A foreign correspondent is kidnapped and used for human prey.
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While I'm certain that the intended drive-in audience wasn't paying much attention in the "passion pits","The Woman Hunt" is not totally without interest. One intriguing aspect is that the film tends to flip back and forth between night and day faster than pages in a book. Sid Haig stands out as the only semi-competent actor, the hunted in the jungle story is simple and familiar, yet there is a raw fascination to "The Woman Hunt" from a bad movie perspective. On the plus side are some semi-creative kills, decent jungle photography, and the attractive hunted women. There is even a climactic nude swim, with an unexpected ending. - MERK
A bunch of women are abducted so they can be hunted down like animals by depraved wealthy perverts in the remote Filipino jungle. Director Eddie Romero, working from a suitably lurid script by David Hoover (who also co-wrote the story with none other than Jack Hill), relates the sleazy plot at a steady pace, delivers a handy helping of tasty gratuitous female nudity, further enlivens the proceedings with startling moments of bloody violence, and pulls out all the stops in the exciting last third when the titular hunt kicks in. The cast of familiar B-flick regulars play the material with real gusto: the always great Sid Haig cops the top acting honors with his splendidly slimy and spirited portrayal of leering and lecherous dirtbag Silas, "Hee Haw" honey Lisa Todd likewise hits it out of the ballpark with her perfectly icy portrayal of cold and ruthless lesbian Magda, John Ashley does well as the laid-back and basically decent Tony, plus there are sound contributions from Pat Woodell as the assertive McGee, Charlene Jones as the sassy Billie, Laurie Rose as the feisty Lori, Ken Metcalfe as the vicious Karp, and Eddie Garcia as evil rich sadist Spyros. Better still, we've also got a foul misogynistic sensibility evident throughout which gives this picture an extra scuzzy edge. Justo Paulino's cinematography is rather plain, but overall acceptable. Jerry Dadap's groovy and lively score does the get-down funky trick. Fun schlock.
The best thing about this movie is the opening credits, with an animated target centering on the names of the leads. The second best thing is a funny Sid Haig line: "My nose ain't the thing that grows!". The third is the (brief) female nudity. The fourth COULD be Pat Woodell, who was striking in "The Big Doll House", but here she is almost unrecognizable with that awful haircut. The fifth COULD be the lesbian villainess, but it's pretty clear that the actress who plays her doesn't have her heart into it. And that's it for the good or could-be good things. The "woman hunt" of the title doesn't begin until after about 50 minutes, and it's totally unexciting like the rest of the movie. Those who saw this at the drive-ins back in 1975 must have been asleep in their cars, or at least otherwise "occupied". I can't imagine them paying any attention to the screen. (*)
"Woman Hunt" is one of the more boring flicks from Corman's New World company. As usual some sexy American gals are abducted in some third world country. First they're used as hookers then later they become hunting prey for wealthy men. The always cool bad guy, Sid Haig, does bring some life into the clichès but unfortunately it's not enough even though some sleazy and violent scenes keeps you awake. A mediocre effort at best.