Right from the beginning this movie had a feel of a cheaply made production that for some reason was able to get aging Bela Lugosi to co-star in order to give the film some worth. But overall, Lugosi turned out to be more of an embarrassment to the film while the main star, Arthur Lucan, tried his best to hold the movie together with his slap-stick antics that had been his custom for years. While nothing could have made this production into a classic, Mr Lucan did prove that he could use the weak script to the best of his ability and use his humor to at least give the audience a smile.There is very little to the story as Lugosi plays a vampire like character that orders a robot through the post. The items gets mixed up in shipping and instead of going to Lugosi ends up at Mrs Riley's (Lucan) house. Now a series of unbelievable events will lead Mrs Riley to solve a case in minutes that Scotland Yard has been working on for weeks. Along the way Mrs Riley goes through some situations that, at times, is somewhat humorous. The sad thing is they are few and far between and you have many scenes that are downright boring.Lucan did his best but nothing could save this cheaply made production. Even the copy of the movie that I watched was incredibly dark and had an almost amateurish feel in sound and quality. The only saving grace was some funny lines by Lucan as he made his way through the pitfalls. If your watching this for Bela Lugosi, it will prove to be a sad experience. Watch the movie for one reason-- that is the sometime quirky British comedy genre of the forties and early fifties. And perhaps you might smile once or twice while watching.

I couldn't believe it when I heard the above saying from Lucan's lips as he thanked a woman. Though the film hardly operates on the same level as Abbott and Costello meet Frankenstein, it passes an hour or two quite amiably. Bela is clearly happy to be back in front of a film camera for the first time in years - even a low budget British one - and he effortlessly conveys his old authority and a sense of fun - he comes across as an enjoyably hammy British version of a Batman TV Series supervillain. Lucan is relatively restrained in this outing compared to past ones. The splendid book VAMPIRE OVER London; BELA LUGOSI IN Britain indicates his personal troubles over his estranged partner Kitty Mcshane, and one can only wonder if this is the reason why. The duo's stage act usually climaxed in plate throwing and this is compensated for by a madcap crockery-crashing slapstick sequence with Bela's henchmen. Dora Bryan is a more than adequate foil for Lucan.Editing necessary for MY SON THE VAMPIRE means we lose Lucan's one musical number early on in the film. Also, the romance between the kidnapped Loretti and her Naval officer is underplayed to say the least - he keeps getting bonked on the head by various characters. Graham Moffat is also missing from the print. The ending is curious in that we contrast Riley's madcap race to stop the Vampire enduring various crashes and appropriated forms of transport on the way while Von Houson is actually seen gunning down two constables - a bit strong for a juvenile comedy.The immediate postwar period was a time of apprenticeship for celebrated British comedy stars like the Goons and Tony Hancock who were learning and honing their trade upon being demobbed from the army. By 1951, they were ready to take on the entertainment establishment and sweep aside the old stars like Lucan - in much the same way the Beatles and their ilk were ready in 1963 to change the face of the British music industry. The brief resurgence of popularity Lucan and Mcshane enjoyed prior to this film proved to be a last fling at glory. A whole new wave of innovative British comedy was ready to sweep them aside. Lucan was more truthful than he knew when - at the climax of this film - he sputters "This is the end!" Both Lucan and Lugosi were enjoying a last stab at greatness in an age where they were already anachronisms.

Arthur Lucan plays the female lead, "Mother Riley", and Lucan's schtick involved playing an old hag in both a series of films as well as on stage. Unfortunately, Lucan looked and sounded nothing like an old woman and instead seemed to be one of the least talented "actors" ever to grace the silver screen. What made it worse was the way that the film's director and producer added "funny" sound effects and optical effects in order to supposedly heighten the humor. All this really did was loudly and very unconvincingly announce "this is really funny--look everyone--isn't this hilarious?!". The film had all the subtlety and charm of an obnoxious four year-old who thinks everyone wants to watch him recite and tell jokes. Also included for "laughs" are a giant stupid robot (a sure sign the movie is in trouble), a "hilarious" song by that accursed Mother Riley and opening credits that feature a song that might encourage suicide. If Anmesty International got wind of all this, they might try to condemn the movie as a form of cruel and unusual punishment.Unfortunately, as a result of all this badness, Bela Lugosi is 100% wasted in the film and generally looks rather lost. He could have been funny or scary (like he was in ABBOTT AND COSTELLO MEET FRANKENSTEIN), but the Mother Riley character was so pushy, detestable and awful that Lugosi's performance (as well as a plot) are completely overwhelmed by the eminently hate-able Lucan. You just wanted it all to end!After seeing this film, I wonder why Bela Lugosi's last film (PLAN 9 FROM OUTER SPACE) is so famous for being the worst movie ever made. Sure, it's very incompetently made and inept in every way--but at least it's fun to watch. On the other hand, MOTHER RILEY MEETS THE VAMPIRE might be one of the most annoying and pathetically unfunny films ever made and watching it will likely induce a humongous migraine!! Painfully bad and awful in every possible way!! I hated this movie and hate everyone who made it. I really wish I could give it a score lower than 1!!! Curse all of you responsible for this bilge.Did I mention that I didn't like it?!

Yes this really is something of a clinker. A real poverty row, "quota quickie" that is really only of interest because of the bizarre teaming of British variety veteran Arthur Lucan (Old Mother Riley) and horror movie icon Bela Lugosi. Both are well past their prime and the knowledge that poor old Bela was quite ill at the time makes the whole thing quite a melancholy experience. However that being said there is a kind of earthy British working class exuberance to be found in some of the comedy. Lucan and his veteran writer Valentine,knew his audience and their preoccupations as exemplified in the early scenes in Mother Riley's corner shop. Jokes about post war rationing, living on "tick" (a slang term for credit Mr and Mrs America)etc. would've been fairly well received. (But the actual set for the shop is tawdry and really displays the cheapness of the budget). Still Lugosi does seem to enjoy the Vaudeville banter with Lucan. In Lucan's case this was probably more a matter of sheer professionalism rather than genuine enthusiasm as at the time he was, by all accounts, a deeply unhappy man due to an acrimonious split from his wife and former stage partner Kitty Mc Shane. The U.S. version starts incongruously with a song by Allen Sherman (I'll bet he never even saw the film)and some sketchy cartoon graphics that simply do not fit in with the narrative that follows. It's all a bit of a rag bag of second hand, slightly misunderstood horror movie cliché's (vampires, mad scientists, robots etc.)recycled in a half hearted kind of way but not totally without interest. Although of more interest to ageing Brits, like myself than to anyone else, I suspect. Only buy a copy if it's really cheap. It's a one screening curio. You'd have to be a serious masochist or else have no life to really want to see it more than once.