Lucia Lane (Jennifer Kendal), self-absorbed and demanding, is a British author who has come to Bombay to research her next novel. She falls in love with Vikram (played by Kendal's real-life husband Shashi Kapoor), a younger, popular Bollywood hero. The already complicated relationship is worsened by the fact that Vikram's wife (Aparna Sen) knows of the affair, and that his friend, Hari (Zia Mohyeddin), is in love with Lucia, and roiling with jealousy.Ruth Prawer Jhabvala has written a screenplay that is both credible and compelling, with dark undertones. One simply can't like Lucia and Vikram, and yet one must continue to watch as they head towards disaster. As with many Merchant Ivory films, this one relies heavily on the actors' facial expressions to show emotions and set the mood, and these four main actors do an excellent job. Overall, it's a rather unpleasant movie that will simultaneously grip and repel, and keep the viewer watching till the very end.

This is a film about two very annoying people from very different cultures. Lucia Lane (Jennifer Kendal) is a British author who is visiting India. A screenwriter is obviously enamored with her but she is drawn towards Vikram (Shashi Kapoor). The two begin an affair--one that seems built on selfishness. After all, she's already been married four times and he is currently married. Because of this and Lucia's unpredictable and moody behavior (the b-word comes to mind when I think of her), it's really hard to care about this couple. However, it also seems that they are doomed for disaster--something I actually looked forward to! Normally, you are NOT supposed to wish to see a tragic ending--but because I hated both the characters so much, I couldn't wait! Unfortunately, it isn't horrible enough--as even killing the couple wouldn't have been good enough to merit my wasting my time on "Bombay Talkie"!This is a rather bad romantic movie. While I love the behind the scenes look at the Indian film industry, the story itself was tepid and the characters vapid. And, interestingly, the romance between Lucia and Vikram is totally unconvincing, as in real life the pair were married and remained so for many years (until Kendal's death). The only thing else I really liked was the way the opening credits were done! All in all, a very poor film--mostly because the script is poor and the dialog is even worse. A clear misfire.

I enjoyed entering into the world of this film. Watching a movie within a movie is always interesting to me. And especially when the setting is India. That the characters were shallow and yet fascinating was in itself fascinating.Merchant/Ivory bring such a complex texture to all of their films. That's what, to me, makes them such great filmmakers And their sensibility is very much present here also.I also liked getting some insight into the Indian culture. Ever since watching Monsoon Wedding, I seem to have an affection for it. The coloring of the people is so beautiful. The dark hair and the dark eyes. And the clothes, especially the beautiful saris the women wear. I know it is the guru/savants that draw many to the culture but I seem to find it very easy to control my enthusiasm for them. The aesthetic beauty, however, is very compelling. And the spirit of the people.This film is worth seeing, imo. Merely to set forth the plot would not really do it justice. It's one of those instances where the whole is greater than the sum of its parts.

Sorry, I love most Merchant-Ivory films, but this was truly agonizing to watch. I only watched it all the way through because I kept thinking it had to get better...but it never did. Also, on the DVD version that I watched the sound quality was horrible. It sounded as if it were recorded on a Fisher-Price tape recorder. One thing I dislike in films is when the main characters are not at all sympathetic. Unfortunately, that's another of this films shortcomings. The three main characters are all self-obsessed, self pitying wretches, and the dialog they have been given by the screenwriter (whom I also usually adore) is simply pathetic.By the time I got to the end of the film, I was praying that they wouldn't give in to the urge to end the film with the trite senseless killing that they telegraphed earlier with close-ups of the murder weapon; but they did. Another disappointment. Even if you've set yourself a goal of watching all of James Ivory's films, you may guiltlessly excuse yourself from this one. It's just not up to his usual standards.