Bruce Davison directed this mess. How many Culkin brothers are there? They all look the same with the dead-pan face image.Anyway, this film is far from good because there are so many angles and sub-plots which could be used here.Davison co-stars as a psychologist. When Culkin realizes what happens to him, you would think that the former would begin a relationship with the aunt.Even the late Edmund Gwenn would have been annoyed with the idea regarding Hume Cronyn. Is he or isn't he Santa Claus. This premise was both idiotic and foolish. You know that Adam Arkin is no dentist when he is packing heat.Cronyn's antics were all done so as to help the recently orphaned Culkin? Come on. This is not holiday fantasy, it's more like holiday misery.All that was needed was for the aunt to want to be a lounge singer. The whole situation was ridiculous at best.

In my opinion this is one of the most beautiful movies made. It is well acted and well put together. Hume Cronyn is always worth watching but the biggest surprise for me was how Sherilyn Fenn has matured - a first rate performance. However, the main thing is that this is a lovely story with a charming, and quite unexpected twist near the end. I wish they would make more movies like this instead of the unending stream of "over the top" or "ugly" rubbish which seems to be so popular these days.

I just wanted to thank Pretifly and Paula-15! I wrote the script. And, to give credit where it's due: I didn't write that last fade-out; the director came up with it on location.Anyhow: it just means a lot to have strangers give such ideal reviews. I thought you'd want to know your remarks got to the source, and really mattered to me.

Beautifully written balancing act. If you value words as much as you do effective visuals (cute kids, rumpled geezers, Sherilyn Fenn's loopy charms) you might enjoy this one as much as I did. And while it's not going to do anything to diminish a 10 year old's vision of Christmas, the film does a nice little roller-coaster number; keeping a tight grip and always staying on track to that wispy, fine line between Fantasy and Real Life. (Right through to the last fade out before the credits.)