This made for TV movie is from Dan Curtis...and that should come as no surprise as Curtis made a living making low-budget horror films and TV shows--such as the original "Dark Shadows" as well as excellent made for TV films about Dracula, Kolchak (the reporter that investigates monster sightings), possessed African dolls, Frankenstein and others. Most of his work was very good though I wouldn't place "Scream of the Wolf" among his best films.Some creature has been tearing folks to pieces and John (Peter Graves) is a hunter who's been given the task of killing whatever it is. However, he soon notices that the footprints go from a wolf-like creature to human...but he won't allow himself to believe it's a werewolf. When he tries to get help from a clearly nutty associate, Byron (Clint Walker) has a strange reaction--he's totally disinterested in killing the creature and even seems to be completely ambivalent about all the deaths!! Clearly the viewer is being led to believe that Byron is most likely the wolf-man. And, clearly, Walker's character is about as subtle as a 2x4 upside your head! He's a super freaky weirdo and Walker looks as if he had fun playing this guy. And, although Graves is the leading man in the film, your attention is drawn to Walker whenever he's on the screen. So is Byron the werewolf or is there some other explanation? And, how does this movie end up being very much like the classic film "The Most Deadly Game"?Considering the budget for this film was pretty low and the ABC movies were made quickly, how they handled the whole werewolf aspect of the story was an interesting idea that worked very well. Not the best movie of the week I've seen but very memorable and fun...in a kooky sort of way. Well worth seeing...and a lot better than the surprisingly low overall score of 5.1 (as of this review).

"Scream of the Wolf" is one of the more fascinating stories from the 70s.**SPOILERS**Driving along a lonely road, a man is attacked by a strange creature. Sheriff Vernon Bell, (Phillip Crane) is sent out to investigate the incident, and finds strange tracks in the woods. He goes to old friend John Wetherby, (Peter Graves) an expert tracker who just entered retirement, to get some help on the case. John agrees, and he begins to search around the area of the attack. He runs into Byron Douglas, (Clint Walker) another local animal tracker. Douglas doesn't provide any support for John, and he decides to finish investigating. Another attack brings a news report on the attacks, which brings the attention to Sandy Miller, (Jo Ann Pflug) an old friend of John's. After the creature is found to be a werewolf, it attacks Sandy in her home, forcing John to finally track down the werewolf and kill it.The Good News: I know it doesn't seem like that long of a film, but this is far more entertaining than it should be. I don't know if it's the 70's tone that it has, or if it manages to actually be that entertaining, I haven't found out yet. This is a film that I can repeatedly by on and enjoy it all the way through. Few movies can actually do that continuously, as you become more and more accustomed to them. I have even grown too actually like the design of the werewolf in here after initially hating it. The werewolf is only seen in a few quick shots, but that was enough to know that it is a pretty frightening creature. It does feature a very wolf-ish look. It also looks like a cross between the two previous werewolf classics, "The Wolf Man," and "Curse of the Werewolf," with that of a more traditional-looking wolf. There is also a lot more suspense than you would expect in the film. The best part has to be the raid the wolf has on Sandy's cabin. That is a spoiler moment, so I can't reveal too much, but it does provide a very original jump that has since been copied in just about every other werewolf film since. It may not affect too many because you have seen it many times before, but this is the oldest film I have seen with that particular jump. It is also good to see genre veteran Peter Graves in here, as he hams it up like he does in so many of his films. He plays a regular role for him, and he plays it like he normally does in lots of movies. It was a nice surprise to see him in here.The Bad News: As usual, we hardly get to see the werewolf, which I don't know why as it is a very good design for a werewolf, but they kept it limited to a few scenes at the end. Another thing that annoyed me with the film is that it is pretty short. Even for a TV movie, this is still a lot shorter than it could've been. The plot does allow for some more time to chase after the wolf.The Final Verdict: If you can ignore the fact that they have a cool wolf that is hardly used, this is another entry in that "Give-it-a-chance" category. I don't know why more people don't about this film, as it does provide some action-packed scenes and a very creepy lead wolf.Today's Rating; PG-13: Vicious Werewolf attacks, very minor gore, and a brief view of a mangled corpse

This film would have been much better if it had some balance. There were no strong supporting actors at all, with Graves and Walker providing outstanding roles and the rest just falling flat on their face.Graves worked well as the slowly weakening ex-hunter, while Walker did an amazing job portraying the evil and creepy (and still strong) wolf hunter. However, the rest of the actors (especially Graves' girlfriend and the police chief) did a horrible job with their characters.The fact that the kills really arent portrayed in a gory fashion makes the film feel like less a horror movie and more of a suspense/murder mystery, which bothered me a bit. Additionally, the ending, though a double twist (from not surprising to surprising to not surprising again) was a bit hard to swallow, that and it ends much more abruptly than I would have wished. Overall, not a high recommendation, but still a fairly good representation of low budget 70s fare 5/10.

Only the most die hard werewolf movie fans (or bottom feeders who like to see bad films as a sort of self-inflicted pleasure-pain) will want to endure this. Even they may be disappointed. Silver fox Graves (who drives a hip car and has a hip house while hip music blares) stars as a former hunter turned writer who, after a series of grisly attacks on local residents, decides to hunt down the predator personally. The killings are the standard "hapless victim looks into camera and screams while growls are heard then blackout". This gets tiresome very quickly. One extended attack on Grave's ladyfriend Pflug (in a pedestrian performance) has a certain amount of edge to it. (Hilariously, though, this single woman lives in a house that appears to have more rooms than Monticello!) Pflug suspects Walker, an old buddy of Graves who lives in a mansion up in the woods and does a lot of odd philosophizing about human nature. Walker, still attractive and virile, gives an unusual performance full of dopey expressions and strange vocal inflections. His relationship with Graves has a homoerotic twinge, not unlike the Stephen Boyd/Charlton Heston dynamic in "Ben-Hur". Sheriff Carey rounds out the male trio of tall actors. The film aspires to a level of intellect that it's budget cheapens more than a little. Still, it's not the worst TV horror movie ever made. At least someone tried to write something with a little irony and mystery to it. One scene between Graves, Pflug and Walker takes place in a restaurant that must have a sign on the door, "No one attractive allowed!" Soap opera veteran Storm appears briefly as a victim.