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Lena, a woman in her late twenties, loves her boyfriend, but in time comes to see that their relationship serves no useful function. What's more, she sees that her friends are for the most part empty-headed lackeys, causing her to wonder just what is the point of her life.

Yevgeniya Uralova as  Lena
Aleksandr Belyavskiy as  Volodya
Yuri Vizbor as  Alik
Aleksandr Mitta as  Vladik
Alla Pokrovskaya as  Lelya Kurikhina
Valentina Sharykina as  Lusya
Evgeniya Kozyreva as  Lena's Mother
Ilya Bylinkin as  Zhenya
Yuri Ilchuk as  Leva
Zinoviy Gerdt as  

Reviews

pashav
1967/08/07

The movie has rather a loose plot of a perished love as a background for displaying the Moscow life in the 60-s. It's mostly a set of shrewd observations with a clear premonition and question mark at the end.It shows the time of the choice of a future way for the country. In fact the choice was already made in October 1964, when conformist climbers and unprincipled egotists (Volodya) took a lead of the Soviet society and eventually destroyed it. The most charming and human figure of the movie is Alik, played by the famous Russian bard Yuri Vizbor. Alik represents the honest and skeptical part of Soviet society, that didn't have much hope for the bright future and tried to enjoy the life, avoiding ranting and bargaining with the conscience.One of the most brilliant films of the ending Khruschiov's "thaw", reflecting its hopes and vague apprehensions. The vivid scenes of Moscow 60-s intellectuals life are portrayed with a slight irony and melancholy, that makes the movie an enjoyable souvenir for a couple of Soviet generations.

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