Mahesh Deshmukh has joined the nation's armed forces as that he can honestly and patriotically serve the country. During his college days he has a run-in with fellow-collegian Mohini. A bet between his friends and himself ends up with him falling in love with Mohini, who subsequently realizes that he indeed has fallen in love with her, and she too reciprocates. Mohini's dad is an alcoholic and wishes that Mohini takes up dancing and prostitution so that he can get his daily dose of alchol. Mohini attempts to take refuge with Mahesh, however, cirumstances tangle Mahesh to such an extent that he is arrested, charged, and sentenced to stay away from Bombay city limits. When Mahesh returns, it is no longer the honest, and patriotic Mahesh, but a gangster named Munna, who has many old scores to settle.
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It's the movie which turned Anil Kapoor and Madhuri Dixit into superstars of Hindi cinema. The song - Ek Do Teen Chaar Paanch Chhe Saat Aath Nau Dus Gyaarah Baarah Terah used to echo in the streets of India throughout the day when the movie was released. Madhuri Dixit became the dancing queen of Bollywood overnight and thereafter her on-screen magic lasted for over a decade.The tagline of the title of the movie is 'A Violent Love Story' which is quite apt because despite being a love story, it's full of violence and action and therefore, it was liked by the romantic movie audience and the action-lovers alike.Tezaab (acid) is a combination of two different stories of two protagonists of the movie - Mahesh or Munna (Anil Kapoor) and Mohini (Madhuri Dixit). Mahesh is a honest boy from a simple family having a genuine sympathizer in the world in the form of inspector Gagan Singh (Suresh Oberai) whereas Mohini is the daughter of an alcoholic father - Shyamlal (Anupam Kher) for whom nothing is more important than liquor. The love story of Mahesh and Mohini takes place in the college on the premise of heartbreak of Nikita (Mandakini). Once their love story takes off, love prevails everywhere for them but this blossoming of their love is marred by framing of Mahesh by a corrupt police inspector (Mahavir Shah) under a false charge and finally being termed as a known bad character (goon) is made TADIPAAR (debarred from entering the city) for one year. Now a straight boy who has been a patriot and wanted to serve his country become a criminal, known as Munna and he has his own gang with Babban (Chunkey Pandey) as his main sidekick.On the other hand, Mohini is all alone now with his alcoholic father - Shyamlal who is such a shameless person that he has no problem even if his daughter becomes a cabaret dancer or even a call-girl provided he gets his regular quota of liquor. The owner of the club where Mohini is forced to dance - Saxena (Tej Sapru) wants to marry her but she is still awaiting for the return of the love of his life - Mahesh amidst all the turmoil and loneliness in her life. A big gangster - Lotia Pathan (Kiran Kumar) abducts Mohini from the club itself for the sake of his money owed to him by those who are interested in the life of Mohini. Now it's time for Mahesh (or Munna) to come back from his city-debarredness and not only save the life of Mohini but also settle some old scores.The title of the movie refers to the anguish and stuffiness in Mahesh which make him feel like filled with acid in his personality. And the ending scene is not very very impressive but also justifies the title when the sympathetic police inspector Gagan Singh allows Mahesh to vent out all that acid from his personality by throwing it over on a criminal who is already going to be sentenced by the court of law.This is easily one of the best movies of N. Chandra who has now slipped into B grade movies. The direction is topnotch and the screenplay is aptly presented through flashbacks. Right from romance to glamour to action to sentiments, in every aspect of the story, the movie scores with distinction. Art direction and other technical aspects are very good. Editing is also pretty good except for the fact that the movie is too long with an overdose of violence. Dialogues are also very impressive.Laxmikant Pyarelal composed very good music using the lyrics of Javed Akhtar. Other than the female version of Ek Do Teen, its male version (sung by Amit Kumar), So Gaya Ye Jahaan (sung by Nitin Mukesh), Keh Do Ki Tum Ho Meri Varna (Amit Kumar-Anuradha Paudwal duet) and Hum Tumko Dilbar Kyun Maane (Anuradha Paudwal-Sudesh Bhonsle duet) are also very good. The last song was inserted in the movie after its release and box office success.Tezaab has a great repeat value and can be watched many times. I wholeheartedly recommend this movie to both the romantic movie audience as well as the action movie audience. It's wholesome entertainment. Just bear with the excessive violence.
Tezaab, with the tag line a Violent Love Story. Tells the story of Anil Kapoor and his life. He goes through a series of serious incidents which causes him Tezaab. As the title suggests, Tezaab means Acid, as in the burning acid in Anils heart. Anil Kapoor in a award winning role gives a Brilliant performance. Madhuri Dixit looks sexier then ever in a great performance. Chunkey Pandey provides plenty of humour with sidekicks like Johnny Lever in a younger role. Chunkey gives his best performance I've seen till the 2005 release D. Mandakini is there for 10 minutes and looks sexy as usual. The supporting Cast give good performances including Anupom Kher and Kiran Kumar. Tezaab has the famous dance song Ek Do Teen, that made Madhuri more popular in her sexy dance. Madhuri looks stunning in the song, but looks more sexier in Khal Nayak - Choli ke peeche. Tezaab is a great movie that is worth the watch.
N. Chandra's Tezaab was given more than it's due. True the song "Ek Do Teen" is a foot-tabbing number & Madhuri Dixit shot to fame with this movie, yet what nobody seem to have noticed that it is a bad remake of Hollywood's action/ musical "Streets of Fire" (1984).Much publicity was given to the movie, which helped to make it a big success.Another flick used to make the movie a definite success, was adding a song number after the film's release.Nothing special about this movie if you're well acquainted with good movies & cinema.
When N.Chandra's Tezaab was released in 1988, it had all the ingredients of a flop: a story as old as the hills, unknown leading lady, modest budget, and Anil Kapoor. But due to its breakneck storytelling and smoldering lead performances, Tezaab emerged as one of the biggest hits of the 80s and, at the same time, unleashed the Madhu juggernaut that would dominate the industry for almost a decade. The premise is simple: Anil Kapoor and Madhuri Dixit meet in college, have a fight, fall in love...you get the picture. But in a matter of seconds (minor spoiler here) everything, and I mean everything, goes haywire as Anil is banished, Madhuri becomes a dancer, a gang war ensues, Johnny Lever shows up, police corruption raises its ugly head, and 2 scenes are ripped out of The Untouchables. In other words, you know you're watching an Indian movie! Before this film, Anil Kapoor was useless. He was good in supporting roles but, apart from Mr. India the previous year, wasn't having much luck as a leading man. That all changed here as Anil commanded the screen in his portrayal of Munna, an ex-patriot who now finds himself on the other side of the law. The raw edge that he brought to the character was a revelation and one wishes he'd done more of these roles instead of the "nice guy everyman types" that he plays now. As the long-suffering yet loyal Mohini, a psychology student forced into dancing by her alcoholic father - played well by Anupham Kher- Madhuri, who was only 21 at the time, gave the type of no holds barred performance that most actresses don't give in their life. Her desire to succeed is so evident in this film and she is never overshadowed nor overacts. The infamous "Ek Do Teen" number is here, complete with all the "Jhataks Mathaks" that accompanied her star turn. The film lost the Boscar (i.e. the Indian Oscar) to Qayamat se Qayamat Tak although Anil did take home the Best Actor trophy over Aamir Khan. Madhuri, in a close call, lost out to Rekha (if you care). The flashback technique that Chandra incorporated into the film saved it from being a bore without confusing the viewer. The story may not have been original, but it's the execution that made it a winner.