Arthur is invited to a New Year's Eve party to celebrate the year 2000. His girlfriend Lucie would like a baby from him but he refuses. Through the ceiling of the toilets, he discovers a passage leading to this futurist Paris. There, he meets an old man Ako who affirms he is his son and that he wants to exist. Otherwise he will vanish into the air. Arthur is still hesitant because his life is an unfulfilled one: a has a little lucrative job, is uncertain about his future and things are getting out of hand when Ako discovers the passage and interferes in the party.
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funny. charming. time travel and advice for present. same Romain Duris. another Belmondo. a story about values, price of life, fears, roots of facts, role of present as brick of future and responsibilities. a SF, a comedy, a good occasion to make a lot of questions. and nostalgic crumbs. slices of Stars War, ingredients of travels in time, another story about 2000 year - expectations, parties and scenario - a love story and the search of way far from responsibilities. a profound drawing of society. few moralistic drops,easy style but seductive as a trip in yourself. in fact, only a little problem - what is answer to future situations ? how honest reasons are parts of our life ? a man. is it an isle ? is it a continent ? or just a seed.
It was the first New Year's Day of the millennium and an old son disappearing tried to convince his young Dad to correct the time- line.Well, you don't dream: it's indeed a French movie with a lot of good things: an old icon (Belmondo), my favorite French actress (Geraldine) and actor (Romain) together, under the direction of the most innovative of French filmmakers (Clapish). Unfortunately, the result is rather bad.I don't know if it's deliberate or due to the lack of money but the movie is the all-time number one for hideous costumes and make-up: the 1999 party is bleak and the people from the future are bleaker! Compare Tatoine and you will have a brighter Tunisian landscape! Beyond, the story seems lost in sands because it's never emotional: It's a pity because there was a pit of good ideas: parenthood, Paris under sand, excavating the basement for antiques! Ironically, the movie has become what it depicts: a small hope of unknown in a desert of French production (always about comedies or drama) but quickly drowned under a sandstorm.
This film is surprisingly good, if you let yourself be drawn in by it. Just sit back, relax and turn up the volume a bit, because the soundtrack is really brilliant: if you're a music lover, you'll love this strange tale with great musical timing....
Brilliant film. It's about a young couple going to a y2k party, she wants a baby there and then, he's not sure and through a little incident the chance is lost. He then accidentally finds a way into the future and encounters his son (Belmondo) who is starting to lose his leg because he's not made yet. The whole future family tries now with different methods to persuade him to change his mind or they are all lost. I say no more I saw it with english subtitles and missed probably some of the more in-jokes, but even though a thoroughly enjoyable experience. You have a film with a rather serious background ( reasons for having a baby or not, while thinking about the future), great actors ( have a look at the totally stoned brother), loads of enjoyable little sequences ( the beginning is great . I thougth first I was in the wrong movie; and then the next ten minutes relate very nicely to the title, pay attention to details there). The Paris in the sand is very well done with loads of details in the background. All in all if you have some French, go and see it.