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Trailer Synopsis Cast Keywords

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

Gastón Pauls as  Gastón Pauls
Daniel Hendler as  Martín
Camila Toker as  Camila
Mariana Anghileri as  Natalia

Reviews

keyser soze
2002/08/22

Don't waste a second watching this crap. Extremely boring. A self referential movie. The character plays the real actor that is himself, as if he were a kind of devalued, Latin, John Malcovich's "Being John Malcovich". The best you can do is picking another Spanish movie, there are a lot with good content or at least entertaining. Don't waste a second watching this crap. Bad performances. Bad script. Everything's bad. So painful, that one just can't found much words to complete the 10 lines required to post a review. I'm almost reaching the 9th line, but I can tell you anymore, just take my advice and you will gain time and won't get a headache after watching this crap

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j-acosta
2002/08/23

I have just watched this movie on a Latin channel here in Miami. I found it incredibly boring and full of overstretched nonsense dialogues that are as dumb as they can get. Even for an Argentine like me this Argentine movie was pointless so I can assume it is even more boring for non-Argentine viewers.I cannot think of a good reason why this movie was even made. I cannot stress enough how tedious the dialogues are (e.g.: "-It's strange two meet you twice in the same date. -It can happen. -But it's strange. -But it can happen. -But it's strange. -Yeah, but, you know, it can happen"). Enough said.No message, no plot. Invest your 72 minutes in something else.

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pedro reyna
2002/08/24

I had the chance to see this movie at the Latin BEAT festival in New York City in 2003. I will not comment on the plot, there is almost no plot, but that it is a really well achieved portrayal of a Generation of young argentinians that wander. They don't have money, Argentina is bankrupted, and they have nothing to do on a Saturday. Indiferent whether the plan is to go out or stay at home, go for a drive or walk, there is nihilism all aver the movie and this can be annoying. It is not if you think that the movie was actually made by kids the generation of those depicted in the movie. If you saw Richard Linklater's "slacker", well, this is the new millennium argie version.

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Spleen
2002/08/25

Six youngish people with no particular history - we follow their "stories" severally - wander around the city aimlessly for twenty-four hours or so, every now and then running into one another. (In two cases they literally run into one another, which may have been a joke, although I'm not sure the pun would make sense in Spanish.) This film isn't quite as mind-numbingly tedious as its closest Australian equivalent, "City Loop", because the characters are not completely gormless and unpleasant, and the dialogue, considered in itself, is actually rather good, even in subtitled form. There's even something that makes it worth watching: a funny joke one of the characters tells about ten minutes in, in a delightfully abstract way, as if she doesn't realise it's a joke at all. Since it's the best thing in the film I won't give away the punchline. Besides, you'll want to tell it to your friends; they won't have seen the film, so you'll be safe.Someone should do a study, to see if people who make this kind of pointless movie in order to learn the mechanics of film-making actually go on to make worthwhile films. I suspect not. The lack of creativity is a bit too desperate. Of all the films of this type I've seen this one has the most unmotivated and abrupt ending, as if the director, like the audience, had thought the 72-minute mark would never arrive and was only too eager to call it a day when it did.

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