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While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus and presents himself as her secretary Arkan. Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia, Rafa and Mario accept the invitation but Billy and Sharon stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty.

Silvia Superstar as  Flavia
Aldo Sambrell as  Arkan
Santiago Segura as  Baltasar
Mariangela Giordano as  Condesa

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Reviews

Platypuschow
1996/05/22

The Legendary Spanish director Jess Franco is known for some fantastic cinema, alas this certainly isn't among them and will be a blotch on his record.It follows a female fronted rock band as they break down on route to their next gig and get invited into a foreboding looking castle for the night.Essentially our antagonist is a blatant ripoff of the Countess Elizabeth Báthory with a couple of human minions who help her acquire the blood of the young (Virgins not required in this instance) Though advertised as a horror this is a very camp attempt and more like a comedy. One character in particular played by Santiago Segura (Blade 1998) is so over the top and so zany any hope of the film being taken seriously went out the window.The movie has a decent lead and memorable soundtrack though they really should have considered writing more songs and not playing the same one on a loop.The Good: Great leading lady The Bad: Looks very dated Not exactly a horror Soundtrack gets repetitive Dumbest ending in cinema history? Definite contender Things I Learnt From This Movie: Before throwing a naked woman out a window to her death it's only polite to put a nightie on her first

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Joseph P. Ulibas
1996/05/23

Killer Barbys (1996) was a vanity piece disguised as an old creepy horror film used to promote the Spanish punk-pop band THE KILLER BARBIES. The band is fronted by the hot Silvia Superstar. A lot of the band's music is played during the movie. Two of the actually band members appear in the film (Silvia Superstar and her boyfriend co-founder/Drummer Billy King). Jesus Franco creates a creepy old school horror film around the band. The band is cruising the back roads of Spain heading towards another gig. But the band never makes it to the other town before nightfall. Their van has broken down and they need to find a place that has a telephone. Three of the band members leave the broken down vehicle to look for help. What luck the band has. They come across an old castle. Inside they find an elderly gentleman who offers them a place for the night will he calls a tow truck. Silvia has her suspicions about the place and the people that dwell within it. The countess (the owner of the castle) wants them to stay for dinner. Will Silvia and her band mates take the middle aged woman's offer. How will the two band members who stayed behind fare? Why was the elderly host acting peculiar? To find out you' ll just have to watch KILLER BARBYS!!A fun film that doesn't try to be something it's not. If you're into vanity projects or some old school horror then you'll want to watch KILLER BARBYS. Silvia Superstar is hot and I hope you'll agree with me fellas! En espanol with English sub-titles.Highly recommended.

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Rooster99
1996/05/24

Perhaps the worst dubbing in history, this movie features many scenes with characters' lips still moving long after the dubbed track had already spoken. It was very frustrating. On top of that, the entire movie made little sense. It was completely disjointed. The filmmakers tried to weird it up by having a couple of psychotic midgets thrown into the mix, but the result was just pathetic. There are countless scenes where bandmembers (Killer Barbys are a real band) are having sex in a van, and the baddies are hovering around, opening doors, stealing things, placing objects, yet are never even so much as noticed by the lovemakers. There are equally moronic scenes of the baddies chasing after a naked woman in the woods. She looks like she is running in slowmotion and has to keep waiting for her pursuers to catch up. Then there is some subplot involving some ancient vampiress who must drink young blood to regain her youth, yet when she does, she becomes some 65-year old had been! She is supposed to be this beauty who seduces the lead singer, yet she is easily old enough to be his grandmother!They tried to throw in a few corpses to add to the horror, yet they were so obviously rubber it was ridiculous. One of the henchmen carries one through the castle, and you can repeatedly see him bang it against walls only to have it snap back into shape.There are A-movie, B-movies, and then there are Killer Barby movies. This one is so bad, it doesn't even deserve a letter from the alphabet. Call it a double-Z.

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KuRt-33
1996/05/25

Jess Franco's "Killer Barbys" is to the band The Killer Barbies what Aki Kaurismäki's "Leningrad Cowboys go to America" was to the Leningrad Cowboys. Both are movies starring an existing band and both are typical products of the directors. Kaurismäki is known for his deadpan black humor presented in films totally weirding you out and "Leningrad Cowboys go to America" is a weird and funny tale of the Leningrad Cowboys going to America. Franco is known for erotic horror movies and "Killer Barbys" is a mix of horny rockers and cannibalists.But there's more. Kaurismäki made a sequel, "Leningrad Cowboys Meet Moses", an attempt to make the worst movie ever. To a certain degree he succeeds in doing so. Franco's "Killer Barbys" doesn't try to do so, but it's difficult not to see how many horror cliches you can see in this film: at night you hear the sound of wearwolves, it's often twelve o'clock, there's cannibalism, there are some dwarves, most of the rockers constantly want sex, a semi-naked girl is being chased in the woods, there's lot of blood and someone even ends up being crushed. How much gore can you get into one movie?But movies like "Killer Barbys" and "Leningrad Cowboys" never meant to be original. They are mainly there to let you know the band exists. And if anything they are much more enjoyable than your average rockumentary. And even though Franco made lots of no-budget movies where anyone can see through the special effects, I suspect him here of making the effects as bad as possible (if you can't see that the dead bodies are dummies, you desperately need to get your eyes checked.)It is true that Franco could have tried harder and that the movie could have been better, but it's common knowledge that Franco's best movies can't be found in the nineties. Most of those movies are even badly acted, so it's very ironic to realise that two rockers act better than Franco's cast of regulars (Lina Romay, Linnea Quigley, ...). "Killer Barbys" is the only decent movie Franco recently made, so if you want to see some of his later work, this is the best choice you can make. As long as you remember it's a Frankenstein experiment of combining gore and rockumentaries.By the way "Love Killer" is a nice song.

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