Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.
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Although little appears to happen in this film, it is in fact a very well controlled piece about a postman who has opted out of engaging with the world. He accidentally saves the life of a suicidal woman, and through committing this unintentional good act becomes a better person - entirely against his will.The performances are flawless, and the direction unobtrusive, giving the illusion of effortlessness that is in fact very hard to achieve. Despite being a film of great moral complexity, Junk Mail wears its serious purpose very lightly, and is in fact very funny indeed.Certainly one of the best films to come out of Scandinavia in recent years, and one which shows a side of Oslo few outsiders ever witness.
would like to tell you that the movie is categorized as IIB and shown at Cine-Art House only. film title "Junk Mail" is used instead of 'Budbringeren';selling points of this feature on local paper included Cannes Festival, Sundance, Oscar best foreign film nomination.
A brilliant movie by Pal Sletaune! It's probably the "greyest" film I've ever seen. Disgusting in one way, but that only makes it greater. In my opinion the best Norwegian film ever, and it is absolutely worth watching. But like most movies, it is best in its original language, so people who doesn't speak Norwegian won't have the same experience, I guess... But it's still worth watching because of the depressing mood in it(!).
I can't agree with the wholly negative comments posted by some - I thought this was a nicely dark little film, with enough strange characters to keep you interested. It's no masterpiece, granted, but it does have enough moments of humour and pathos to carry it off. It doesn't attempt anything too ambitious, and at 78 mins, is short and sweet.