Following the break-up of his marriage after revealing his homosexuality, GP Martin Wyatt loses custody of his son Oliver to his now ex-wife Hannah and her new partner Frank. It is not long, however, until Oliver appears at the house of Martin and his new lover Tom claiming to have been beaten up by boys in the park. After another incident, Martin puts two and two together and comes to the conclusion that Frank has been beating Oliver without Hannah's knowledge. Martin then begins a long courtroom custody battle to win back his son.
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Reviews
Potent and moving drama, finely performed and well told. The screenplay is solid, and flows realistically, without melodramatic histrionics or overt manipulation of the viewer. The difficult and horrendous subject of child abuse, is intelligently handled, and still evokes a stunning portrayal. Angela Pope directs the film and its characters through many subjects that could involve several films, let alone one. The screenplay is sharp, the actors carry out great performances. Rarely, in a movie, have gay characters been shown to be so human, not a pasted cliche. Don't miss this fine motion picture. Highly recommended.
In addition to its excellent cinematic qualities (including an intelligent and powerful script), this heartbreaking film's message about the depth of a gay father's love for his child is a moving and important statement.
This movie was perfect in just about every way. The cinematography, acting, you name it. I give it a 10/10 and highly recommend it. However, I did see some slight problems - Tom's (the father's live-in boyfriend) character was never really developed much, and, other than one, eh, 'uninhibited' scene of gay love, there was really not much feeling of love between the two. However, I suppose that the relationship was done as well as could be expected, though. All in all, it was a great movie, and it's 'pros' far outweigh it's 'cons'. It has achieved the status of 'near perfection' in my mind, which only one other movie had done before this.
Angela Pope's "Hollow Reed" is a powerfully and sensitively enacted consideration of a complex marital relationship involving two couples and a child. There is an unusual number of twists and levels to the plot, and they are viewed from both a humane and legal perspective. A gifted cast portrays these roles with understanding and compassion. A few contrived touches occur in the script, which weaken its total excellence; however, the over all presentation is very engrossing and moving.