A TV talk-show hostess and her boyfriend investigate a shady magician whom has the ability to hypnotize and control the thoughts of people in order to stage gory on-stage illusions using his powers of mind bending.
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If you never had any reason to be suspicious of magicians, well, strap in for "The Wizard of Gore." Herschell Gordon Lewis' 1970 cult splatter fest introduces us to Montag (Ray Sager), a vicious virtuoso with a seemingly psychic link to his audience. As his skeptical patrons look on, he prompts random "volunteers" (usually of the buxom and blonde variety) to participate in his nightly show- stopper. Seemingly hypnotized, these poor women are strapped in place as the titular wizard appears to make mince meat of their fine figures. But wait, there's more! After playing around with their guts, Montag sends them back into the audience, and back to their evening they go, inexplicably turning up dead the next day. Lather, rinse, repeat. After watching this about three or four times, a TV reporter and her boyfriend (Judy Cler and Wayne Ratay) launch an impromptu investigation into the wonders of Montag's wizardry. Is it all an illusion? Or is he a maniacal, if inventive serial killer?Shot with all the precision of a drunk dad filming a grade-school talent show, "The Wizard of Gore" is an admittedly cheap affair. Lewis clearly spent what little budget he had on the gore effects (read: re-purposed sheep carcasses) and left little room for hiring actors or a competent director of photography. This doesn't work against the film. If anything, the lack of refinement only adds to its charm. The gore looks real because, well, it is real, and the lead actors have chemistry even as they try not to giggle their way through the whole thing. Judy Cler, in particular, deserves an honorary Oscar for carrying the weight of the film on her shoulders. She is in turns funny and feisty, and proves to be a worthy adversary for Sager's smug svengali. Sager, for his part, does his best as he gleefully toys with his participants' giblets. It's all a little revolting here in 2017, especially a scene in which a metal spike is put through a woman's head while Montag roots around in her eye sockets. So, needless to say, it shocked audiences back in the day who somehow stumbled upon it by misfortune or fate, just as it will you, should you choose to settle in with it some bored, sleepless night."The Wizard of Gore" is a schlocky shocker of the highest variety. True, it's not for everyone, but Lewis was clearly onto something here. Birthing a style that Tobe Hooper would turn onto the mainstream a few years later and which Rob Zombie would... well, whatever Rob Zombie is doing these days, Lewis eschews standard film-making conventions for something more efficient, effective and downright surreal than the average exploitation fare. Don't be surprised if you find yourself needing a shower afterwards, but if nothing else, this "Wizard" does not fail to entertain.
Well, I just got through my first experience of film-maker Herschell Gordon Lewis; "The Wizard of Gore". The pioneer of gore. Quite a pleasant surprise. Still there are obvious flaws (wooden acting led by Judy Cler and drawn-out pacing could have seen certain sequences trimmed), but I was simply engaged by this seedy, crackpot, low-budget exploitation. There's a certain charm to the Grand Guignol shocks. Primitive style, but it's creatively staged and fairly unpredictable despite its outrageous, low-rent execution. Some moments had me snickering, especially that of the character's reactions to what's occurring and eye-boggling plot developments.Ray Sager's oddball turn as the subtly menacing small-time magician Montag the Magnificent is a delight. While his unconventional handy-work is a neat mix of raw blood and guts drenched with its strange sense of surrealism. Intentional or not with its strange turn of events(?)... It interestingly does blur the line, between reality and fantasy. The haphazard editing that pieces the scenes together, almost makes it feel like you're part of the illusion.
You know, if there ever was such a school as The College of Inept Film-Making, then I'd definitely say that the likes of Herschell Lewis (a real bargain-basement director) would certainly be its star pupil.With the exception of but a few priceless moments of unintentional hilarity, The Wizard of Gore was nothing but pure, cinematic ineptitude on all counts.From its laughably cheap gore, to a cast full of incompetent actors, to its completely throw-away story-line - This bottom-of-the-barrel horror movie (from 1970) was a real test of my patience.Like, Hello?... Was I really supposed to take this sh*t that director Lewis was dishing out to me seriously? Was I!?... 'Cause, believe me, with The Wizard of Gore, Lewis came across to me as being such a total buffoon-of-a-director that he made the likes of that bungling film-maker, Ed Wood, appear to be an absolute genius by comparison.
This might have been an excellent short. And it works wonderfully as a fetish movie if seeing young women getting tied up and mutilated is your cup of tea. As a feature movie it's just dire.Unusually for a horror movie, it features a young professional woman in one of the leading roles -- and she doesn't even get raped and mutilated in the first five minutes for being a harlot! She investigates a magician who performs gory tricks in his show, with the same girls he performed his tricks on later dieing accordingly. This repeats itself no less than four times (if I counted correctly), each scene lasting maybe ten minutes and being as linear as train tracks in a desert, until her boyfriend muses: "All those girls who went on stage in the show died in the same manner later in the evening. Maybe there's a connection?". His girlfriend is so impressed by his cleverness that she proceeds to fornicate him out of gratitude -- and rightly so. It was the most intelligent moment of the entire movie.I'm not asking for too much, am I, here? I just want to be entertained. For that, I'm willing to forfeit good taste, intelligent plot, competent acting at the door. In the Wizard Of Gore, though, Herschell Gordon Lewis reveals himself as a gore fetishist. The premise of blurring reality and imagination may be interesting, but it's never developed into a story. Fail!