Further to bluestreak45's comments, this is definitely worth a viewing for Eric Burdon and The Animals as the wolf pack, for Cyril Ritchard as the victimized Big Bad Wolf, for the polished musical score, and, if you're a Liza fan, for her belting out tunes at age 19. Songwriter Jule Styne conceived the idea of telling the Red Riding Hood story from a lupine point of view (and wrote the music with Bob Merrill, who wrote "Mambo Italiano"), and it is an ambitious idea, and even has a few amusing exchanges of dialog, e.g., when RRHood (Liza) asks the wolf (Ritchard dressed as granny) to play something on the piano from "when you were a girl-- maybe something by Bach." Unfortunately the production values are minimal and the videotape from the original ABC broadcast is grainy and washed out. Happily for obscurity lovers, as of this writing it is available in five parts at dailymotion.com/video/xuvlm_4-little-red-ridinghood-xmas_music . The Animals show up in part 2, but don't really get going until their howling song in part 4.

What do you get when you throw a ton of money at top Broadway talents for a "sure fire" holiday special and toss in a popular rock group for demographic appeal? Well, historically and forever anything that people assume will be "sure fire" isn't - and THE DANGEROUS Christmas OF RED RIDING HOOD (or OH WOLF, POOR WOLF! as the sub title ran - a spoof on the relatively recent Arthur Kopit stage farce "Oh Dad, Poor Dad, Mother's Hung You In The Closet and I'm Feeling So Sad" and typical of the "wit" of the script) is a perfect example.Top billed Cyril Ritchard was (and remains) beloved of American audiences for his Captain Hook in Mary Martin's PETER PAN (with part of its score by Jule Styne); Liza Minnelli had already made the beginning of a major mark on stage Off-Broadway in a revival of BEST FOOT FORWARD and had won a Tony for her Broadway debut in the marginally successful Kander and Ebb musical FLORA THE RED MENACE (her incongruous first costume here looks like something from that show); Styne and Merrill's FUNNY GIRL was in its second year on Broadway, and they were both working on shows for the following season (Styne would win a Tony for HALLELUJAH, BABY - Merrill would come acropper with his BREAKFAST AT TIFFANY'S closing in previews). How could they go wrong with a little hour long holiday special? Quite easily it turned out - although nothing much was lost at the time. No one had a lot to lose, and with Styne and Merrill as Executive Producers, there was no one to push for better. The work was tossed off without the care and craft that would go into something which had to sustain a run on stage. It filled a time slot and was decent fun even if it was no one's best work ("Ding-A-Ling" is fairly definitive proof that pop/rock music was not Styne or Merrill's métier).Not one particularly distinguished tune or lyric emerged (the "Red Riding Hood" number sets the tone of sustained silliness with its anachronistic rhymes and jokes), and the wit in the book credited to Robert Emmett never went much beyond the only partially fulfilled concept of telling the story of "Red Riding Hood" from the Wolf's point of view. Despite the presence - mainly for the joke of the group's name - of the pop group "Eric Burdon and The Animals" in the supporting cast (they do awfully well in the Lee Theodore's sprightly 60's choreography), the show essentially disappeared after the initial November 28, 1965 Thanksgiving broadcast over the ABC Network (one supposes the link was EVERYONE going to Grandmother's house for Thanksgiving Dinner) until a cheap black and white holiday VHS video (a kinescope?) appeared in discount Christmas bins a decade or so ago.With a slightly better print now available on DVD, the show is an interesting view for what is there. Ritchard is, as always, a delight in the lead role of the Big not-so-Bad Wolf narrating the piece in flash-back from his "cell" in the zoo, even when allowed to raise his perpetually arched eyebrows a trifle too high. The very young Liza Minnelli (Red Riding Hood - "her real name was Lillian") is just approaching her full powers and the potential is obvious. The talent is still very raw, but it is undeniably impressive ('though it would take a far stronger director than Sid Smith to reign her in and get a polished performance). It is clear why, the following fall, she would be rejected in her audition for Sally Bowles in the original CABARET - Sally was supposed to be worldly but *not* supposed to be a first class performer, and No one would believe a Minnelli Sally producing the required character shadings or that she could do no better than performing in a basement in Berlin at this point in her career.Fanciers of early 60's pop music get a glance of both Vic Damone as Minnelli's Woodsman/love interest and The Animals as the "Wolf Pack. Both were popular at the time, and while nothing in the Styne/Merrill score is as good as anything in Merrill's score for BREAKFAST AT TIFFANY'S (which finally got recorded more than 25 years after it closed on Broadway!), nothing in it is painful either and all is musically very well performed by all concerned.Pleasant little artifact and a diverting holiday trifle. Nothing more, nothing less . . . but it might have been much, much more.

This is actually a sparkling little gem, with a lot of wit. The score is terrific, and Cyril Ritchard hams it up wonderfully. Liza Minnelli exudes charisma, and her musical numbers are often electrifying. For a 1965 TV special, it holds up very well.

'The Dangerous Christmas of Red Riding Hood' was originally aired on ABC-TV on 28 November, 1965 ... almost a month before Christmas. The material really has nothing to do with Christmas, and it's obvious that a few Yuletide details have been bunged in just to make it likelier that this production would be optioned and scheduled as a 'Christmas' special (which it really isn't) so as to be more commercial and get higher ratings. The script by Robert Emmett isn't very good ... but the score is by the great Jule Styne and Bob Merrill, the same team who wrote the songs for 'Funny Girl'. This isn't one of Styne's best scores (nor Merrill's), but anything written by Jule Styne is worthy of notice.This is a musical retelling of the Red Riding Hood story ... told from the viewpoint of the wolf! That's a very clever idea; unfortunately, it's the only really clever idea in this production. The wolf (renamed here Lone T. Wolf) is played by Cyril Ritchard, which is part of the problem. Ritchard was an extremely effeminate performer. His effeminacy was an asset in some roles, such as when he played Captain Hook (on a ship at sea with all those pirates, whoops!) or when he starred as Kreton the alien in 'Visit to a Small Planet'. But here, his prissy demeanour makes the big bad Wolf seem merely ridiculous. As the wolf, he wears a frock coat and gloves plus a furry headpiece that makes him look like something out of 'Cats' ... plus a long bushy tail that makes him look like Basil Brush gone grey. Even worse are the scenes in which Ritchard's wolf gets dressed up in Granny's nightdress. Drag humour isn't funny if the man wearing women's clothes is just as effeminate WITHOUT the women's clothes.Worse luck, the story is told in flashback. Lone Wolf (Ritchard) is describing his version of events to the other wolves ... who are played by Eric Burdon and the Animals. Get it? The wolves are played by the Animals. Ha bloody ha. It might have been amusing if the Animals had got out their instruments and played 'The House of the Riding Hood', but no such luck.Red Riding Hood is played by Liza Minnelli. I've always disliked this performer due to her extreme archness, but I recognise her talent without enjoying it. In flashbacks, Ritchard's wolf explains that Red Riding Hood was the actual villain, and that everything which happened was her fault, not his. The woodsman (Vic Damone) turns out to be Prince Charming, making this production seem like an early version of 'Into the Woods'.The best things in this production are the Styne/Merrill songs, especially "You'll Need a Song" (sung by Damone) and 'Ding-a-Ling' (sung by Minnelli and Ritchard while the wolf is pretending to be Granny). I'll rate this production 3 points out of 10, and most of that's for the score.