"Sons of Liberty" is an American English-language short film from 1939, the first year of World War II, so this one is already over 75 years old and the patriotic sentiment is easy to find in these 20 minutes. The director is Michael Curtiz, mostly known today for "Casablanca" and his writer is Crane Wilbur. People with a great interest in old American movies will find several familiar names, like Claude Rains ("Casablanca"), Oscar winners Sondergaard and Crisp and there are more people in here who you will find on the Walk of Fame or the lists of Oscar nominees. Pretty impressive for such a brief movie. It is in Technicolor, but the version I saw looked almost black-and-white still. As for the plot, this is about the life of Haym Salomon during the American Revolution. I may be slightly biased here as this era in history never really interested me that much, but the plot in here also did not manage to sparkle my interest. Apparently, the Academy thought differently as they gave this one an Oscar, which is why I would not say it is unwatchable. However, I personally found it underwhelming and don't recommend checking it out.

It's too bad Warners didn't deem the material sufficiently interesting to make this into a full-length feature. God knows this short film is superior to much of the forgettable nonsense the studio was churning out at this time.The only captivating reason to watch this is to see Claude Rains in glorious Technicolor. Let me be the first to tell you, he's looking extremely swoon-worthy. He's sporting a very dapper ponytail, wonderful breeches and the largest pair of brown doe-eyes you've ever seen. So for Claude Rains fans (and their number is legion), this is a must have movie for your collection.

This is a Michael Curtiz-directed 20-minute color short about a group of immigrants to the new country (America) who formed a group called "Sons Of Liberty." They were persecuted people who are happy to rid themselves of that and don't care to be persecuted again. They fear they are being "threatened, once again by the British," as Claude Rains' character "Haym Salomon" puts it. In September of 1776, General Howe invades New York City and gets a "warm reception" from the group as they burn the docks where is ship and other British boats and storefronts are located. Donald Crisp plays "Alexander McDougall," Salomon's ally and leader of the SOL.Salomon is taken by the Brits and charged with "aiding and abetting the enemy of the Crown." However, Soloman uses his intelligence and education to gain the British trust and become a spy for George Washington. However, he gets discovered hiding someone and is thrown in jail, to be hanged. He comforts some of the other prisoners, such as reciting the 23rd Psalm to one, who turns out to be Nathan Hale. Soloman once again escapes, and the scene quickly shifts to Philadelphia in the year 1781.Shortly, we see George Washington (Montagu Love) and hear of the problems he's having with disgruntled and underpaid militia. The story of how the Americans overcame adversity is the rest of it. One doesn't often see or hear of the Jewish people being involved with the American Revolution, so Soloman's character gives the story a new twist.Patriotism? The Bible? The Torah? Yup, it's all here in spades, something dated but refreshing to see in a secular-dominated film industry would never make something remotely close to this today.

A refreshing little short about a little known element of our Revolutionary History. Someone who almost single handedly financed the Revolution should have gained a larger place in our history books, but sadly, he was relegated to the footnotes section. This short began by showing the Jewish Congregation in Philadelphia - the oldest synagogue in America. I was perplexed by the previous user from England who felt it was made as a slap in the face of the British as they were about to go to war. Ironically, the British were not heavily represented in this short at all, unless the subject of the Revolution, merely by its existence, is an insult to the British. If that's the way they felt at the outset of war I'm surprised they didn't deny our help feeling the insult would be too great to allow yanks to come to their assistance...or should I say win the war.As Haym was represented gathering his funding and moving it around the country, it was ironically shown that his greatest antagonist was pursuit by the Hessian Soldiers...sure they were employed by the British...but if someone wanted to point out some pre-WWII propaganda elements in this film, you couldn't look any further than the brave little group of Jews being chased after by the Germans! I'm not a student of Haym Solomon history, but this element might even have been solely added for political effect and perhaps to cushion any anti-British sentiment in this subject. America has always been proud of its beginnings, and has made many movies/shorts in celebration. You also forget that even at this early point, it was a serious possibility that we could soon be entering a war. Patriotic symbolism in Hollywood was not aimed at the British, regardless of the British actors who obviously didn't think this was a slap.The production was fine, nice color, acting was fine...nothing out of the ordinary, but still very enjoyable and very valuable for pre-WWII American cultural studies.