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Three mountain men live a simple life in a forest, until a construction crew shows up to make a park, and the men are prepared to defend their land and lifestyle by any means necessary.

Wayne Crawford as  David (as Scott Lawrence)
William Kerwin as  Monroe (as Thomas Wood)

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Reviews

Scott LeBrun
1975/07/01

This Floridian "hicksploitation" flick doesn't have a hell of a lot going for it, but does prove to be genuinely amusing at times. It begins with three brothers, Monroe (William Kerwin of "Blood Feast" and "Two Thousand Maniacs!"), Ezra (Daniel Schweitzer), and Benny (Sam Moree), who are fiercely dedicated to Mother Nature. So much so that when construction workers begin clearing their forest in order to start creating a park, they see red. After an altercation with one of the workers, the poor schmuck is chopped in half with his own bulldozer blade. And the brothers feel that now that they've killed someone, there ain't no turning back. Soon they're intent on wiping out the two couples that have had the audacity to enter their domain. Now, the star, and co-writer of both the story and the screenplay, Wayne Crawford, has the biggest character arc, playing the young man grown disillusioned by working for a weapons manufacturer (he's a pacifist) who's gonna have to find some sort of fighting instinct inside of him. But the best actor in the thing is definitely Kerwin, whose character is more likable than anyone else here, and certainly the least abrasive. Most everybody else is flat out annoying, although Benny is such a hoot the way that he rocks that enormous white man's Afro. Director / co-writer Harry Kerwin (William's brother, who also directed William and Wayne in the eco-conscious conspiracy thriller "Barracuda") includes enough sleazy elements to try to maintain the interest of drive-in movie fans, particularly sex, bare skin, and rape. The main problem here is that the movie is rough going for a while, setting up characters but taking too long to get them where they're going. Some of those tunes are catchy, but after a while the music gets to be a bit much. Only in the last 20 minutes or so do things get more interesting, with the backwoods brothers determined to eliminate the city folk. An interesting, crude 'n' cheap, yet oddly entertaining little flick, "God's Bloody Acre" is no classic of its particular sub genre, but fans of this sort of thing may still want to check it out. Six out of 10.

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HumanoidOfFlesh
1975/07/02

When a group of developers threaten the land of three backwoods mountain-dwelling brothers Ezra,Benny and Monroe,the homeless rednecks must resort to murder to defend their property.However the trio starts killing not only construction workers,but also camping vacationers...Very enjoyable exploitation trash with nasty drawn out rape scene,rampant misogyny and racist overtones.This low-budgeter is surprisingly tense due to its nasty subject matter.Almost all the characters are despicable,the acting is bad and the gore is amateurish.Still if you enjoyed such redneck terror movies like "Trapped" or "Hunter's Blood" you can't go wrong with "God's Bloody Acre".I'm really surprised that this film didn't achieved cult status yet.

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Coventry
1975/07/03

Rednecks, hillbillies, hicks, local yokels, … whatever you call them, the intellectually underdeveloped people from the (Southern) U.S. backwoods form the greatest assembly of stereotypes the horror genre has to offer! Also, movies featuring maniacal rednecks truly reflect the spirit and heyday of 70's exploitation cinema, as these types of films simply cannot be made anymore nowadays. They're filthy, always discriminating to someone, rough, women-unfriendly and shameless. If someone made something like this today, groups of protesters would march outside the theaters until the owners have no other choice but to cancel the showings. The wondrously unscrupulous 70's decade has various "Rednecksploitation" highlights to offer, including acclaimed classics ("The Texas Chainsaw Massacre", "Deliverance") and fantastic hidden gems ("Poor Pretty Eddie", "The Love Butcher"). I secretly hoped to have stumbled on yet another hidden redneck-gem when I got my dirty little hands on "God's Bloody Acre", but apparently there are a handful of good reasons to justify this film's obscurity status. "God's Bloody Acre" is a tedious and uneventful film, and unless you dispose of a really high level of tolerance regarding bad acting, endless padding and a lack of coherence, you should avoid seeking out this film like you would avoid walking in front of a moving bus. The grounds for failure involve a combination of uninspired plotting and severe budgetary restraints. Director Harry Kerwin, as well as his entire cast and crew, obviously displays a lot of goodwill but he had very little to process into results. The basic plot outline shows potential, but the rest of the screenplay was seemingly improvised on the spot. The peaceful lives of three hillbilly brothers, homing in their self-made tepee in the middle of the woods, get brutally interrupted when construction workers arrive with their heavy machinery and begin to deforest the area in favor of building a camping ground. Reluctant to leave the area, they plan to scare the workmen away, but the youngest and over-enthusiast brother Billy accidentally kills one of them. Convinced there's no way back now, the threesome continue to terrorize everyone who sets foot on their turf, including two couples camping in the woods. "God's Bloody Acre" easily could have been a uniquely gritty and violent piece of redneck-horror, but alas, it turned out as 85 minutes of sheer boredom with only a couple of pleasurable moments. For some reason the script insists on drawing the pointless backgrounds of the camping couples. We witness the middle-aged couple struggling through a boring marriage crisis and needless flashbacks illustrate the reasons why the other two decided to leave everything behind. Yawn. The sequences revolving on the three rednecks and their primitive life-styles are the only worth mentioning. The oldest brother Monroe is the leader and Ezra desperately craves female attention. The coolest one, however, is young Billy. His hair looks like an exploded poodle and he tries to nurse cut down trees with bandages. The massacres are as good as bloodless, the undertones are quite racist, the plot-twists are absurd and senseless and there's only a slight bit of nudity on display. Heck, even the hillbilly-soundtrack is disappointing. You'll quickly find yourself making up your plot and repeating lines from other, more successful backwoods horror films.

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EyeAskance
1975/07/04

A trio of separatist hillbillies mobilize to halt the development of a campsite in their deep-woods homestead. What begins as a harmless scheme to scare people away quickly turns deadly.There's little question that GOD'S BLOODY ACRE is a product of loose-change funding and a three-day-weekend shooting schedule. Despite the transparencies of an indifferently overseen production, however, there's good potential for shameful gratification in this frowzy little regional outgrowth. The first half hour is a razor-to-wrist bore, but if you can get past that, the story does eventually grease the wheels and keep a steady beat(putting forward one of the most drawn-out, strangely choreographed fight scenes I've ever witnessed).This is a lazy concoction from folks who have done far better work(see: SOMETIMES AUNT MARTHA DOES DREADFUL THINGS), but it does have a certain something...just not a whole lot of it.5/10

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