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Trailer Synopsis Cast Keywords

Santiago returns home from the Peruvian army ill-prepared to cope with the realities of life. Haunted by his violent military past, he is conflicted by his desire for education and his temptation to join his comrades in a decadent life of crime.

Pietro Sibille as  Santiago Roman
Sandra Vergara as  Sandra

Reviews

tttw6
2004/01/29

this low budget flick is 10 x better than 80% of Hollywood films out there in every way. the acting is what i love best about this film the lead actor has to be good in a film like this since it focuses on his life and he is almost perfect. the film keeps you on the edge and my only disappointment was the end as i was sad to see it i was expecting a little more. another thing i liked about this is i never got bored even though there isn't that much action it keeps at a good pace all the time.the script is good the directing is good i can find no other real faults with this film i recommend this film

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gradyharp
2004/01/30

Peruvian writer/director Josue Mendez has made a brave little low budget film that deals with a subject currently burgeoning our hospitals in this country as the fallout of the war on Iraq and still plagues the veterans of the Vietnam War - Post Traumatic Stress Syndrome (aka Battle Rattle). This is a difficult topic to dramatize without being preachy or maudlin, but Mendez has succeeded where others have failed.Santiago (Pietro Sibille) is a 23-year-old retired veteran who was conscripted at age 16 and trained to be a killer - assigned to fighting in the war against Ecuador, against terrorists, and against the drug mafia. He returns to his family in Lima a damaged, broken, paranoid misfit who tries to leave his military past behind but mentally returns to it as the only time he felt important. Unable to work he finally begins to drive a taxi and encounters all manner of passengers - wealthy men, girls on the party circuit, disreputable people of all types. He tries desperately to adjust to the post-military life, but find his family in shambles, a wholly dysfunctional unit to which he can no longer relate. How he finds his 'place' in this chaos is the subject of Mendez' story (Mendez has based this on a true story/stories and knows his subject well).Pietro Sibille as Santiago delivers a credible performance, one that consistently borders on fragmentation of a mind deeply scarred by war and fighting. The remainder of the cast is fine. Mendez uses a mixture of black and white film with color segments and this is distracting to annoying: if the choices of film related consistently to a tenor in the story (which is not the case) then this technique could be considered artistic.The manner in which the story is related is very much in keeping with the fragmented and paranoid mindset of Santiago and for this the director is to be commended for successfully achieving the next to impossible! Many strong points to a film that is flawed by technical problems. Grady Harp

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crodriguezlarrain
2004/01/31

Dias de Santiago is the opera prima of a Peruvian director that with very low budget managed to tell the stressful story of Santiago. It is a strong movie... I think that people that like independent movies will love this one.The plot: Santiago is a 23 year old retire marine that returns to Lima after 3 years from fighting in the Peruvian jungle against drug traffic, terrorism and a conflict with neighbor country, Ecuador. Although Santiago was constantly attacked by guilty feelings of the abuses committed by the Peruvian Armed Forces while he was in service (women, children and old people were assassinated with no apparent cause; young women were rapped by members of the armed force; under-the-table negotiations were made with drug mobs, etc.) he was proud of who he was back then. Back in Lima, Peru's centralized capital, things are very different. This chaotic concrete jungle has its own rules, mostly unwritten ones. Santiago is obsessed in trying to decipher the codes, but he fails because his family and friends don't live the structured way of the army.

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vdg
2004/02/01

Lima, Peru. If you ever been there you will recognize the sad truth about that city: poverty and misery all over. For a movie coming from Peru, I think it was very good, but it cannot stand with international standards: most of the actors were pathetic:) Now, don't understand me wrong, the movie is nice, and I recommend it, BUT is still far away from the Italian neo-realism (It is indeed a neo-realist film..) and WAY far away from the Taxi Driver, that many people compare it with. The streets and the atmosphere from Lima was caught very good on the screen using some black and white images alternating with colored ones, but other than this, don't expect anything spectacular.7/10 - one of the best Peruvian movies.

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