First of all, this is an English language film, so the title "Pyro" is appropriate. The film was made in Spain, though; with generous location scenes, it's a lovely setting. But, back to the title. "Pyro" is short for "Pyromaniac", or someone who possesses a compulsive urge to start fires. The lead characters in this film - engineer "Vance Pierson" (Barry Sullivan) and beautiful widow "Laura Blanco" (Martha Hyer) are not pyromaniacs. The motives for starting fires in the story are not those of a pyromaniac. Only little "Isabella" shows a brief moment of "Pyro"-type behavior.Producer Sidney W. Pink's original title "The Phantom of the Ferris Wheel" was much better.In flashback… The story is "told" by carnival attendee Fernando Hilbeck (as Julio), who becomes an associate of Mr. Sullivan, an admirer of the "Ferris Wheel". Once introduced, we see Sullivan, who appears to be happily married, meet and succumb to Ms. Hyer's seductive charms. Hyer was a model for aging gracefully, looking better in her 40s than she did in her 20s; with her fiery red shirt and black leather pants, she is irresistible. When Sullivan won't give up his wife and daughter, Hyer decides to play with fire...The story boils down to one about infidelity and revenge, but there is a slight hint of supernatural possession in the script. Mr. Fink coordinates his "Spanish Gothic" story elements smoothly. Later on, the film adopts elements of horror. Sullivan and Hyer perform admirably, resisting the urge to overact. Mr. Hilbeck and the Spanish supporting cast are outstanding. Watch for a young Soledad Miranda (as Liz) to appear late in the third act. Beautiful women of all types can't seem to keep their hands off Barry Sullivan.****** Pyro (5/64) Sidney W. Pink : Julio Coll ~ Barry Sullivan, Martha Hyer, Fernando Hilbeck, Soledad Miranda

Love is a passion that burns like a fire. So it has been said for centuries. This cautionary tale takes a rather literal view of that assertion, and brings us a surprisingly good thriller.Vance Pierson (Barry Sullivan) is an engineer who moves to Spain for work related reasons. Accompanying him are his wife Verna (Sherry Moreland), and daughter Sally (oddly, this small part doesn't appear to be credited to the actress who played her). They are a happy family, crammed into a tiny apartment. So Vance decides to buy a house. He goes to look at a rather impressive one, and arrives just in time to stop the owner, Laura (Martha Hyer), from burning it down so she can collect the insurance money. While Vance convinces her that she'll do better with the proceeds from a sale of the house, sparks of a different kind fly between the two of them, and soon they are involved in a passionate affair. However, when first a co-worker, and then Verna learn of the affair, Vance decides it's time to end it. As he is breaking things off with Laura, he makes the mistake of telling her that if it weren't for Verna and Sally, he would be with her. Laura decides that perhaps the best thing to do is to get rid of Verna and Sally, and since she has already mapped out a strategy for burning down the house, she simply waits until Vance has gone out for the evening and Verna and Sally are asleep upstairs, and then she sets fire to it. Vance returns unexpectedly, and runs into the burning house to try to save his wife and daughter. Unfortunately, all he succeeds in doing is getting badly burned himself while Verna and Sally die in the fire. Laura goes to visit Vance in the hospital, and when she confirms Vance's suspicions that she set the fire, he orders her out of his room, telling her that if he ever comes across her again, he'll kill her. Horrified, Laura leaves. The action shifts forward a few years, and Vance, now horribly disfigured, and wearing a mask all the time, is a roustabout with a carnival. For some strange reason, the owner's daughter, Liz (Soledad Miranda) is smitten with him, but given Vance's past, he is understandably unwilling to get involved with her. And then one day the carnival arrives in the town where Laura lives...Given the setup, this could have been a really cheesy movie, but the writing is surprisingly good, giving the story twists and turns that keep it from becoming predictable, and a few nasty shocks that definitely grab the viewers' attention. Vance's ultimate revenge on Laura is presented in a way that is not satisfying, helping to point out that perhaps revenge was not the right solution to his problems. All in all, a more thoughtful script than one would expect from this kind of movie.From a production standpoint, the best part of the film was watching Laura set up the fire by splashing gasoline throughout the house, taking the added step up hooking the plumbing up to a gas can, and then setting a fuse to give herself time to get away. When the fire spreads through the house, it is an exciting, if frightening scene. Contrasted with that, the scene where Vance renders Laura unconscious, and sets her apartment on fire is much tamer, helping to make his revenge on her unsatisfying. And the makeup used to show Vance's face when he reveals his disfigurement was also impressive.The acting is a bit stylized, as was typical of the time period, but overall it is good. Sullivan gives an excellent portrayal of a complex man, delving into the dark corners of the mind of a man who first succumbs to lust, and then is driven by guilt and anger. Hyer's performance sizzles. Her beauty bewitches, and while her actions are deplorable, her regret at the outcome of what she has caused gives you a small amount of sympathy for her. Moreland's betrayed wife is well done, and the uncredited actress who plays Sally turns in a good, if occasionally cloying performance. The only real puzzle is Miranda, who gives us no clue as to what her character's attraction to Vance is all about, thus while her actions speak of good intentions, they make little sense, since we have no context in which to put them.A dark, cautionary tale, surprisingly well done. A curiosity piece, but one well worth seeing.

I watched this movie one Saturday night on Creature Features when I was about 10-years-old and it scared the hell out of me. I had to climb in bed and sleep with my mother for the rest of the night. I didn't scare easily, I had watched The Exorcist, The Omen and every other horror movie of that day, but this one did it to me. It was the shot where Barry Sullivan reveals his face and it is burned and scarred. It truly was a scary moment for me. I bought the DVD a few years ago and rewatched it. I was 35 and didn't have to go sleep with my mother, but it was still creepy. This is a pretty good movie to seek out. Even 25 years later it still had the ability to creep me out.

Low budget, odd little movie has some chills, and good performances by MARTHA HYER and BARRY SULLIVAN. Laura Blanco (HYER) is a divorcee with a young daughter who has a fling with family man Vince Pierson (SULLIVAN). When his wife finds out, Vince tries to break off from Laura. She, however, has other ideas and believes that if Vince's wife & daughter are out of the way, she'll have him all to herself. Seeing Vince leave his house with wife & daughter still inside upstairs, Laura slips in and splashes gasoline around and sets the house ablaze. She even goes so far as to cut the water off, and attach a container of gasoline to the plumbing. Vince comes back and runs into the burning house to save his family. I can't say anymore without giving away the ending, but the rest is a pretty good thriller. HYER is very good as pure evil Laura. SULLIVAN also does well as Vince. In some ways this movie might remind you of FATAL ATTRACTION 20 years earlier. A stern warning to married men seeking greener pastures. This was one of AMERICAN INTERNATIONAL pictures, low on production dollars, and yet with its creepy plot, still a worthwhile thriller!!!