Not one of my favourite musicals, or one of my favourite films of all time. But 'Two Weeks with Love' is just impossible to dislike and easily one of the most pleasant surprises had over the past few weeks (seeing it on an old VHS belonging to an American friend who is a fellow fan of older musicals), standing above most "golden age Hollywood" musicals seen recently.Don't let the predictability of the story throw you off or that the outcome of the film is not hard to figure out at all early on. Judging it on what it aimed to do and what was expected, 'Two Weeks with Love' succeeds brilliantly and while it is not a masterpiece of the genre or of film when it comes to how well made, performed, enjoyable and easily digestible it is 'Two Weeks with Love' can't be beat.Visually, 'Two Weeks with Love' looks beautiful and was clearly made with love and care. The set and costume designs are sumptuous and elegant, actually feeling more expansive than the studio-bound look. The film is beautifully photographed too and boasts big, bold, rich colour that is just a feast for the eyes without being overdone or overly-garish.The music and songs are lovely and fill one with joy and emotion. The standouts are "Oceana Roll", "By the Light of the Silvery Moon" and "Abba Dabba Honeymoon", while it was wonderful to hear "My Hero" from 'The Chocolate Soldier' too. All are beautifully performed and staged. The choreography from none other than Busby Berkeley is both exuberant and intimate, while it may not have the imagination and wildness of Berkeley's very best work that's in no way a disappointment because more understated Berkeley but still with his usual pizazz and musicality fits better here.Was also surprised at how good the script was, full of genuinely funny humour (the corset stuff that could easily have been repetitive and out of date inducing good amusement still) and emotion. The story may not hold many surprises, but that doesn't matter when the energy and charm were so good, the fun was non-stop and also that some of what it had to say being genuinely sincere and touching. The nostalgic and romantic qualities 'Two Weeks with Love' were similarly handled beautifully. Direction is adroit throughout.Jane Powell captivates in her charm and not only does she sing beautifully but also like it came straight from her heart. Even better is cute, peppy and feisty Debbie Reynolds ('Two Weeks with Love' was seen in her memory too), who injects so much spark effortlessly and without over-doing it. Ricardo Montalban is so handsome and suave with great comic timing and energetic charisma. Louis Calhern is amusing and Ann Harding is no less delightful. Only Carleton Carpenter is a little on the wooden side and he doesn't look comfortable playing a character younger than he.Overall, a sheer romantic musical delight and is likely to have even the most sceptical of hearts swooning. 9/10 Bethany Cox

"Two Weeks with Love" is a delightful coming of age comedy musical, with a couple of young actresses who could really sing and dance. In the mid- 20th century, and the 50 or so years of earlier society that the movies often showed, coming of age was a well defined rite of passage – for both boys and girls. But young ladies seemed to be more aware of it – or it meant more to them. For the last half century or so, the focus just seems to be on teen years, with passage morphed in there somewhere and not clearly defined. So, society isn't as cognizant of this particular time anymore and we no longer see coming of age films. But, this one is a dandy, and the coming of age is "the issue" around which the plot unfolds. Jane Powell plays Patti Robinson, the female who is coming of age, and Carleton Carpenter plays Billy Finlay, the male who is coming of age. Besides these two characters, this film is loaded with young talented singers and dancers, and with a cast of wonderful performances, young and old. Ricardo Montalban, though a very good actor overall and in this role, just seemed a curious choice to play the male lead, Demi Armendez. He was 41 when the film was made, and even makeup can't quite make him look too much younger.Right behind Patti, who is 17 in this movie, is her sis, Melba, played by Debbie Reynolds. She is 15. She and Patti are in a one-way romantic triangle with Finlay. Melba pines for Billy, who pines for Patti, who pines for someone else, so long as it's not Billy. Both female singers play their younger roles especially well. Believe it or not, Powell and Reynolds have the same birthday – April 1, three years apart. Powell was 21 when the film was made, and plays a 17-year- old. Reynolds was 18, and plays a 15-year-old. They carry it off very nicely and believably. The two starlets became close friends for life, and made two more musical comedies together. They played sisters again in the 1954 movie, "Athena," and were paired as friends in the smash hit, "Hit the Deck" with Tony Martin and others. As of my writing this review, both actresses are still alive. Both had long careers in film and on television. Powell's soprano singing roles faded by the end of the 50s, and Reynolds' singing roles ended with the 60s. Both would sing in some of their TV appearances later, and Reynolds especially had a much more full acting career, mostly in comedy. Powell's biggest hit beside her pairings with Reynolds was "Seven Brides for Seven Brothers" in 1954. Reynolds had major hits with "Singin' in the Rain" in 1957, "The Unsinkable Molly Brown" in 1964, and "The Singing Nun" in 1967. She had her own TV variety show in 1969-70. "Two Weeks with Love" is a fun, warm and funny movie that the whole family will enjoy. Reynolds is especially good in her role, and the supporting players all are very good. It's a hilarious two-week vacation for the Robinson family at Kissameee in the Catskills. Here are two samples of very funny situations in the film. The Robinson's are in the resort dining room which is full with guests, when the suave Demi Armendez (Montalban) arrives in the doorway. We never learn who it is, but an older woman on his arm may be his mother or an aunt or who knows what. The woman is wearing a black dress with white trim on the top. Demi is wearing a loud sport coat -- loud especially for that time. It's a three-color broad striped coat in red, orange and tan. The table conversations all stop and everyone looks at the couple. "What are they staring at?" Montalban says to the woman. She replies, "My new dress." Later, Patti thinks she has missed her chance with Demi and she's sitting alone at the drugstore counter. She has ordered a strawberry soda. "I guess there's nothing left for me to do but become a missionary," she says. The old-timer druggist sets her soda down and says, "Well, you wouldn't want to do that on an empty stomach."

This movie used to be shown on the old UHF stations like WOR, Channel 5 in New York. We were able to receive this station with wonderful old movies even though we lived in the Philly suburbs. I can remember carefree summer days and movies like this on all the time. It was one of my mother's favorites and it became ours as well. I always remember Debbie Reynolds singing and how funny she was. I wanted to be there, at that same hotel, playing with Debbie and having a great time. Oh how I wish they would make movies like this again, movies that are fun and sweet.But the people creating film today enjoy wallowing in darkness and despair. But that's another topic. This is a fun film, perfect for kids and summer and escape. GallenR

I love this movie not just because of Jane Powell's charming performance or Ricardo Montalban's romantic looks, but for its wonderful recreation of the period and most of all for its heartfelt appreciation of the angst of growing up and moving from girl to woman. And it's so funny!- the scene where her (surgical) corset locks during her longed-for dance with Ricardo is hilarious. What more could you ask - even Debbie Reynolds is (comparatively) restrained.