found in its plot holes, bad animation and ludicrous plot. It's too bad nobody at MST3K got permission to riff this film.The premise, that scientists can only retrieve the spy's memories by making him think he's 150 years in the past is never explained sufficiently, it's just a way to avoid using futuristic sets. Even though they create an isolated compound complete with period buildings and antiques gathered from multiple museums they can't seem to keep intruders from using the prop telephone to wrinkle the plot. Nor can they prevent a pretty girl from hiking along to flirt with their test subject and spoiling all their work.Psychedelic patterns are used to obscure the poorly done matte paintings, action sequences and other "memories". Clear plastic helmets on the military add some unintentional fun as does the Dickensian matron of the "kinery" (sic). Somehow in this future they've stamped out most disease but don't seem to know how to immunize against smallpox and the plague.I looked forward to seeing this as I never saw it in theaters as a kid but it's far from Castle's best work. This was ambitious but failed to capitalize on it's few good ideas. By the end I half expected Monte Markham to turn out to be Sen Chui in disguise but instead he's just a traitor, ultimately killed by a red mental tornado whipped up by Christopher George's character. You'd think the General would want to harness that as a weapon but no, he just wants to berate scientists.

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Andy Sandfoss
1968/05/02

I taped this film off of a cable TV broadcast, apparently a rare occurrence. The film doesn't seem to get any air time at all, and as far as I know it is not available commercially on VHS or DVD. As much as one would want to corroborate other people's opinions of less-well-known films, I cannot recommend William Castle's "Project X". I found the film wildly over-plotted and very much derivative of other, better films. Where it tries to present something different, I found it just confused. The acting is at its best moments routine, and occasionally goes way over the top. The special effects do not impress; the film eventually resorts to using animation and not very stylish animation at that. But give a gander to the cast and you'll see why. William Castle is most widely known as a showman and promoter. There isn't anything here like that, so the film has to stand on its own. It can't.

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Maciste_Brother
1968/05/03

I finally saw William Castle's PROJECT X the other night and I was surprised by the story-line. It reminded me a lot of JOHNNY MNEMONIC or THE MATRIX and the whole cyberpunk genre of films or books. PROJECT X is seriously outdated because of the FX and the boring and cheap production values, which makes this movie look like a standard 1960s TV movie. But the story itself screams William Gibson: it's about retrieving some memory from a spy (played by Christopher George) who's suffering from amnesia and who might have the information about Asia's attempt to destroy the West. The amnesia was artificially induced in the spy by someone in order to prevent the information from reaching the authorities in the West. When the film starts, the spy is incased in some coffin-like chamber and he's in suspended animation. Scientists revive the spy and try to get that memory from his amnesiac mind with a holographic device that can see inside the man's mind when he's sleeping. The scientists also recreate a 'virtual reality" setting that looks like something from the 1960s where the scientists hope the spy will be duped and eventually hand them the missing memory (the spy knows a lot about history, which is the explanation for the elaborate set-up. It's also cheaper this way. No expensive futuristic sets. LOL!). Of course, someone tries to botch the scientists attempt to save the world. The story is filled with details like biowarfare, overpopulation, infertility, etc. The identity of the spy is repeatedly changed by the scientists, who keep referring to these new virtual personalities of his as a MATRIX!JOHNNY MNEMONIC is basically an unofficial remake of PROJECT X. In JOHNNY MNEMONIC, the whole world is suffering from some sort of condition called Nerve Attenuation Syndrome. Keanu Reeves has information implanted in his brain (which has a chip) that could cure NAS. Keanu got this implanted info in Beijing and he only has 24 hours to bring the vital info to the scientists in the US. William Gibson basically reworked the ideas found in PROJECT X and updated them for JOHNNY MNEMONIC. For instance, In JOHNNY MNEMONIC, the world is already suffering from something and the cure is from Asia. In PROJECT X, the threat is from Asia and it's some sort of virus/biochemical/nerve weapon. And the action in both stories are governed by some sort of limited timeline.While watching the film, I had a vivid sense of deja vu. The whole idea of advanced technology capable of controlling memories, and the "reality vs virtual reality" aspect seen in PROJECT X are the basic ingredients of the whole cyberpunk genre. PROJECT X was very familiar and yet, thanks to the look of the movie, very outdated too. As a movie, PROJECT X is not that good but it's interesting to see where the whole idea of memory manipulation started from.

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Scooby-43
1968/05/04

I actually have a videotape of "Project X" and that makes me one of the few people that has actually seen this movie in the last thirty years. The movie deals mostly with biological warfare, human genetic manipulation, and mind machine interfacing. It was prophetic in a way that it predicted that Genetic Engineering was a coming thing. Despite it's rather low budget look, Henry Jones as the head scientist gives this movie an aire of reality. The mystery is the meaning of the last message the amnesiac agent sent to the West, a doomsday message, and we are kept guessing to the end what that doomsday message means. A memorable moment is when Karen Summers meets our amnesiac agent and the friendly way she acts and picks him up is something I've often imagined might happen to me someday. No wonder the bad guy kept breaking into her room, he was the only other guy to see it. Another scene that is memorable is when the released anger thing, whatever it was, does whatever it did to the meanie bad guy. That's something I have never forgotten.Well if you haven't seen this movie, you missed a classic and good luck trying to find it.

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