A Mark Robson (Red Lion) Production, filmed on location in Delhi, Bombay, Poona, Nasik. Copyright 31 December 1962 by Red Lion Productions. Released through 20th Century-Fox. New York opening at the Astor: 3 April 1963. U.S. release: April 1963. U.K. release: 24 March 1963. Sydney opening at the Century. 11,240 feet. 125 minutes.SYNOPSIS: At 8 a.m. on the morning of 30 January 1948, Naturam Godse (Horst Buchholz) and Narayam Apte (Don Borisenko) awaken in a retiring room of the second floor of the railway station in Delhi, India. The two are hoping to hide out until 5 p.m. when they plan to assassinate Mahatma Gandhi as he arrives at a prayer meeting in the garden back of the home of Indian industrialist G. D. Birla. They are awaiting the arrival of a conspirator, who does not know who they are or when they will do the deed.But the confederate does not show up. He is arrested by Gopal Das (José Ferrer), superintendent of police, who is sure an attempt will be made on Gandhi's life. But he is not certain of time or place or who intends to commit the murder. He is determined to save Gandhi whom he believes to be India's greatest man.COMMENT: You can malign most historical figures as much as you like. Of course the further removed they are in time, the better. A hundred years, for instance, and you're safe. You can be mischievously malicious, and most people won't give a damn. The cardinal exception of course is for religious icons. A lot of people are going to get mighty upset if you portray Confucius, Buddha, Mohammed, the Christ, or Moses in anything but the most adulatory way. In fact, some folk aren't going to like it period.Mark Robson has broken both rules in "Nine Hours to Rama". His subject matter is too recent and has too much religious significance. The Indian government which co-operated in the making of the film, banned it. Not that our fellow colonists were missing out on a treat. For although it starts off most promisingly, "Nine Hours to Rama" is a stodgy affair, lumbered with flashbacks of its unsympathetic hero (glumly but nonetheless camera-hoggishly played by Horst Buchholz). These were better left on the cutting-room floor. (The only loss would be of Miss Valerie Gearon whose film roles would thus be reduced from this one to nil). The "present" story is highly suspenseful, even though we already know the terrifying outcome. We don't need to have the past of the ant- hero filled in. We hate him, we loath him, he bores us and disgusts us. Away with him! Give us more India, more Gandhi!

Nine Hours To Rama tells the story of the assassination of Mohandas Karamchand Gandhi the founder of the independence movement that led to the creation of India and Pakistan. Many Hindus feel that the latter is more like an unwanted step child that was a byproduct of the birth and thereby hangs a tale of confrontation that has lasted to this day.Horst Bucholtz plays Nathuram Gotse who actually managed to get up close and personal in 1948 to slay a man many regard as a 20th century saint. Though Gandhi's creed of non-violent resistance worked in getting the British out it wasn't so successful in keeping the Moslem population from creating its own separate state of Pakistan. Those years marked one of the bloodiest conflicts of the last century as Moslems and Hindus both migrated under the guns of war to the boundaries of the new states. Gotse blamed Gandhi for conceding too much to the leader of the Moslem separatists Mohammed Ali Jinnah as did many.Bucholtz does a good job in playing the fanatic, but personally I think the film is dominated by J.S. Casshyap who gives a remarkable portrayal of the Mahatma. You really do think you're seeing some old newsreel footage of Gandhi in his last years. The Mahatma was not going to compromise, not a bit. Note the frustration of Jose Ferrer as the dedicated police inspector who knows there's a real plot out there, but is helpless as Gandhi will not let him take the slightest kinds of precautions nor will Gandhi alter his schedule. And the scene where Congress Party politician Robert Morley is trying to wangle an endorsement from the Mahatma and Gandhi ever so gently turns him down is very amusing. Ironic that Nine Hours to Rama came out the year of the assassination of our president in America. Like The Manchurian Candidate, Nine Hours to Rama was deep sixed for a while. If you get a chance to view it, don't pass it up. And definitely see it conjunction with Bhowani Junction and Ben Kingsley's remarkable Gandhi.

So little is heard of this film these days, that it has almost slipped into obscurity. And that's a shame. It has a fascinating story at the core--but the drawback seems to be a series of flashbacks that could have been edited to omit too much emphasis on the love interest between the assassin (HORST BUCHHOLZ) and VALERIE GEARON.The flashbacks explaining the youth of the future assassin are interesting enough and there's a lot of local color in the splendid Indian backgrounds to give the story an authentic feel. But the romance takes up too much time that cuts into the suspenseful angle of a tale that lacks the taut excitement generated by that other famous assassination attempt depicted in THE DAY OF THE JACKAL.Jose Ferrer and Robert Morley are the only other notables in the cast, with the exception of DIANE BAKER (whom I almost didn't recognize as the dark-skinned Indian girl that shares an intense scene with Buchholz in which she gets slapped around pretty badly).Two hours of running time is a bit of a stretch for this tale, which is still absorbing enough to watch under Mark Robson's forceful direction. HORST BUCHHOLZ carries the film with a very intense performance that gives the film almost all of its edge.For an even more exemplary example of this type of film, I highly recommend THE DAY OF THE JACKAL for tighter suspense.

This film is fascinating because much of it was filmed on location in India during the early 1960s. The film is worth watching just for the exterior background scenes. If one thinks of this film as a dramatic travelogue it may be more palatable. The acting is mediocre all around. Horst is almost convincing as the tormented alcoholic assassin. How much better this film could have been with an Indian cast, one can only wonder. Since the Indians produce more movies than any other country it is a shame that no Indian actors were involved in this production. Dianne Baker looks very lovely in her dark makeup and braided hair.