I pride myself with being able to watch any film, even the ones that people deride as "amateurish", however this is the first film I have genuinely hated.The dialogue is virtually non existent and without a shred of impact. Minor characters wax philosophical (and insensibly), and major characters say nothing and pose moodily with a vengeance around Melbourne.The nu-metal soundtrack is so dated, even Disturbed would roll their eyes in disapproval.The production is awful. This may be a nihilistic film, but there is a difference between a bleak production and a sparse one. This is nothing but jump cuts and landscape shots.There is precisely one evocative segment in this film, I won't describe it because it's the only good bit of the film and discussing it would feel like a spoiler.Overall, don't be fooled by the quote from Nietzsche or the woman playing Chopin on piano. Good philosophical films provoke thought and questions from the viewer, teasing them with messages. This film has precisely nothing to say.

This intellectual "wannabe" was the worst waste of film ever. I could not believe the garbage proffered to the viewer, especially in comparison with the interesting critique on the cover.A pretentious,amateurish,boring, cliché-filled waste of time - unfortunately this crud should be removed from shelves as unfit for viewing.The film was completely unable to put any point of view across, the selected premise of being "intellectual" by relying on quotes from Nietzsche was just plain laughable. Long "enigmatic" silences conveyed nothing and the viewer will struggle to find any relevance to anything remotely philosophical.Even the "vampire" scenes were inept and cringeworthy.

I was unfortunate enough to watch this movie,at the Athens International film festival,at an after hours screening,with the director present. Normally this would be an awesome night,but not today. The movie was so slow-paced that bored you to death and the dialogue was so out there,that even after reading the subtitles I couldn't understand what the characters were trying to say. The story was incoherent to say the least,and secondary characters seem to only pop in to say or do what they have to,without really any explanation why they do it. In terms of production,the movie seems like something you would shoot with your typical mini-DV camera,without any help from a professional. Overall I have to say that for a 70 minute movie,it had me staring at my watch hoping it would end soon enough. Others were not that patient though.In the first 10 minutes of the movie,at least a dozen people had left. Sure,the program for the festival,described it as a "philosophical vampire movie" but I can't really blame them,since the director himself said before the screening that that is how he wants his film to be described.I guess it's a matter of opinions.He says 'philosophical vampire movie" I say BS.

I caught A Nocturne at the Melbourne Underground Film Festival (MUFF) at the end of 2007. While it didn't have the most profound effect on me at first( I am a fan of more light hearted and visceral horror films),I found I kept thinking about the film long after the screening(and thinking about the hot body of lead actress Vanessa de Largie).It is certainly not a "sit back and cop the action" style film, and thats why I think it works.There are plenty of vampire films going around these days, most relying on special effects and suspense. What sets A Nocturne apart I feel is the barren nature of all aspects of the film. The sets, the dialogue, the very "feel" of the picture is sparse and nihilistic. The two lead actors, Vanessa de Largie and Alex Spears, have the least amount of lines in the film. This meant they had to emote and project their characters essences through look, posture and demeanour almost exclusively.Luckily they both gave fantastic performances.I really liked the pervading sense of futility throughout the film.I assume that was the main point, outsiders trapped in a world they didn't see much sense in.Its great to see a movie that seems to be more an expression of a point on the state of society rather than a titillating thrill played out through action and romance.